Ludwig van Beethoven: Sonatas No. 3, No. 7 & No. 10
Maude Gratton, Baptiste Lopez
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Violin Sonata No. 3 in E-Flat Major, Op. 12, No. 3
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1.1
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I. Allegro con spirito
Ludwig van Beethoven; Maude Gratton; Baptiste Lopez |
8:11 | |||
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1.2
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II. Adagio con molt’ espressione
Ludwig van Beethoven; Maude Gratton; Baptiste Lopez |
6:34 | |||
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1.3
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III. Rondo. Allegro molto
Ludwig van Beethoven; Maude Gratton; Baptiste Lopez |
4:24 | |||
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Violin Sonata No. 7 in C Minor, Op. 30, No. 2
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1.4
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I. Allegro con brio
Ludwig van Beethoven; Maude Gratton; Baptiste Lopez |
7:18 | |||
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1.5
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II. Adagio cantabile
Ludwig van Beethoven; Maude Gratton; Baptiste Lopez |
8:26 | |||
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1.6
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III. Scherzo. Allegro – Trio
Ludwig van Beethoven; Maude Gratton; Baptiste Lopez |
3:49 | |||
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1.7
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IV. Finale. Allegro
Ludwig van Beethoven; Maude Gratton; Baptiste Lopez |
4:52 | |||
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Violin Sonata No. 10 in G Major, Op. 96
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1.8
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I. Allegro moderato
Ludwig van Beethoven; Maude Gratton; Baptiste Lopez |
10:20 | |||
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1.9
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II. Adagio espressivo
Ludwig van Beethoven; Maude Gratton; Baptiste Lopez |
6:18 | |||
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1.10
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II. Scherzo. Allegro - Trio
Ludwig van Beethoven; Maude Gratton; Baptiste Lopez |
1:40 | |||
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1.11
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IV. Poco Allegretto
Ludwig van Beethoven; Maude Gratton; Baptiste Lopez |
8:23 | |||
With these three sonatas for piano and violin, Baptiste Lopez and Maude Gratton give us an overview of fifteen years in Beethoven’s life; the joie de vivre of the impetuous young composer, still strongly influenced by Classical forms, gradually gives way to a violent aesthetic break, the eccentricity of which was decried by contemporary critics. If, in Beethoven’s view, music confronts humanity with the difficulties of our condition, it also enables us to overcome them; the composer himself transcended his battle against deafness by finding in it the profundity of a creative force.
96 kHz / 24-bit PCM – Mirare Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.01 -4.47 to -0.50 | -22.62 -27.59 to -20.57 | -19.32 -24.00 to -17.40 | 14 11 to 17 | |
| 1 | I. Allegro con spirito | -0.57 | -20.73 | -17.8 | 13 |
| 2 | II. Adagio con molt’ espressione | -0.56 | -25.86 | -22.5 | 17 |
| 3 | III. Rondo. Allegro molto | -0.57 | -20.57 | -17.5 | 12 |
| 4 | I. Allegro con brio | -0.59 | -20.81 | -17.4 | 13 |
| 5 | II. Adagio cantabile | -1.53 | -25.18 | -21.9 | 15 |
| 6 | III. Scherzo. Allegro – Trio | -0.59 | -22.01 | -18.8 | 13 |
| 7 | IV. Finale. Allegro | -0.57 | -21.31 | -17.8 | 14 |
| 8 | I. Allegro moderato | -0.56 | -21.98 | -18.9 | 14 |
| 9 | II. Adagio espressivo | -4.47 | -27.59 | -24.0 | 14 |
| 10 | II. Scherzo. Allegro - Trio | -0.50 | -21.22 | -18.1 | 11 |
| 11 | IV. Poco Allegretto | -0.57 | -21.60 | -17.8 | 13 |