℗ 2017 Sequell under exclusive license to Verve Label Group, a Division of UMG Recordings, Inc
| Released | October 13, 2017 |
| Duration | 1h 09m 29s |
| Record Label | Verve Int'l |
| Genre | Electronic |
|
1.1
|
Part XV
Prequell |
5:13 | |||
|
1.2
|
Part XIV
Prequell |
3:32 | |||
|
1.3
|
Part XIII
Prequell |
2:53 | |||
|
1.4
|
Part XII
Prequell |
6:06 | |||
|
1.5
|
Part XI
Prequell |
4:09 | |||
|
1.6
|
Part X
Prequell |
4:59 | |||
|
1.7
|
Part IX
Prequell |
5:08 | |||
|
1.8
|
Part VIII
Prequell |
4:18 | |||
|
1.9
|
Part VII
Prequell |
3:50 | |||
|
1.10
|
Part VI
Prequell |
3:55 | |||
|
1.11
|
Part V
Prequell |
4:32 | |||
|
1.12
|
Part IV
Prequell |
4:21 | |||
|
1.13
|
Part III
Prequell |
7:09 | |||
|
1.14
|
Part II
Prequell |
5:57 | |||
|
1.15
|
Part I
Prequell |
3:27 |
Prequell is a solo project from French composer Thomas Roussel. This debut album The Future Comes Before demonstrates Roussel's commitment to the cinematic, combining a string orchestra with electronic, samples from NASA recordings and the sweet vocal stylings of Rae Morris.
44.1 kHz / 24-bit PCM – Verve Int'l Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.01 -0.06 to 0.00 | -11.10 -15.84 to -9.27 | -9.03 -13.30 to -7.30 | 6 4 to 9 | |
| 1 | Part XV | 0.00 | -11.85 | -9.8 | 5 |
| 2 | Part XIV | 0.00 | -9.96 | -7.8 | 5 |
| 3 | Part XIII | 0.00 | -10.70 | -7.3 | 5 |
| 4 | Part XII | 0.00 | -10.39 | -8.0 | 5 |
| 5 | Part XI | 0.00 | -10.24 | -8.1 | 6 |
| 6 | Part X | -0.06 | -13.78 | -12.1 | 8 |
| 7 | Part IX | 0.00 | -10.16 | -8.4 | 5 |
| 8 | Part VIII | 0.00 | -9.92 | -8.7 | 5 |
| 9 | Part VII | 0.00 | -9.27 | -7.8 | 5 |
| 10 | Part VI | -0.03 | -15.84 | -13.3 | 9 |
| 11 | Part V | 0.00 | -9.40 | -8.2 | 4 |
| 12 | Part IV | 0.00 | -9.64 | -8.0 | 4 |
| 13 | Part III | 0.00 | -10.94 | -8.7 | 5 |
| 14 | Part II | 0.00 | -11.62 | -9.5 | 6 |
| 15 | Part I | 0.00 | -12.81 | -9.8 | 6 |