℗ 2021 CD Accord
| Released | December 2, 2022 |
| Duration | 53m 47s |
| Record Label | CD Accord |
| Genre | Classical (Choral) |
Żebrowski: Vesperae in visitatione beatae Mariae Virginis
Wrocław Baroque Ensemble, Andrzej Kosendiak
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Vesperae in visitatione beatae Mariae Virginis
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1.1
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No. 1, Adagio pro processione solemni in D
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak |
3:46 | |||
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1.2
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No. 2, Deus in adiutorium
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak |
0:40 | |||
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1.3
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No. 3, Exurgens Maria
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak |
0:33 | |||
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1.4
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No. 4, Dixit Dominus
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak |
6:14 | |||
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1.5
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No. 5, Exurgens Maria
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak |
0:34 | |||
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1.6
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No. 6, Intravit Maria
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak |
0:28 | |||
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1.7
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No. 7, Laudate pueri
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak |
2:42 | |||
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1.8
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No. 8, Intravit Maria
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak |
0:29 | |||
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1.9
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No. 9, Ut audivit
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak |
0:50 | |||
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1.10
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No. 10, Laetatus sum
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak; Aleksandra Turalska; Daniel Elgersma |
2:38 | |||
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1.11
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No. 11, Ut audivit
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak |
0:51 | |||
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1.12
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No. 12, Benedicta tu
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak |
0:26 | |||
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1.13
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No. 13, Nisi Dominus
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak; Florian Cramer; Vojtěch Semerád; Jaromír Nosek |
2:44 | |||
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1.14
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No. 14, Benedicta tu
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak |
0:28 | |||
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1.15
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No. 15, Ex quo facta est
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak |
0:39 | |||
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1.16
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No. 16, Lauda Jerusalem
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak |
3:33 | |||
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1.17
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No. 17, Ex quo facta est
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak |
0:39 | |||
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1.18
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No. 18, Ave Maris Stella
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak; Tomáš Král |
7:50 | |||
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1.19
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No. 19, Beatam me dicent
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak |
0:24 | |||
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1.20
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No. 20, Magnificat anima mea
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak |
0:58 | |||
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1.21
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No. 21, Quia respexit
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak; Aldona Bartnik |
3:32 | |||
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1.22
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No. 22, Deposuit potentes
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak; Tomáš Král |
1:49 | |||
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1.23
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No. 23, Gloria Patri
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak |
1:59 | |||
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1.24
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No. 24, Beatam me dicent
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak |
0:26 | |||
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1.25
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No. 25, Salve Regina
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak; Jaromír Nosek |
3:26 | |||
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1.26
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No. 26, Mittit ad virginem
Marcin Józef Żebrowski; Wrocław Baroque Ensemble; Andrzej Kosendiak; Aldona Bartnik; Piotr Olech; Maciej Gocman; Tomáš Král |
5:09 | |||
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Digital Booklet
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Marcin Józef (Martino Giuseppe) Zebrowski – composer, violinist, singer (bass) and teacher – is one of the most outstanding representatives of the Polish musical culture of the 18th century. This is clearly confirmed, on the one hand, by his preserved works, and on the other, by the fact that his works were printed – as one of the few Old Polish composers – outside the territory of the Kingdom of Poland. In 1757 and 1758, the series of six sonatas a Due Violini & Basso and Sinfonia in E flat were published by Johann Julius Hummel in Amsterdam. The above-average, compared to other Polish composers of that period, talent of the Zebrowski, as well as his highly original creative invention and the variety of cultivated forms are perfectly demonstrated by this monograph recording, the second in the catalogue of the National Forum of Music in Wroclaw devoted to this composer.
- Remigiusz Pospiech
96 kHz / 24-bit PCM – CD Accord Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.29 -18.51 to -0.72 | -27.59 -37.13 to -21.16 | -23.97 -32.80 to -17.20 | 12 9 to 14 | |
| 1 | No. 1, Adagio pro processione solemni in D | -2.38 | -21.16 | -18.1 | 12 |
| 2 | No. 2, Deus in adiutorium | -11.11 | -29.33 | -25.0 | 12 |
| 3 | No. 3, Exurgens Maria | -15.73 | -34.67 | -31.0 | 12 |
| 4 | No. 4, Dixit Dominus | -0.72 | -21.74 | -18.3 | 14 |
| 5 | No. 5, Exurgens Maria | -15.73 | -34.83 | -31.1 | 12 |
| 6 | No. 6, Intravit Maria | -10.70 | -31.92 | -28.0 | 12 |
| 7 | No. 7, Laudate pueri | -1.19 | -22.11 | -18.9 | 13 |
| 8 | No. 8, Intravit Maria | -10.70 | -32.10 | -28.0 | 12 |
| 9 | No. 9, Ut audivit | -11.83 | -34.21 | -30.3 | 11 |
| 10 | No. 10, Laetatus sum | -1.41 | -23.06 | -19.8 | 13 |
| 11 | No. 11, Ut audivit | -11.83 | -34.34 | -30.4 | 11 |
| 12 | No. 12, Benedicta tu | -18.51 | -36.75 | -32.8 | 10 |
| 13 | No. 13, Nisi Dominus | -3.85 | -24.93 | -21.8 | 12 |
| 14 | No. 14, Benedicta tu | -18.51 | -37.13 | -32.8 | 11 |
| 15 | No. 15, Ex quo facta est | -8.76 | -32.19 | -28.1 | 12 |
| 16 | No. 16, Lauda Jerusalem | -3.67 | -22.59 | -19.4 | 12 |
| 17 | No. 17, Ex quo facta est | -8.76 | -32.22 | -28.1 | 12 |
| 18 | No. 18, Ave Maris Stella | -4.92 | -23.63 | -20.7 | 12 |
| 19 | No. 19, Beatam me dicent | -5.32 | -23.70 | -19.1 | 9 |
| 20 | No. 20, Magnificat anima mea | -1.55 | -21.19 | -17.2 | 11 |
| 21 | No. 21, Quia respexit | -3.06 | -25.05 | -22.2 | 13 |
| 22 | No. 22, Deposuit potentes | -6.13 | -25.18 | -22.5 | 12 |
| 23 | No. 23, Gloria Patri | -3.09 | -22.54 | -19.4 | 13 |
| 24 | No. 24, Beatam me dicent | -5.32 | -23.95 | -19.1 | 9 |
| 25 | No. 25, Salve Regina | -3.70 | -23.99 | -21.3 | 13 |
| 26 | No. 26, Mittit ad virginem | -1.11 | -22.78 | -19.7 | 14 |