℗ 2022 Leaf Music
Released | November 18, 2022 |
Duration | 58m 27s |
Record Label | Leaf Music |
Genre | Classical (Violin) |
1.1
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Evennight
Benton Roark; Kate Read |
7:39 | |||
1.2
|
Blackwood Sketches
Andrew Staniland; Kate Read; Andrew Staniland |
9:41 | |||
Rosary Sonatas
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1.3
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No. 16 in G Minor, Passacaglia, C. 105 (Arr. K. Read for Viola)
Heinrich Ignaz Franz Biber; Kate Read; Kate Read |
11:17 | |||
1.4
|
Keep in Touch
Nico Muhly; Kate Read; Nico Muhly |
12:09 | |||
Violin Sonata No. 3 in C Major, BWV 1005 (Excerpts Arr. K. Read for Viola)
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1.5
|
III. Largo
Johann Sebastian Bach; Kate Read; Kate Read |
4:28 | |||
1.6
|
IV. Allegro assai
Johann Sebastian Bach; Kate Read; Kate Read |
5:21 | |||
1.7
|
Aftermath (After J.S. Bach)
Michelle LaCour; Kate Read; Kate Read; Michelle LaCour |
7:52 |
Kate Read is thrilled to present After, her first record on Leaf Music. After is the culmination of a pandemic’s worth of time and experimentation directed towards melding the organic with the electronic. After features famous works from Bach, Muhly, and Heinrich Ignaz Franz Biber, as well as two newly commissioned works from Canadian composer and professor Andrew Staniland and composer Benton Roark.
Inspiration for After began to form during the pandemic, when, like many artists, Kate Read found herself alone and in need of some solace. She found this solace in two forms. One, perhaps expected, was through the works of Bach and Muhly. The other, however, was through experimenting with electronics. This eventually led to the masterful combination and integration of baroque and electronics heard on After.
Speaking on the power of music to provide solace in times of difficulty and stress, Read comments:
“I continued on to spend a lot of time with Nico Muhly’s 'Keep in Touch'. Interestingly, in playing this piece I found that my sense of isolation was alleviated, despite Muhly’s words: 'Every dimension of the piece accentuates the 'in-betweenness' of these two strange voices: …Antony’s (Hegarty) voice, so stately on his own records, is here reduced to abrupt, extemporaneous gestures, mirroring, not alleviating, the viola’s isolation.”
96 kHz / 24-bit PCM – Leaf Music Studio Masters
Tracks 1-7 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-7 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.33 -2.22 to -1.02 | -20.69 -21.26 to -19.80 | -16.94 -17.40 to -16.30 | 12 11 to 13 | |
1 | Evennight | -1.02 | -19.80 | -16.3 | 11 |
2 | Blackwood Sketches | -1.02 | -21.08 | -16.9 | 12 |
3 | No. 16 in G Minor, Passacaglia, C. 105 (Arr. K. Read for Viola) | -1.02 | -21.00 | -17.0 | 12 |
4 | Keep in Touch | -1.02 | -20.39 | -16.9 | 12 |
5 | III. Largo | -2.22 | -20.99 | -17.4 | 12 |
6 | IV. Allegro assai | -1.02 | -20.32 | -17.1 | 13 |
7 | Aftermath (After J.S. Bach) | -2.02 | -21.26 | -17.0 | 12 |