℗ 2017 harmonia mundi
Released | October 13, 2017 |
Duration | 1h 30m 08s |
Record Label | harmonia mundi |
Genre | Classical |
BWV… or not?
Gli incogniti, Amandine Beyer
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
Violin Sonata in C Minor, BWV 1024
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1.1
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I. Adagio
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
2:14 | |||
1.2
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II. Presto
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
3:20 | |||
1.3
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III. Affettuoso
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
2:18 | |||
1.4
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V. Vivace
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
3:44 | |||
Flute Sonata in G Major, BWV 1038
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1.5
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I. Largo
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
3:12 | |||
1.6
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II. Vivace
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
0:49 | |||
1.7
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III. Adagio
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
2:02 | |||
1.8
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IV. Presto
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
1:20 | |||
Violin Sonata in D Minor, BWV 1036
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1.9
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I. Adagio
Carl Philipp Emanuel Bach; Gli incogniti; Amandine Beyer |
2:38 | |||
1.10
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II. Allegro
Carl Philipp Emanuel Bach; Gli incogniti; Amandine Beyer |
1:57 | |||
1.11
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III. Largo
Carl Philipp Emanuel Bach; Gli incogniti; Amandine Beyer |
2:18 | |||
1.12
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IV. Vivace
Carl Philipp Emanuel Bach; Gli incogniti; Amandine Beyer |
2:13 | |||
Trio Sonata in C Major, DürG 13
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1.13
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I. Adagio
Johann Gottlieb Goldberg; Gli incogniti; Amandine Beyer |
2:53 | |||
1.14
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II. Alla breve
Johann Gottlieb Goldberg; Gli incogniti; Amandine Beyer |
2:35 | |||
1.15
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III. Largo
Johann Gottlieb Goldberg; Gli incogniti; Amandine Beyer |
1:32 | |||
1.16
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IV. Gigue. Presto
Johann Gottlieb Goldberg; Gli incogniti; Amandine Beyer |
4:20 | |||
Fugue in G Minor, BWV 1026
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1.17
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Allegro
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
4:13 | |||
The Musical Offering, BWV 1079, Sonata sopr' il Soggetto Reale
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1.18
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I. Largo
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
6:06 | |||
1.19
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II. Allegro
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
5:25 | |||
1.20
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III. Andante
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
3:11 | |||
1.21
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IV. Allegro
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
2:56 | |||
Suite in A Major, BWV 1025
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1.22
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I. Fantasia
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
2:44 | |||
1.23
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II. Courante
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
5:56 | |||
1.24
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III. Entrée
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
3:28 | |||
1.25
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IV. Rondeau
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
4:55 | |||
1.26
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V. Sarabande
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
5:12 | |||
1.27
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VI. Menuett
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
2:46 | |||
1.28
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VII. Allegro
Johann Sebastian Bach; Gli incogniti; Amandine Beyer |
3:51 |
Baroque violinist Amandine Beyer leads her ensemble Gli incogniti in a programme of works by and incorrectly attributed to J.S. Bach over the past three or so centuries. The true Bach contributions bookend the album, and include the Violin Sonata in C Minor, BWV 1024, The Musical Offering, BWV 1079, and the Suite in A Major, BWV 1025, while the previously attributed works include C.P.E. Bach's Violin Sonata in D Minor, BWV 1036 (now H. 569) and Johann Gottlieb Goldberg's Trio Sonata in C Major, DürG 13, making for a beautifully balanced collection that playfully addresses issues of authorship.
88.2 kHz / 24-bit PCM – harmonia mundi Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.33 -6.78 to -0.30 | -21.32 -30.21 to -17.77 | -17.84 -25.60 to -14.80 | 13 11 to 17 | |
1 | I. Adagio | -0.30 | -19.08 | -15.2 | 12 |
2 | II. Presto | -0.30 | -18.73 | -15.6 | 12 |
3 | III. Affettuoso | -3.94 | -23.57 | -20.0 | 12 |
4 | V. Vivace | -0.31 | -19.91 | -16.5 | 13 |
5 | I. Largo | -0.34 | -19.43 | -16.7 | 11 |
6 | II. Vivace | -0.75 | -18.57 | -15.4 | 11 |
7 | III. Adagio | -3.27 | -20.71 | -17.8 | 11 |
8 | IV. Presto | -0.30 | -19.44 | -15.8 | 12 |
9 | I. Adagio | -2.02 | -23.62 | -19.5 | 13 |
10 | II. Allegro | -1.09 | -20.43 | -16.6 | 14 |
11 | III. Largo | -2.62 | -24.04 | -20.1 | 14 |
12 | IV. Vivace | -0.43 | -22.76 | -18.7 | 14 |
13 | I. Adagio | -0.44 | -20.36 | -16.9 | 13 |
14 | II. Alla breve | -0.30 | -18.68 | -15.2 | 13 |
15 | III. Largo | -3.23 | -24.02 | -20.1 | 13 |
16 | IV. Gigue. Presto | -0.30 | -18.62 | -14.9 | 13 |
17 | Allegro | -0.30 | -20.36 | -17.2 | 12 |
18 | I. Largo | -0.86 | -20.40 | -17.6 | 13 |
19 | II. Allegro | -0.30 | -17.77 | -14.8 | 12 |
20 | III. Andante | -2.91 | -21.11 | -18.3 | 12 |
21 | IV. Allegro | -0.30 | -18.27 | -15.2 | 12 |
22 | I. Fantasia | -0.30 | -21.81 | -18.0 | 15 |
23 | II. Courante | 0.00 | -22.86 | -19.3 | 17 |
24 | III. Entrée | -1.57 | -23.28 | -20.0 | 15 |
25 | IV. Rondeau | -0.30 | -21.14 | -17.8 | 14 |
26 | V. Sarabande | -6.78 | -30.21 | -25.6 | 14 |
27 | VI. Menuett | -1.07 | -24.02 | -20.5 | 15 |
28 | VII. Allegro | -1.14 | -23.68 | -20.3 | 16 |