℗ 2023 Wyastone Estate Limited
Released February 3, 2023
Duration 1h 12m 51s
Record Label Nimbus Records
Genre Classical (Chamber)
 

Saint-Saëns: Duos for Harmonium and Piano (Arr. for Classical Accordion & Piano by Miloš Milivojević & Simon Callaghan)

Miloš Milivojević, Simon Callaghan

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1.1
Scherzo capriccioso, Op. 36 (Arr. for Classical Accordion & Piano by Miloš Milivojević & Simon Callaghan)
Alexandre Guilmant; Miloš Milivojević; Simon Callaghan
7:48
1.2
Pastorale, Op. 26 (Arr. for Classical Accordion & Piano by Miloš Milivojević & Simon Callaghan)
Alexandre Guilmant; Miloš Milivojević; Simon Callaghan
4:39
Duos, Op. 8 (Arr. for Classical Accordion & Piano by Miloš Milivojević & Simon Callaghan)  
1.3
V. Scherzo
Camille Saint-Saëns; Miloš Milivojević; Simon Callaghan
3:48
1.4
Prélude, fugue & variation, Op. 18 (FWV. 30 / Arr. for Classical Accordion & Piano by Miloš Milivojević & Simon Callaghan)
César Franck; Miloš Milivojević; Simon Callaghan
10:41
1.5
IV. Capriccio
Camille Saint-Saëns; Miloš Milivojević; Simon Callaghan
4:02
1.6
Prière in F Major, Op. 16 (Arr. for Classical Accordion & Piano by Miloš Milivojević & Simon Callaghan)
Alexandre Guilmant; Miloš Milivojević; Simon Callaghan
4:02
1.7
III. Choral
Camille Saint-Saëns; Miloš Milivojević; Simon Callaghan
4:24
1.8
Finale alla Schumann, Op. 83 on a Languedoc Carol (Arr. for Classical Accordion & Piano by Miloš Milivojević & Simon Callaghan)
Alexandre Guilmant; Miloš Milivojević; Simon Callaghan
3:45
1.9
II. Cavatina
Camille Saint-Saëns; Miloš Milivojević; Simon Callaghan
6:22
1.10
I. Fantasia e fugua
Camille Saint-Saëns; Miloš Milivojević; Simon Callaghan
9:09
1.11
Élégie Fugue, Op. 44 (Arr. for Classical Accordion & Piano by Miloš Milivojević & Simon Callaghan)
Alexandre Guilmant; Miloš Milivojević; Simon Callaghan
6:21
1.12
VI. Final
Camille Saint-Saëns; Miloš Milivojević; Simon Callaghan
7:50
The rise in popularity of the harmonium in the second half of the nineteenth century brought with it a large repertoire of chamber music, especially in France, where the instrument had been developed and refined. The combination of harmonium with piano was an especially popular one. As well as original compositions, the harmonium attracted composers making arrangements for reduced forces. The accordion, taking the role of the harmonium on these recordings, produces sound in a near identical way – air passes over vibrating free reeds made of metal. It is the performers’ hope that the subtle shift from the 19th century French harmonium to a modern classical accordion will enable these delightful pieces to be performed more often and to gain the widest possible audience.
96 kHz / 24-bit PCM – Nimbus Records Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-5.42
-10.30 to -0.26
-29.22
-33.85 to -23.62
-25.81
-30.70 to -19.50
14
12 to 16
1
Scherzo capriccioso, Op. 36 (Arr. for Classical Accordion & Piano by Miloš Milivojević & Simon Callaghan)
-1.90-28.66-25.315
2
Pastorale, Op. 26 (Arr. for Classical Accordion & Piano by Miloš Milivojević & Simon Callaghan)
-4.83-30.95-27.414
3
V. Scherzo
-7.56-29.64-26.913
4
Prélude, fugue & variation, Op. 18 (FWV. 30 / Arr. for Classical Accordion & Piano by Miloš Milivojević & Simon Callaghan)
-5.74-31.56-28.616
5
IV. Capriccio
-9.12-32.74-29.713
6
Prière in F Major, Op. 16 (Arr. for Classical Accordion & Piano by Miloš Milivojević & Simon Callaghan)
-10.30-33.24-30.713
7
III. Choral
-4.43-26.27-22.212
8
Finale alla Schumann, Op. 83 on a Languedoc Carol (Arr. for Classical Accordion & Piano by Miloš Milivojević & Simon Callaghan)
-3.21-25.66-22.412
9
II. Cavatina
-9.29-33.85-30.413
10
I. Fantasia e fugua
-2.10-24.08-20.814
11
Élégie Fugue, Op. 44 (Arr. for Classical Accordion & Piano by Miloš Milivojević & Simon Callaghan)
-6.35-30.43-25.814
12
VI. Final
-0.26-23.62-19.514

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