℗ 2017 Groupe Analekta
| Released | October 6, 2017 |
| Duration | 1h 02m 01s |
| Record Label | Groupe Analekta, Inc |
| Genre | Classical |
Portrait: Max Richter
Angèle Dubeau, La Pietà
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
“The Leftovers” – Season 1
|
|||||
|
1.1
|
The Leftovers Main Titles
Angèle Dubeau; La Pietà |
3:31 | |||
|
1.2
|
Dona Nobis Pacem 2
Angèle Dubeau; La Pietà |
3:15 | |||
|
“Memoryhouse”
|
|||||
|
1.3
|
November
Angèle Dubeau; La Pietà |
5:41 | |||
|
“Black Mirror – Nosedive”
|
|||||
|
1.4
|
The Journey, not the Destination
Angèle Dubeau; La Pietà |
3:59 | |||
|
“Songs From Before”
|
|||||
|
1.5
|
Autumn Music 2
Angèle Dubeau; La Pietà |
3:40 | |||
|
1.6
|
She Remembers
Angèle Dubeau; La Pietà |
3:26 | |||
|
“Memoryhouse”
|
|||||
|
1.7
|
Fragment – Embers
Angèle Dubeau; La Pietà |
4:27 | |||
|
“The Blue Notebooks” and “Disconnect”
|
|||||
|
1.8
|
On the Nature of Daylight – Written on the Sky
Angèle Dubeau; La Pietà |
4:01 | |||
|
“Memoryhouse”
|
|||||
|
1.9
|
Sketchbook
Angèle Dubeau; La Pietà |
2:14 | |||
|
“Black Mirror – Nosedive”
|
|||||
|
1.10
|
The Consolations of Philosophy
Angèle Dubeau; La Pietà |
3:46 | |||
|
1.11
|
Andante/Reflection (End Title)
Angèle Dubeau; La Pietà |
3:24 | |||
|
1.12
|
Departure (Lullaby) – The Quality of Mercy
Angèle Dubeau; La Pietà |
4:42 | |||
|
“Perfect Sense”
|
|||||
|
1.13
|
Luminous
Angèle Dubeau; La Pietà |
4:20 | |||
|
“From Sleep”
|
|||||
|
1.14
|
Path 19
Angèle Dubeau; La Pietà |
3:54 | |||
|
1.15
|
Mercy
Angèle Dubeau; La Pietà |
5:01 | |||
|
Recomposed by Max Richter, Vivaldi The Four Seasons
|
|||||
|
1.16
|
Winter II
Angèle Dubeau; La Pietà |
2:40 | |||
|
Digital Booklet
|
|||||
Canadian violinist Angèle Dubeau and her ensemble La Pietà present Portrait: Max Richter, a collection of pieces by contemporary British composer Max Richter. A prolific concert, film and television composer, Richter employs a cinematic approach to his work both in and outside the movie theatre, on full display in this release which brings together works such as November (from his 2002 debut solo album Memoryhouse) and excerpts from the 2008 film Waltz with Bashir, performed with appropriate pathos and drama by the Pietà musicians.
96 kHz / 24-bit PCM – Groupe Analekta, Inc Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.95 -9.32 to -0.20 | -21.26 -27.05 to -17.04 | -17.61 -22.30 to -13.30 | 11 8 to 14 | |
| 1 | The Leftovers Main Titles | -0.91 | -18.75 | -15.1 | 11 |
| 2 | Dona Nobis Pacem 2 | -0.20 | -18.51 | -14.1 | 10 |
| 3 | November | -0.20 | -19.07 | -15.3 | 12 |
| 4 | The Journey, not the Destination | -1.41 | -17.05 | -14.1 | 8 |
| 5 | Autumn Music 2 | -0.46 | -18.73 | -15.7 | 11 |
| 6 | She Remembers | -0.60 | -20.84 | -17.3 | 11 |
| 7 | Fragment – Embers | -0.20 | -20.30 | -16.9 | 11 |
| 8 | On the Nature of Daylight – Written on the Sky | -1.20 | -20.68 | -17.7 | 12 |
| 9 | Sketchbook | -0.41 | -19.24 | -15.5 | 12 |
| 10 | The Consolations of Philosophy | -0.20 | -20.83 | -17.5 | 12 |
| 11 | Andante/Reflection (End Title) | -4.64 | -26.58 | -22.3 | 14 |
| 12 | Departure (Lullaby) – The Quality of Mercy | -3.03 | -25.12 | -21.8 | 14 |
| 13 | Luminous | -0.21 | -17.04 | -13.3 | 9 |
| 14 | Path 19 | -9.32 | -24.75 | -22.3 | 10 |
| 15 | Mercy | -4.04 | -25.65 | -21.7 | 13 |
| 16 | Winter II | -4.19 | -27.05 | -21.1 | 13 |