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Prélude, Aria et Final, FWV 23
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1.1
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I. Prélude
César Franck; Marie-Ange Nguci |
8:55 | |||
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1.2
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II. Aria
César Franck; Marie-Ange Nguci |
6:23 | |||
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1.3
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III. Final
César Franck; Marie-Ange Nguci |
7:10 | |||
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1.4
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Les litanies de l’ombre
Thierry Escaich; Marie-Ange Nguci |
11:17 | |||
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Prélude, Choral et Fugue, FWV 21
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1.5
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I. Prélude
César Franck; Marie-Ange Nguci |
5:28 | |||
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1.6
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II. Choral
César Franck; Marie-Ange Nguci |
7:24 | |||
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1.7
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III. Fugue
César Franck; Marie-Ange Nguci |
7:29 | |||
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1.8
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Chaconne d’après la partita en Ré Mineur pour violon seul, BWV 1004
Johann Sebastian Bach; Marie-Ange Nguci |
16:24 | |||
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6 Études, Op. 111
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1.9
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VI. Toccata d'après le cinquième concerto
Camille Saint-Saëns; Marie-Ange Nguci |
4:29 | |||
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Digital Booklet
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Talented young Albanian pianist Marie-Ange Nguci presents En Miroir, a solo recital release of primarily French repertoire. Including works by Franck alongside Saint-Saëns's 6 Études, Op. 111 and J.S. Bach's Chaconne, BWV 1004 (arranged by Busoni), Nguci also displays her versatility with a contemporary work by Thierry Escaich, Les litanies de l’ombre.
48 kHz / 24-bit PCM – Mirare Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.13 -6.25 to -0.10 | -22.86 -30.09 to -19.41 | -19.00 -26.70 to -16.30 | 13 12 to 14 | |
| 1 | I. Prélude | -0.19 | -22.10 | -18.4 | 13 |
| 2 | II. Aria | -6.25 | -30.09 | -26.7 | 13 |
| 3 | III. Final | -0.18 | -21.93 | -18.1 | 13 |
| 4 | Les litanies de l’ombre | -0.10 | -20.99 | -16.3 | 13 |
| 5 | I. Prélude | -1.92 | -25.52 | -21.5 | 14 |
| 6 | II. Choral | -0.98 | -24.35 | -20.5 | 14 |
| 7 | III. Fugue | -0.20 | -20.45 | -16.7 | 12 |
| 8 | Chaconne d’après la partita en Ré Mineur pour violon seul, BWV 1004 | -0.19 | -20.88 | -16.3 | 13 |
| 9 | VI. Toccata d'après le cinquième concerto | -0.19 | -19.41 | -16.5 | 13 |