La sonate de Vinteuil: Saint-Saëns - Debussy - Hahn - Pierné
Maria Milstein, Nathalia Milstein
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sonate pour violon et piano en Ré Mineur, Op. 36
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1.1
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I. Allegretto
Gabriel Pierné; Maria Milstein; Nathalia Milstein |
9:06 | |||
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1.2
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II. Allegretto tranquillo
Gabriel Pierné; Maria Milstein; Nathalia Milstein |
5:38 | |||
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1.3
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III. Andante non troppo. Allegretto un poco agitato
Gabriel Pierné; Maria Milstein; Nathalia Milstein |
8:30 | |||
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1.4
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A Chloris
Reynaldo Hahn; Maria Milstein; Nathalia Milstein |
3:23 | |||
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Sonate pour violon et piano No. 1 en Ré Mineur, Op. 75
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1.5
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Allegro agitato
Camille Saint-Saëns; Maria Milstein; Nathalia Milstein |
6:41 | |||
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1.6
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Adagio
Camille Saint-Saëns; Maria Milstein; Nathalia Milstein |
5:46 | |||
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1.7
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Allegro moderato
Camille Saint-Saëns; Maria Milstein; Nathalia Milstein |
3:59 | |||
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1.8
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Allegro molto
Camille Saint-Saëns; Maria Milstein; Nathalia Milstein |
6:04 | |||
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7 Chansons grises
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1.9
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V. L’Heure Exquise
Reynaldo Hahn; Maria Milstein; Nathalia Milstein |
2:36 | |||
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Sonate pour violon et piano, L. 140
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1.10
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I. Allegro vivo
Claude Debussy; Maria Milstein; Nathalia Milstein |
4:53 | |||
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1.11
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II. Intermède. Fantasque et léger
Claude Debussy; Maria Milstein; Nathalia Milstein |
4:24 | |||
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1.12
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III. Finale. Très animé
Claude Debussy; Maria Milstein; Nathalia Milstein |
4:38 | |||
Sisters Maria Milstein (violin) and Nathalia Milstein (piano) present La sonate de Vinteuil, an album inspired by the mysterious “little phrase” of music heard by the character Charles Swan in Proust's novel À la recherche du temps perdu. The inspirations for the fictitious composer Vinteuil and his sonata are still unconfirmed, but the premise makes for an intoxicating collection, bringing together the little-known Sonate pour violon et piano en Ré Mineur by Gabriel Pierné along with sonatas by Saint-Saëns, Debussy, and pieces by Proust's lover Reynaldo Hahn.
88.2 kHz / 24-bit PCM – Mirare Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.12 -15.85 to -1.14 | -27.78 -34.79 to -22.55 | -23.93 -31.20 to -18.70 | 14 10 to 17 | |
| 1 | I. Allegretto | -1.22 | -22.55 | -18.7 | 14 |
| 2 | II. Allegretto tranquillo | -8.83 | -31.12 | -27.8 | 13 |
| 3 | III. Andante non troppo. Allegretto un poco agitato | -1.94 | -22.97 | -18.9 | 13 |
| 4 | A Chloris | -12.04 | -31.53 | -28.4 | 12 |
| 5 | Allegro agitato | -1.17 | -23.10 | -19.0 | 14 |
| 6 | Adagio | -4.35 | -29.68 | -25.5 | 16 |
| 7 | Allegro moderato | -8.63 | -30.10 | -27.1 | 14 |
| 8 | Allegro molto | -1.22 | -23.01 | -19.1 | 14 |
| 9 | V. L’Heure Exquise | -15.85 | -34.79 | -31.2 | 10 |
| 10 | I. Allegro vivo | -1.14 | -27.46 | -22.6 | 16 |
| 11 | II. Intermède. Fantasque et léger | -3.73 | -31.28 | -27.3 | 17 |
| 12 | III. Finale. Très animé | -1.29 | -25.84 | -21.5 | 16 |