℗ 2022 Grand Piano
| Released | November 11, 2022 |
| Duration | 1h 15m 55s |
| Record Label | Grand Piano |
| Genre | Classical (Piano) |
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1.1
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Sarabande for Piano
Jaromír Weinberger; Gottlieb Wallisch |
6:30 | |||
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Piano Sonata No. 2 in D Minor, Op. 4
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1.2
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I. Allegro passionato
Jaromír Weinberger; Gottlieb Wallisch |
7:49 | |||
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1.3
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II. Vivo ironicamente
Jaromír Weinberger; Gottlieb Wallisch |
4:26 | |||
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1.4
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III. Introduzione. Moderato - Fuga. Largo
Jaromír Weinberger; Gottlieb Wallisch |
7:25 | |||
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Piano Sonata No. 3 in G Major "Spinet Sonata"
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1.5
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I. Andantino
Jaromír Weinberger; Gottlieb Wallisch |
6:33 | |||
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1.6
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II. Menuett. Allegro giusto
Jaromír Weinberger; Gottlieb Wallisch |
5:37 | |||
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1.7
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III. Finale. Rondo
Jaromír Weinberger; Gottlieb Wallisch |
4:36 | |||
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1.8
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Pavane pour dulcinea de toboso
Jaromír Weinberger; Gottlieb Wallisch |
3:40 | |||
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1.9
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Valses nobles for Piano
Jaromír Weinberger; Gottlieb Wallisch |
3:44 | |||
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Rytiny
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1.10
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No. 1, Prelude & Fugue
Jaromír Weinberger; Gottlieb Wallisch |
4:25 | |||
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1.11
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No. 2, Prelude & Fugue
Jaromír Weinberger; Gottlieb Wallisch |
3:12 | |||
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1.12
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No. 3, Prelude & Fugue
Jaromír Weinberger; Gottlieb Wallisch |
2:14 | |||
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1.13
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No. 4, Prelude & Fugue
Jaromír Weinberger; Gottlieb Wallisch |
4:28 | |||
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1.14
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No. 5, Prelude & Fugue
Jaromír Weinberger; Gottlieb Wallisch |
3:37 | |||
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1.15
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Mi-La-Do
Jaromír Weinberger; Gottlieb Wallisch |
0:39 | |||
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Švanda dudák (Excerpts Arr. G. Blasser for Piano)
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1.16
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I. Furiant
Jaromír Weinberger; Gustav Blasser; Gottlieb Wallisch |
2:29 | |||
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1.17
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II. Böhmischer Tanz
Jaromír Weinberger; Gustav Blasser; Gottlieb Wallisch |
2:13 | |||
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1.18
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III. Polka
Jaromír Weinberger; Gustav Blasser; Gottlieb Wallisch |
2:18 | |||
The international success of Weinberger’s opera Schwanda the Bagpiper in 1927 has obscured a sequence of piano works written when the composer was still in his teens. The Second and Third Piano Sonatas form a commanding pair, both written in 1915 – the former autobiographical, playful and dark – the latter neo-Classical with Francophile elements. Elsewhere one can admire his use of 16th-century dance forms, his melodic gifts in the Valses Nobles, and his technical command of preludes and fugues in Gravures. The three arrangements from Schwanda show his imperishable use of Bohemian dance forms.
48 kHz / 24-bit PCM – Grand Piano Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.33 -14.10 to -0.30 | -25.11 -34.49 to -21.23 | -21.69 -30.80 to -18.10 | 13 11 to 16 | |
| 1 | Sarabande for Piano | -2.44 | -26.88 | -23.6 | 16 |
| 2 | I. Allegro passionato | -0.30 | -21.47 | -18.1 | 13 |
| 3 | II. Vivo ironicamente | -3.42 | -24.90 | -21.3 | 14 |
| 4 | III. Introduzione. Moderato - Fuga. Largo | -1.51 | -23.27 | -19.5 | 13 |
| 5 | I. Andantino | -3.19 | -25.74 | -22.5 | 13 |
| 6 | II. Menuett. Allegro giusto | -2.49 | -25.37 | -22.3 | 14 |
| 7 | III. Finale. Rondo | -1.34 | -22.62 | -19.1 | 13 |
| 8 | Pavane pour dulcinea de toboso | -1.37 | -22.54 | -19.2 | 13 |
| 9 | Valses nobles for Piano | -2.66 | -26.11 | -22.7 | 14 |
| 10 | No. 1, Prelude & Fugue | -3.62 | -28.06 | -24.8 | 14 |
| 11 | No. 2, Prelude & Fugue | -2.94 | -24.00 | -20.1 | 13 |
| 12 | No. 3, Prelude & Fugue | -4.10 | -27.40 | -22.6 | 14 |
| 13 | No. 4, Prelude & Fugue | -3.93 | -28.32 | -24.9 | 16 |
| 14 | No. 5, Prelude & Fugue | -1.21 | -21.23 | -18.1 | 12 |
| 15 | Mi-La-Do | -14.10 | -34.49 | -30.8 | 11 |
| 16 | I. Furiant | -2.84 | -21.86 | -18.9 | 12 |
| 17 | II. Böhmischer Tanz | -5.79 | -26.33 | -23.6 | 13 |
| 18 | III. Polka | -2.75 | -21.34 | -18.3 | 12 |