℗ 2022 Deutschlandradio / Deutsche Grammophon, Berlin
Released | November 18, 2022 |
Duration | 1h 15m 21s |
Record Label | CAvi-music |
Genre | Classical |
Haydn: Die sieben letzten Worte unseres Erlösers am Kreuz / Sánchez-Verdú: Sheba
Capella Augustina, Andreas Spering
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1
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1.1
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I. Introduzione (Adagio)
Joseph Haydn; Capella Augustina; Andreas Spering |
5:04 | |||
1.2
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II. Sonata I (Largo)
Joseph Haydn; Capella Augustina; Andreas Spering |
5:58 | |||
Sheba
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1.3
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I. Sheba I
José María Sánchez-Verdú; Capella Augustina; Andreas Spering |
2:16 | |||
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1
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1.4
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III. Sonata II (Grave e cantabile)
Joseph Haydn; Capella Augustina; Andreas Spering |
7:40 | |||
Sheba
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1.5
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II. Sheba II
José María Sánchez-Verdú; Capella Augustina; Andreas Spering |
2:05 | |||
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1
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1.6
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IV. Sonata III (Grave)
Joseph Haydn; Capella Augustina; Andreas Spering |
7:30 | |||
Sheba
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1.7
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III. Sheba III
José María Sánchez-Verdú; Capella Augustina; Andreas Spering |
2:44 | |||
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1
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1.8
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V. Sonata IV (Largo)
Joseph Haydn; Capella Augustina; Andreas Spering |
8:51 | |||
Sheba
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1.9
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IV. Sheba IV
José María Sánchez-Verdú; Capella Augustina; Andreas Spering |
1:38 | |||
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1
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1.10
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VI. Sonata V (Adagio)
Joseph Haydn; Capella Augustina; Andreas Spering |
8:41 | |||
Sheba
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1.11
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V. Sheba V
José María Sánchez-Verdú; Capella Augustina; Andreas Spering |
2:20 | |||
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1
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1.12
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VII. Sonata VI (Lento)
Joseph Haydn; Capella Augustina; Andreas Spering |
6:34 | |||
Sheba
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1.13
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VI. Sheba VI
José María Sánchez-Verdú; Capella Augustina; Andreas Spering |
2:10 | |||
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1
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1.14
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VIII. Sonata VII (Largo)
Joseph Haydn; Capella Augustina; Andreas Spering |
7:49 | |||
Sheba
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1.15
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VII. Sheba VII
José María Sánchez-Verdú; Capella Augustina; Andreas Spering |
2:31 | |||
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1
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1.16
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IX. Il Terremoto (Presto e con tutta la forza)
Joseph Haydn; Capella Augustina; Andreas Spering |
1:30 | |||
Digital Booklet
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"The present recording is the fruit and consequence of a project that the Brühl Castle Concerts and the Capella Augustina have initiated for several years as part of their Haydn Festival. We commission compositions that deal with the works of Joseph Haydn and are explicitly written for an orchestra with period instruments
in 2018, the commission went to the Spanish composer José Maria Sánchez-Verdú, by whom I had already premiered a highly interesting, fantastically orchestrated work some time before. Sanchez-Verdu, himself a native of Andalusia, chose to compose 'Die sieben letzten Worte unseres Erlösers am Kreuz'.
Haydn famously wrote the piece for a special Good Friday Passion liturgy in Cadiz. Sánchez-Verdú wrote 'Sheba' (the Hebrew word for 'seven') as interludes to Haydn's work. Each of the 7 sonatas is followed by a movement of about 2-3 minutes, which acts as a commentary, exegesis, continuation or even antithesis of Haydn's pieces. The concluding seventh movement leads directly into the final earthquake
Sometimes it is a single sound, then again a movement impulse or just a gesture in Haydn's work that is inspiration and starting point for him For him, the historical instrumentation was both an incentive and a mission."
- Andreas Spering (From the liner notes)
96 kHz / 24-bit PCM – CAvi-music Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.33 -28.20 to -1.18 | -30.47 -50.91 to -18.19 | -26.33 -47.80 to -15.50 | 13 11 to 16 | |
1 | I. Introduzione (Adagio) | -3.97 | -25.22 | -19.8 | 13 |
2 | II. Sonata I (Largo) | -7.83 | -29.99 | -26.1 | 13 |
3 | I. Sheba I | -8.48 | -30.68 | -26.6 | 13 |
4 | III. Sonata II (Grave e cantabile) | -5.44 | -31.14 | -27.7 | 15 |
5 | II. Sheba II | -17.84 | -37.00 | -33.5 | 11 |
6 | IV. Sonata III (Grave) | -4.68 | -30.03 | -26.6 | 16 |
7 | III. Sheba III | -28.20 | -50.91 | -47.8 | 13 |
8 | V. Sonata IV (Largo) | -4.22 | -27.32 | -22.1 | 13 |
9 | IV. Sheba IV | -7.72 | -32.38 | -26.2 | 14 |
10 | VI. Sonata V (Adagio) | -2.94 | -25.32 | -19.9 | 14 |
11 | V. Sheba V | -13.83 | -35.14 | -31.4 | 11 |
12 | VII. Sonata VI (Lento) | -5.20 | -26.38 | -22.5 | 13 |
13 | VI. Sheba VI | -9.70 | -30.28 | -26.4 | 13 |
14 | VIII. Sonata VII (Largo) | -6.10 | -27.74 | -23.2 | 12 |
15 | VII. Sheba VII | -6.02 | -29.88 | -25.9 | 14 |
16 | IX. Il Terremoto (Presto e con tutta la forza) | -1.18 | -18.19 | -15.5 | 11 |