℗ 2022 Deutsche Grammophon, Berlin
Released | November 18, 2022 |
Duration | 56m 30s |
Record Label | Deutsche Grammophon (DG) |
Genre | Classical |
Schubert: Schwanengesang
Andrè Schuen, Daniel Heide
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Schwanengesang, D. 957
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1.1
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No. 1, Liebesbotschaft
Franz Schubert; Ludwig Heinrich Friedrich Rellstab; Andrè Schuen; Daniel Heide |
2:57 | |||
1.2
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No. 2, Kriegers Ahnung
Franz Schubert; Ludwig Heinrich Friedrich Rellstab; Andrè Schuen; Daniel Heide |
5:28 | |||
1.3
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No. 3, Frühlingssehnsucht
Franz Schubert; Ludwig Heinrich Friedrich Rellstab; Andrè Schuen; Daniel Heide |
3:23 | |||
1.4
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No. 4, Ständchen
Franz Schubert; Ludwig Heinrich Friedrich Rellstab; Andrè Schuen; Daniel Heide |
4:15 | |||
1.5
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No. 5, Aufenthalt
Franz Schubert; Ludwig Heinrich Friedrich Rellstab; Andrè Schuen; Daniel Heide |
3:01 | |||
1.6
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No. 6, In der Ferne
Franz Schubert; Ludwig Heinrich Friedrich Rellstab; Andrè Schuen; Daniel Heide |
6:58 | |||
1.7
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No. 7, Abschied
Franz Schubert; Ludwig Heinrich Friedrich Rellstab; Andrè Schuen; Daniel Heide |
4:38 | |||
1.8
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No. 8, Der Atlas
Franz Schubert; Heinrich Heine; Andrè Schuen; Daniel Heide |
2:39 | |||
1.9
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No. 9, Ihr Bild
Franz Schubert; Heinrich Heine; Andrè Schuen; Daniel Heide |
3:04 | |||
1.10
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No. 10, Das Fischermädchen
Franz Schubert; Heinrich Heine; Andrè Schuen; Daniel Heide |
2:30 | |||
1.11
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No. 11, Die Stadt
Franz Schubert; Heinrich Heine; Andrè Schuen; Daniel Heide |
3:04 | |||
1.12
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No. 12, Am Meer
Franz Schubert; Heinrich Heine; Andrè Schuen; Daniel Heide |
4:50 | |||
1.13
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No. 13, Der Doppelgänger
Franz Schubert; Heinrich Heine; Andrè Schuen; Daniel Heide |
5:39 | |||
1.14
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No. 14, Die Taubenpost, D. 965a
Franz Schubert; Johann Gabriel Seidl; Andrè Schuen; Daniel Heide |
4:04 | |||
Digital Booklet
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Schubert’s enigmatic final collection of songs, Schwanengesang, is the subject of baritone Andrè Schuen and his longstanding accompanist Daniel Heide’s second release for DG. Baritone Andrè Schuen calls Schwanengesang “my greatest love among the Schubert lieder. Especially the Heine settings; they move me the most!” His admiration for the cycle dates back to a time before he had even become a professional singer: “It’s one of the first lied compositions I got to know. I remember a recording with Dietrich Fischer-Dieskau that I played over and over again.”
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.57 -6.59 to -1.20 | -25.44 -28.44 to -21.56 | -20.61 -23.30 to -15.20 | 14 13 to 16 | |
1 | No. 1, Liebesbotschaft | -3.63 | -25.78 | -22.8 | 14 |
2 | No. 2, Kriegers Ahnung | -1.20 | -25.50 | -20.8 | 16 |
3 | No. 3, Frühlingssehnsucht | -1.20 | -22.57 | -18.9 | 15 |
4 | No. 4, Ständchen | -4.72 | -28.10 | -23.3 | 14 |
5 | No. 5, Aufenthalt | -1.20 | -21.56 | -17.8 | 13 |
6 | No. 6, In der Ferne | -1.20 | -25.79 | -20.3 | 16 |
7 | No. 7, Abschied | -4.21 | -26.44 | -23.3 | 15 |
8 | No. 8, Der Atlas | -1.89 | -22.95 | -18.7 | 13 |
9 | No. 9, Ihr Bild | -4.14 | -28.44 | -22.9 | 14 |
10 | No. 10, Das Fischermädchen | -6.59 | -26.55 | -23.3 | 13 |
11 | No. 11, Die Stadt | -1.20 | -25.44 | -18.3 | 15 |
12 | No. 12, Am Meer | -1.20 | -26.10 | -19.6 | 15 |
13 | No. 13, Der Doppelgänger | -1.20 | -24.32 | -15.2 | 13 |
14 | No. 14, Die Taubenpost, D. 965a | -2.38 | -26.68 | -23.3 | 14 |