℗ 2017 ACT Music and Vision
| Released | September 29, 2017 |
| Duration | 51m 25s |
| Record Label | ACT Music and Vision |
| Genre | Jazz |
|
1.1
|
931 (after J.S. Bach's Prelude in A Minor, BWV 931)
Dieter Ilg; Rainer Bohm; Patrice Heral |
4:25 | |||
|
1.2
|
Goldberg B (after J.S. Bach's Goldberg Variations, BWV 988)
Dieter Ilg; Rainer Bohm; Patrice Heral |
2:18 | |||
|
1.3
|
Siciliano (after J.S. Bach's Flute Sonata in E Flat Major, BWV 1031)
Dieter Ilg; Rainer Bohm; Patrice Heral |
5:10 | |||
|
1.4
|
Air (after J.S. Bach's Overture (Suite) No. 3 in D Major, BWV 1068)
Dieter Ilg; Rainer Bohm; Patrice Heral |
4:53 | |||
|
1.5
|
Goldberg C (after J.S. Bach's Goldberg Variations, BWV 988)
Dieter Ilg; Rainer Bohm; Patrice Heral |
3:14 | |||
|
1.6
|
Präludium XII (after J.S. Bach's The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude and Fugue No. 12 in F Minor, BWV 857)
Dieter Ilg; Rainer Bohm; Patrice Heral |
5:13 | |||
|
1.7
|
Sarabande (after J.S. Bach's French Suite No. 3 in B Minor, BWV 814)
Dieter Ilg; Rainer Bohm; Patrice Heral |
3:50 | |||
|
1.8
|
Präludium VII (after J.S. Bach's The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude and Fugue No. 12 in F Minor, BWV 857)
Dieter Ilg; Rainer Bohm; Patrice Heral |
4:25 | |||
|
1.9
|
Goldberg A (after J.S. Bach's Goldberg Variations, BWV 988)
Dieter Ilg; Rainer Bohm; Patrice Heral |
4:41 | |||
|
1.10
|
1052 (after J.S. Bach's Violin Concerto in D Minor, BWV 1052)
Dieter Ilg; Rainer Bohm; Patrice Heral |
4:10 | |||
|
1.11
|
Goldberg H (after J.S. Bach's Goldberg Variations, BWV 988)
Dieter Ilg; Rainer Bohm; Patrice Heral |
3:46 | |||
|
1.12
|
924 (after J.S. Bach's Prelude in C Major, BWV 924)
Dieter Ilg; Rainer Bohm; Patrice Heral |
5:20 | |||
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Digital Booklet
|
B-A-C-H sees renowned German jazz bassist Dieter Ilg join with colleagues Rainer Böhm and Patrice Héral to present his inventive reimagining of works by J.S. Bach. Taking pieces such as the Goldberg Variations, excerpts from The Well-Tempered Clavier, and various preludes, concertos, and sonatas, Ilg's arrangements bring new harmonic and timbral life to these beloved Baroque works in a way that is surprisingly fresh.
“The purity and the sense of construction in Bach‘s music are clearest to me when I depart from well-trodden paths and trust my own methods.”
- Dieter Ilg, musician
96 kHz / 24-bit PCM – ACT Music and Vision Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.95 -1.37 to -0.80 | -19.95 -22.43 to -15.90 | -17.61 -19.90 to -13.90 | 13 9 to 15 | |
| 1 | 931 (after J.S. Bach's Prelude in A Minor, BWV 931) | -0.80 | -19.66 | -17.5 | 13 |
| 2 | Goldberg B (after J.S. Bach's Goldberg Variations, BWV 988) | -0.80 | -19.86 | -17.2 | 12 |
| 3 | Siciliano (after J.S. Bach's Flute Sonata in E Flat Major, BWV 1031) | -0.80 | -20.34 | -17.8 | 13 |
| 4 | Air (after J.S. Bach's Overture (Suite) No. 3 in D Major, BWV 1068) | -1.13 | -22.43 | -19.9 | 14 |
| 5 | Goldberg C (after J.S. Bach's Goldberg Variations, BWV 988) | -1.36 | -15.90 | -13.9 | 9 |
| 6 | Präludium XII (after J.S. Bach's The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude and Fugue No. 12 in F Minor, BWV 857) | -0.80 | -19.45 | -17.1 | 12 |
| 7 | Sarabande (after J.S. Bach's French Suite No. 3 in B Minor, BWV 814) | -0.80 | -20.51 | -17.9 | 14 |
| 8 | Präludium VII (after J.S. Bach's The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude and Fugue No. 12 in F Minor, BWV 857) | -0.80 | -21.65 | -19.3 | 15 |
| 9 | Goldberg A (after J.S. Bach's Goldberg Variations, BWV 988) | -1.20 | -22.25 | -19.7 | 14 |
| 10 | 1052 (after J.S. Bach's Violin Concerto in D Minor, BWV 1052) | -0.80 | -16.61 | -14.8 | 10 |
| 11 | Goldberg H (after J.S. Bach's Goldberg Variations, BWV 988) | -1.37 | -20.48 | -18.4 | 13 |
| 12 | 924 (after J.S. Bach's Prelude in C Major, BWV 924) | -0.80 | -20.25 | -17.8 | 13 |