℗ 2022 Sub Pop Records
| Released | November 18, 2022 |
| Duration | 46m 22s |
| Genre | Alternative (Singer/Songwriter) |
And In The Darkness, Hearts Aglow
Weyes Blood
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
|
It's Not Just Me, It's Everybody
Weyes Blood |
6:16 | |||
|
1.2
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Children of the Empire
Weyes Blood |
6:03 | |||
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1.3
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Grapevine
Weyes Blood |
5:25 | |||
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1.4
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God Turn Me Into a Flower
Weyes Blood |
6:25 | |||
|
1.5
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Hearts Aglow
Weyes Blood |
5:49 | |||
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1.6
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And in the Darkness
Weyes Blood |
0:14 | |||
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1.7
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Twin Flame
Weyes Blood |
4:22 | |||
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1.8
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In Holy Flux
Weyes Blood |
1:47 | |||
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1.9
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The Worst Is Done
Weyes Blood |
6:00 | |||
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1.10
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A Given Thing
Weyes Blood |
4:01 |
"Natalie Mering’s majestic fifth record is a dispatch from the center of catastrophe—an idiosyncratic set of love songs and secular hymns with lushly orchestral arrangements."
- Pitchfork
Sub Pop releases the astonishing new Weyes Blood full-length And In The Darkness, Hearts Aglow. The album’s ten tracks were written by Weyes Blood’s Natalie Mering, with album production from Mering along with Jonathan Rado on all songs except for “A Given Thing,” produced by Mering and Rodaidh McDonald. And In The Darkness, Hearts Aglow was mixed by Kenny Gilmore at 101 Studio, mastered by Emily Lazar and Chris Allgood at The Lodge, and features guest appearances from Meg Duffy, Daniel Lopatin, and Mary Lattimore.
"Titanic Rising was the first album of three in a special trilogy. It was an observation of things to come, the feelings of impending doom. And in the Darkness, Hearts Aglow is about entering the next phase, the one in which we all find ourselves today — we are literally in the thick of it. Feeling around in the dark for meaning in a time of instability and irrevocable change. Looking for embers where fire used to be. Seeking freedom from algorithms and a destiny of repetitive loops. Information is abundant, and yet so abstract in its use and ability to provoke tangible actions. Our mediums of communication are fraught with caveats. Our pain, an ironic joke born from a gridlocked panopticon of our own making, swirling on into infinity."
- Weyes Blood
96 kHz / 24-bit PCM – Sub Pop Records Studio Masters
Tracks 3, 7, 8 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 3, 7, 8 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.10 -5.98 to 0.00 | -14.63 -25.30 to -12.25 | -11.89 -21.50 to -9.50 | 7 6 to 9 | |
| 1 | It's Not Just Me, It's Everybody | 0.00 | -13.53 | -10.8 | 7 |
| 2 | Children of the Empire | -0.10 | -13.69 | -10.6 | 7 |
| 3 | Grapevine | -0.10 | -12.33 | -9.5 | 6 |
| 4 | God Turn Me Into a Flower | 0.00 | -13.61 | -11.1 | 6 |
| 5 | Hearts Aglow | -0.10 | -12.30 | -9.7 | 6 |
| 6 | And in the Darkness | -5.98 | -25.30 | -21.5 | 9 |
| 7 | Twin Flame | 0.00 | -12.25 | -10.1 | 7 |
| 8 | In Holy Flux | -2.39 | -16.73 | -13.5 | 8 |
| 9 | The Worst Is Done | 0.00 | -12.50 | -10.2 | 8 |
| 10 | A Given Thing | -0.10 | -14.07 | -11.9 | 8 |