℗ 2023 Tactus
| Released | January 6, 2023 |
| Duration | 59m 36s |
| Record Label | Tactus |
| Catalogue No. | TC910005 |
| Genre | Classical (Chamber) |
Rota, Bertolotti & Others: Works for Flute & Harp
Claudio Ortensi, Anna Pasetti
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Sonata for Flute & Harp
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1.1
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I. Allegro molto moderato
Nino Rota; Claudio Ortensi; Anna Pasetti |
4:32 | |||
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1.2
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II. Andante sostenuto
Nino Rota; Claudio Ortensi; Anna Pasetti |
4:33 | |||
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1.3
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III. Allegro festoso
Nino Rota; Claudio Ortensi; Anna Pasetti |
4:05 | |||
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1.4
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Danza notturna for Flute & Harp
Guglielmo Bertolotti; Claudio Ortensi; Anna Pasetti |
5:45 | |||
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1.5
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I. Andantino cantabile
Cesare Franchini Tassini; Claudio Ortensi; Anna Pasetti |
6:26 | |||
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1.6
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II. Lento
Cesare Franchini Tassini; Claudio Ortensi; Anna Pasetti |
4:38 | |||
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1.7
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III. Allegro comodo
Cesare Franchini Tassini; Claudio Ortensi; Anna Pasetti |
4:44 | |||
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1.8
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Fantasie for Flute & Harp
Virgilio Mortari; Claudio Ortensi; Anna Pasetti |
16:52 | |||
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Divertimento for Flute & Harp
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1.9
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I. Esposizione
Adone Zecchi; Claudio Ortensi; Anna Pasetti |
1:43 | |||
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1.10
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II. Adagietto
Adone Zecchi; Claudio Ortensi; Anna Pasetti |
2:56 | |||
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1.11
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III. Riepilogo danzante
Adone Zecchi; Claudio Ortensi; Anna Pasetti |
3:22 | |||
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Digital Booklet
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Born in France with Mozart’s double Concerto KV 299, explored (albeit with a certain discontinuity) by composers of the eighteenth and nineteenth centuries, the flute and harp duo was very popular with composers of the twentieth century, all over the world and in every possible style: the choice of the repertoire for this recording, however, privileged compositions inspired by the neoclassical taste, showing how it could be declined in many personal and different ways.
This production is including an anthology of unpublished works for flute and harp (apart the famous sonata by Nino Rota, all other compositions are world premiere recordings) by the consolidated duo formed by Claudio Ortensi and Anna Pasetti, already distinguished for the publications aimed at the rediscovery of music written specifically for their instruments both in the Classicism (Luigi Gianella – Trois Duos Concertants Op. 2, TC770702, Tactus, 2014) and in the Romantic age (Music for flute and harp of the Italian nineteenth century TC800005, Tactus, 2017).
44.1 kHz / 24-bit PCM – Tactus Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.45 -0.46 to -0.45 | -15.65 -18.68 to -13.75 | -12.46 -15.20 to -10.70 | 10 8 to 11 | |
| 1 | I. Allegro molto moderato | -0.45 | -15.44 | -12.6 | 10 |
| 2 | II. Andante sostenuto | -0.45 | -16.02 | -12.8 | 10 |
| 3 | III. Allegro festoso | -0.45 | -14.40 | -11.3 | 9 |
| 4 | Danza notturna for Flute & Harp | -0.45 | -16.28 | -12.9 | 10 |
| 5 | I. Andantino cantabile | -0.45 | -15.88 | -12.8 | 10 |
| 6 | II. Lento | -0.46 | -18.68 | -15.2 | 11 |
| 7 | III. Allegro comodo | -0.45 | -15.38 | -12.0 | 10 |
| 8 | Fantasie for Flute & Harp | -0.45 | -15.64 | -12.4 | 10 |
| 9 | I. Esposizione | -0.45 | -14.48 | -11.6 | 9 |
| 10 | II. Adagietto | -0.45 | -16.21 | -12.8 | 9 |
| 11 | III. Riepilogo danzante | -0.45 | -13.75 | -10.7 | 8 |