℗ 2022 Orchid Classics
| Released | November 18, 2022 |
| Duration | 1h 03m 54s |
| Record Label | Orchid Classics |
| Genre | Classical |
El cielo y sus estrellas
Camerata Antonio Soler, Javier José Mendoza
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sinfonia in D Major “La tempestad del mar”
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1.1
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I. Allegro
David Pérez; Camerata Antonio Soler; Javier José Mendoza |
1:42 | |||
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1.2
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II. Arco iris
David Pérez; Camerata Antonio Soler; Javier José Mendoza |
1:07 | |||
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1.3
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III. Bailete
David Pérez; Camerata Antonio Soler; Javier José Mendoza |
1:46 | |||
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1.4
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Si aleve fortuna
Ignacio Jerusalem; Camerata Antonio Soler; Javier José Mendoza; Molly Netter |
4:00 | |||
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Sinfonia in B-Flat Major
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1.5
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I. Allegro
Luis Misón; Camerata Antonio Soler; Javier José Mendoza |
3:35 | |||
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1.6
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II. Andante
Luis Misón; Camerata Antonio Soler; Javier José Mendoza |
1:39 | |||
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1.7
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III. Presto
Luis Misón; Camerata Antonio Soler; Javier José Mendoza |
1:25 | |||
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1.8
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Por qué Pedro?
Santiago Billoni; Camerata Antonio Soler; Javier José Mendoza; Molly Netter; David Trillo |
8:01 | |||
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1.9
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Qué dolor, qué desconsuelo
Ignacio Jerusalem; Camerata Antonio Soler; Javier José Mendoza; José Hernández Pastor; Laura Quesada |
13:14 | |||
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Sinfonia in D Major
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1.10
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I. Allegro
José Herrando; Camerata Antonio Soler; Javier José Mendoza |
2:56 | |||
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1.11
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II. Andante
José Herrando; Camerata Antonio Soler; Javier José Mendoza |
2:10 | |||
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1.12
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III. Allegro
José Herrando; Camerata Antonio Soler; Javier José Mendoza |
1:12 | |||
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1.13
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Sube a gozar
Ignacio Jerusalem; Camerata Antonio Soler; Javier José Mendoza; Eleanor Ranney-Mendoza; Molly Netter |
12:19 | |||
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1.14
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El cielo y sus estrellas
Esteban Salas y Castro; Camerata Antonio Soler; Javier José Mendoza; Eleanor Ranney-Mendoza; Molly Netter; José Hernández Pastor |
8:48 | |||
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Digital Booklet
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Camerata Antonio Soler and its conductor Javier José Mendoza draw us into the heady world of 18th-century music from ‘New Spain’ – which encompassed parts of the Spanish Empire including present-day Mexico and Cuba. This elegant ‘galant’ repertoire includes non-liturgical Christian works performed by the cathedral choirs of the time, written by composers including Davide Perez, Luis Misón and José Herrando, all of whom made their careers on the Iberian Peninsula. We also hear from two Italians who served as chapel masters in present-day Mexico: Santiago Billoni and Ignacio Jerusalem.
The cultural and ceremonial life of New Spain is vividly evoked by these works, which, though devotional, show the influence of the dramatic theatrical and secular music of the time. The album also features three secular sinfonías from the Iberian peninsula, written in the tradition of the Italian opera overture.
Camerata Antonio Soler is joined for this sumptuous recording by sopranos Molly Netter and Eleanor Ranney-Mendoza, countertenor José Hernández Pastor, tenor David Trillo, and flautist Laura Quesada.
96 kHz / 24-bit PCM – Orchid Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.74 -9.42 to -1.00 | -22.91 -29.41 to -18.30 | -19.70 -25.80 to -15.20 | 13 11 to 15 | |
| 1 | I. Allegro | -1.00 | -21.17 | -18.3 | 14 |
| 2 | II. Arco iris | -8.61 | -29.41 | -25.8 | 12 |
| 3 | III. Bailete | -2.56 | -22.93 | -19.6 | 14 |
| 4 | Si aleve fortuna | -1.00 | -18.30 | -15.2 | 11 |
| 5 | I. Allegro | -3.09 | -23.51 | -20.6 | 14 |
| 6 | II. Andante | -5.26 | -26.34 | -23.3 | 14 |
| 7 | III. Presto | -1.00 | -21.78 | -18.5 | 12 |
| 8 | Por qué Pedro? | -1.00 | -22.09 | -18.6 | 14 |
| 9 | Qué dolor, qué desconsuelo | -1.00 | -23.84 | -20.8 | 15 |
| 10 | I. Allegro | -1.00 | -21.60 | -18.3 | 14 |
| 11 | II. Andante | -9.42 | -27.74 | -24.8 | 12 |
| 12 | III. Allegro | -1.40 | -21.16 | -17.7 | 14 |
| 13 | Sube a gozar | -1.00 | -20.22 | -16.6 | 12 |
| 14 | El cielo y sus estrellas | -1.00 | -20.65 | -17.7 | 13 |