℗ 2022 OnClassical
Released | December 9, 2022 |
Duration | 1h 11m 45s |
Record Label | OnClassical |
Genre | Classical (Piano) |
Satie: Favorite Music
Alessandro Simonetto
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
3 Gymnopedies
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1.1
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I. Lent et douloureux
Erik Satie; Alessandro Simonetto |
3:35 | |||
1.2
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II. Lent et triste
Erik Satie; Alessandro Simonetto |
3:06 | |||
1.3
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III. Lent et grave
Erik Satie; Alessandro Simonetto |
2:36 | |||
Gnossiennes
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1.4
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I. Lent
Erik Satie; Alessandro Simonetto |
4:16 | |||
1.5
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II. Avec étonnement
Erik Satie; Alessandro Simonetto |
3:29 | |||
1.6
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III. Lent
Erik Satie; Alessandro Simonetto |
2:52 | |||
1.7
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IV. Lent
Erik Satie; Alessandro Simonetto |
3:01 | |||
1.8
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V. Modéré
Erik Satie; Alessandro Simonetto |
3:21 | |||
1.9
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VI. Avec conviction et avec une tristesse rigoureuse
Erik Satie; Alessandro Simonetto |
1:49 | |||
1.10
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Untitled Piece "Airs à faire fuir" (Ed. R. Caby)
Erik Satie; Robert Caby; Alessandro Simonetto |
1:20 | |||
1.11
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Untitled Piece "Danse de travers" (Ed. R. Caby)
Erik Satie; Robert Caby; Alessandro Simonetto |
2:16 | |||
1.12
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Untitled Piece "Caresse" (Ed. R. Caby)
Erik Satie; Robert Caby; Alessandro Simonetto |
2:19 | |||
Nouvelles pieces froides
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1.13
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I. Sur un mur
Erik Satie; Alessandro Simonetto |
2:30 | |||
1.14
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II. Sur un arbre
Erik Satie; Alessandro Simonetto |
2:27 | |||
1.15
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III. Sur un pont
Erik Satie; Alessandro Simonetto |
3:15 | |||
1.16
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Prelude en Tapisserie
Erik Satie; Alessandro Simonetto |
4:10 | |||
Sports et divertissements
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1.17
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I. Choral inappétissant
Erik Satie; Alessandro Simonetto |
0:46 | |||
1.18
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II. Le balançoire
Erik Satie; Alessandro Simonetto |
0:30 | |||
1.19
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III. Le chasse
Erik Satie; Alessandro Simonetto |
0:25 | |||
1.20
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Iv. La comédie italienne
Erik Satie; Alessandro Simonetto |
0:44 | |||
1.21
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V. Le reveil de la mariée
Erik Satie; Alessandro Simonetto |
0:42 | |||
1.22
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VI. Colin-maillard
Erik Satie; Alessandro Simonetto |
0:30 | |||
1.23
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VII. La pêche
Erik Satie; Alessandro Simonetto |
0:51 | |||
1.24
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VIII. La yachting
Erik Satie; Alessandro Simonetto |
1:05 | |||
1.25
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IX. La bain de mer
Erik Satie; Alessandro Simonetto |
0:36 | |||
1.26
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X. Le carnaval
Erik Satie; Alessandro Simonetto |
0:34 | |||
1.27
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XI. Le golf
Erik Satie; Alessandro Simonetto |
0:48 | |||
1.28
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XII. Le pieuvre
Erik Satie; Alessandro Simonetto |
0:38 | |||
1.29
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XiII. Les courses
Erik Satie; Alessandro Simonetto |
0:25 | |||
1.30
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XIV. Le quatre-coins
Erik Satie; Alessandro Simonetto |
0:48 | |||
1.31
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XV. Le pique-nique
Erik Satie; Alessandro Simonetto |
0:36 | |||
1.32
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XVI. Le water-chute
Erik Satie; Alessandro Simonetto |
0:33 | |||
1.33
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XVII. Le tango
Erik Satie; Alessandro Simonetto |
1:06 | |||
1.34
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XVIII. Le traîneau
Erik Satie; Alessandro Simonetto |
0:33 | |||
1.35
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XIX. Le flirt
Erik Satie; Alessandro Simonetto |
0:41 | |||
1.36
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XX. Le feu d'artifice
Erik Satie; Alessandro Simonetto |
0:42 | |||
1.37
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XXI. Le tennis
Erik Satie; Alessandro Simonetto |
0:41 | |||
Nocturnes (Excerpts)
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1.38
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I. Doux et calme
Erik Satie; Alessandro Simonetto |
3:18 | |||
1.39
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II. Simplement
Erik Satie; Alessandro Simonetto |
2:35 | |||
1.40
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III. Un peu mouvementé
Erik Satie; Alessandro Simonetto |
3:33 | |||
3 Petites pièces montées
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1.41
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No. 1, De l'enfance de Pantagruel "Rêverie" (Version for Piano Duet)
Erik Satie; Alessandro Simonetto |
1:43 |
”Satie, you never had greater admirers than Ravel and myself; many of your early works had a great influence on our writing. Your 'Prélude de La porte héroïque du ciel' was to us a revelation, so original, so different from that Wagnerian atmosphere which has surrounded us in late years. I liked your Gymnopédies so much that I orchestrated two of them. You have some kind of genius, or you have genius, period. Now, as a true friend may I warn you that from time to time there is in your art a certain lack of form."
- Claude Debussy
Erik Satie's opus is undoubtedly recognized, not only by the academic world, as original and tremendously innovative. Debussy, Ravel, Milhaud and many others took ideas and inspiration from Satie. It is not coincidence that he created new prototypes of combinations and compositional inventions, often extemporaneous and unpretentious, but which opened new horizons in classical music history. Atonality, bitonality, but also what is now called 'Ambience' music, increasingly fashionable, are all marks by Satie's genius.
This album is part of the omnia recording of Satie's Piano Works, presenting a collection of some of his most beloved works.
"It is almost offensive to even compare the genius of a genuine composer like Satie to the pragmatic and often cunning attitude of certain 'modern' composers of today's business. Satie is also much, much more other just 'minimal'. His 'Sports et Divertissement' - just to mention his main piano collection - is a vademecum of new piano ideas, his best will ike the Preludes for Chopin."
- Alessandro Simonetto
88.2 kHz / 24-bit PCM – OnClassical Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.15 -17.90 to -0.47 | -30.66 -39.71 to -23.26 | -26.80 -35.70 to -18.40 | 12 9 to 16 | |
1 | I. Lent et douloureux | -17.90 | -37.92 | -34.8 | 13 |
2 | II. Lent et triste | -13.34 | -38.75 | -35.5 | 16 |
3 | III. Lent et grave | -16.58 | -38.87 | -35.7 | 13 |
4 | I. Lent | -6.22 | -33.15 | -30.0 | 14 |
5 | II. Avec étonnement | -11.24 | -39.71 | -35.1 | 15 |
6 | III. Lent | -11.53 | -34.08 | -31.0 | 13 |
7 | IV. Lent | -5.45 | -31.40 | -28.1 | 14 |
8 | V. Modéré | -6.99 | -28.28 | -24.7 | 14 |
9 | VI. Avec conviction et avec une tristesse rigoureuse | -5.13 | -27.35 | -24.2 | 13 |
10 | Untitled Piece "Airs à faire fuir" (Ed. R. Caby) | -13.50 | -34.01 | -31.2 | 13 |
11 | Untitled Piece "Danse de travers" (Ed. R. Caby) | -5.82 | -28.15 | -25.1 | 13 |
12 | Untitled Piece "Caresse" (Ed. R. Caby) | -14.95 | -36.61 | -32.9 | 13 |
13 | I. Sur un mur | -6.43 | -27.32 | -23.3 | 13 |
14 | II. Sur un arbre | -9.63 | -31.88 | -28.7 | 14 |
15 | III. Sur un pont | -4.83 | -30.86 | -26.2 | 15 |
16 | Prelude en Tapisserie | -4.54 | -30.77 | -25.7 | 16 |
17 | I. Choral inappétissant | -5.83 | -26.84 | -23.1 | 13 |
18 | II. Le balançoire | -16.07 | -35.36 | -32.2 | 11 |
19 | III. Le chasse | -1.93 | -23.26 | -18.4 | 10 |
20 | Iv. La comédie italienne | -6.59 | -29.37 | -25.9 | 12 |
21 | V. Le reveil de la mariée | -4.57 | -27.11 | -23.2 | 13 |
22 | VI. Colin-maillard | -9.64 | -29.21 | -25.7 | 11 |
23 | VII. La pêche | -11.28 | -33.34 | -29.2 | 12 |
24 | VIII. La yachting | -10.15 | -32.61 | -29.4 | 13 |
25 | IX. La bain de mer | -5.53 | -25.99 | -20.5 | 10 |
26 | X. Le carnaval | -5.27 | -30.30 | -26.1 | 11 |
27 | XI. Le golf | -4.73 | -28.86 | -24.7 | 11 |
28 | XII. Le pieuvre | -5.24 | -29.11 | -23.1 | 10 |
29 | XiII. Les courses | -6.95 | -26.21 | -22.7 | 10 |
30 | XIV. Le quatre-coins | -0.78 | -25.23 | -19.4 | 9 |
31 | XV. Le pique-nique | -0.47 | -23.67 | -19.7 | 9 |
32 | XVI. Le water-chute | -3.69 | -23.95 | -20.2 | 10 |
33 | XVII. Le tango | -15.39 | -35.38 | -32.8 | 11 |
34 | XVIII. Le traîneau | -3.39 | -25.27 | -21.1 | 13 |
35 | XIX. Le flirt | -13.87 | -31.97 | -28.6 | 10 |
36 | XX. Le feu d'artifice | -5.72 | -29.02 | -23.0 | 13 |
37 | XXI. Le tennis | -6.63 | -26.99 | -22.5 | 12 |
38 | I. Doux et calme | -6.35 | -31.11 | -27.5 | 15 |
39 | II. Simplement | -8.73 | -31.21 | -27.5 | 14 |
40 | III. Un peu mouvementé | -7.47 | -30.81 | -27.1 | 13 |
41 | No. 1, De l'enfance de Pantagruel "Rêverie" (Version for Piano Duet) | -13.90 | -35.98 | -32.8 | 13 |