Jolivet, Bauzin, Roussel, Ibert
Sarah Louvion
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
|
Concerto pour flute et orchestre à cordes
|
|||||
|
1.1
|
Andante cantabile - Allegro scherzando
André Jolivet; Sarah Louvion; Ensemble du Festival |
7:26 | |||
|
1.2
|
Largo - Allegro risoluto
André Jolivet; Sarah Louvion; Ensemble du Festival |
6:57 | |||
|
Concerto pour flute et orchestre à cordes, Op. 22
|
|||||
|
1.3
|
I. Allegro vivace
Pierre-Philippe Bauzin; Sarah Louvion; Ensemble du Festival |
4:55 | |||
|
1.4
|
II. Adagio
Pierre-Philippe Bauzin; Sarah Louvion; Ensemble du Festival |
10:35 | |||
|
1.5
|
III. Final - Leggiero
Pierre-Philippe Bauzin; Sarah Louvion; Ensemble du Festival |
6:10 | |||
|
1.6
|
Chant de Linos
André Jolivet; Sarah Louvion; Gabriel Adorján; Benjamin Rivinius; Axel von Huene; Francoise Friedrich |
11:47 | |||
|
Sérénade, op. 30
|
|||||
|
1.7
|
I. Allegro - Allegro molto
Albert Roussel; Sarah Louvion; Gabriel Adorján; Benjamin Rivinius; Axel von Huene; Francoise Friedrich |
4:27 | |||
|
1.8
|
II. Andante
Albert Roussel; Sarah Louvion; Gabriel Adorján; Benjamin Rivinius; Axel von Huene; Francoise Friedrich |
7:42 | |||
|
1.9
|
III. Presto
Albert Roussel; Sarah Louvion; Gabriel Adorján; Benjamin Rivinius; Axel von Huene; Francoise Friedrich |
4:17 | |||
|
Pièce pour flute seule
|
|||||
|
1.10
|
Pièce
Jacques Ibert; Sarah Louvion |
5:42 | |||
|
Digital Booklet
|
|||||
This debut album by the young French flutist Sarah Louvion is from both the artistic point of view as well as in regards to the expansion of repertoire an enrichment of every classical music collection.
Pierre-Philippe Bauzin, an extraordinary musician with a multi-faceted career, dedicated his flute concert that he finished in 1960 to Jean-Pierre Rampal. It was performed for the first and only time 40 years ago, and has inexplicably fallen into oblivion since.
Jean-Gabriel Bauzin, son of the composer who died in 2005, said about the rediscovery of this brilliant and melodic work by Sarah Louvion: “It is a truly fortunate coincidence that this work is interpreted and revived by such a talented young flutist.”
In Albert Roussel’s serenade, the flute gains a very soloistic character due to its swiftness and expressiveness, and yet again ideally presents Sarah Louvion’s excellent play.
André Jolivets describes his musical intentions as follows: “From the technical point of view, my goal is to entirely liberate myself from the tonal system. As far as aesthetics are concerned, I would like to replenish music with its original function in regards to magic and invocation.” His composing style is complex and demands a highly versatile play, which is easily accomplished by Sarah Louvion and her ensemble.
44.1 kHz / 24-bit PCM – Farao Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.19 -9.25 to -1.00 | -26.41 -30.93 to -23.84 | -22.09 -26.60 to -19.50 | 14 12 to 16 | |
| 1 | Andante cantabile - Allegro scherzando | -1.05 | -24.26 | -19.9 | 14 |
| 2 | Largo - Allegro risoluto | -3.40 | -24.38 | -20.5 | 14 |
| 3 | I. Allegro vivace | -1.01 | -23.84 | -19.5 | 14 |
| 4 | II. Adagio | -1.76 | -25.84 | -20.8 | 15 |
| 5 | III. Final - Leggiero | -1.71 | -24.55 | -20.0 | 14 |
| 6 | Chant de Linos | -1.00 | -25.03 | -20.3 | 16 |
| 7 | I. Allegro - Allegro molto | -2.97 | -26.73 | -23.1 | 15 |
| 8 | II. Andante | -9.25 | -30.75 | -26.6 | 12 |
| 9 | III. Presto | -4.33 | -27.79 | -24.6 | 15 |
| 10 | Pièce | -5.46 | -30.93 | -25.6 | 14 |