℗ 2022 Naxos
| Released | December 2, 2022 |
| Duration | 1h 11m 08s |
| Record Label | Naxos |
| Genre | Classical (Orchestral) |
Marschner: Overtures & Stage Music, Vol. 1
Czech Chamber Philharmonic Orchestra Pardubice, Dario Salvi
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Der Kiffhäuser Berg, Op. 89
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1.1
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Overture
Heinrich Marschner; Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
8:40 | |||
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Schön Ella, Op. 27 (Excerpts)
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1.2
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Overture
Heinrich Marschner; Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
6:21 | |||
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1.3
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Entr'acte to Act II
Heinrich Marschner; Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
2:32 | |||
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1.4
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Ballet
Heinrich Marschner; Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
12:04 | |||
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1.5
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Entr'acte to Act III
Heinrich Marschner; Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
1:29 | |||
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1.6
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Entr'acte to Act IV
Heinrich Marschner; Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
3:23 | |||
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1.7
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Marsch der Krieger und Mädchen
Heinrich Marschner; Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
2:40 | |||
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1.8
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Entr'acte to Act V
Heinrich Marschner; Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
4:08 | |||
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Ali Baba, Op. 26 (Excerpts)
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1.9
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Overture
Heinrich Marschner; Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
7:23 | |||
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1.10
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Melodrama
Heinrich Marschner; Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
1:42 | |||
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1.11
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Schluss to Act II
Heinrich Marschner; Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
2:09 | |||
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1.12
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Ballet
Heinrich Marschner; Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
6:16 | |||
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1.13
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Schluss to Act III
Heinrich Marschner; Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
1:30 | |||
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Der Holzdieb
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1.14
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Overture
Heinrich Marschner; Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
4:40 | |||
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Die Wiener in Berlin
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1.15
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Overture
Heinrich Marschner; Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
6:11 | |||
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Digital Booklet
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Heinrich Marschner, the leading German composer of Romantic opera between Weber and Wagner, was a progressive innovator, bringing to his music a new dimension – the supernatural anti-hero enmeshed in horror, such as the protagonist of Der Vampyr (1828). Before his psychological operas, however, Marschner composed a series of overtures and stage works exploring more conventional material. These have long been overlooked. In this first volume Schön Ella represents Marschner’s mastery of form, skilful orchestration and melodic gifts, while the excerpts from Ali Baba reveal his flair for theatrical concision and mood setting.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.62 -9.34 to -0.87 | -23.74 -28.98 to -21.59 | -20.51 -25.90 to -18.50 | 13 12 to 14 | |
| 1 | Overture | -1.32 | -23.60 | -20.1 | 14 |
| 2 | Overture | -1.15 | -22.60 | -19.0 | 13 |
| 3 | Entr'acte to Act II | -1.77 | -23.29 | -20.4 | 13 |
| 4 | Ballet | -1.42 | -23.80 | -20.9 | 14 |
| 5 | Entr'acte to Act III | -9.34 | -28.98 | -25.9 | 12 |
| 6 | Entr'acte to Act IV | -0.87 | -23.05 | -20.1 | 13 |
| 7 | Marsch der Krieger und Mädchen | -4.36 | -23.13 | -20.1 | 12 |
| 8 | Entr'acte to Act V | -1.29 | -22.29 | -18.7 | 12 |
| 9 | Overture | -1.78 | -23.36 | -20.4 | 13 |
| 10 | Melodrama | -5.86 | -26.49 | -23.1 | 13 |
| 11 | Schluss to Act II | -2.75 | -24.03 | -20.0 | 12 |
| 12 | Ballet | -3.03 | -23.79 | -21.2 | 13 |
| 13 | Schluss to Act III | -1.60 | -23.10 | -19.5 | 12 |
| 14 | Overture | -1.02 | -21.59 | -18.5 | 13 |
| 15 | Overture | -1.66 | -22.97 | -19.7 | 13 |