℗ 2022 haenssler CLASSIC
| Released | January 6, 2023 |
| Duration | 43m 33s |
| Record Label | haenssler CLASSIC |
| Catalogue No. | HC22041 |
| Genre | Classical (Sacred) |
Schubert: Mass No. 5 in A-Flat Major, D. 678
Johanna Winkel, Elvira Bill, Florian Sievers, Arttu Kataja, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Mass No. 5 in A-Flat Major, D. 678
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1.1
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I. Kyrie
Franz Schubert; Johanna Winkel; Elvira Bill; Florian Sievers; Arttu Kataja; Kammerchor Stuttgart; Hofkapelle Stuttgart; Frieder Bernius |
6:13 | |||
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1.2
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II. Gloria
Franz Schubert; Johanna Winkel; Elvira Bill; Florian Sievers; Arttu Kataja; Kammerchor Stuttgart; Hofkapelle Stuttgart; Frieder Bernius |
14:11 | |||
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1.3
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III. Credo
Franz Schubert; Johanna Winkel; Elvira Bill; Florian Sievers; Arttu Kataja; Kammerchor Stuttgart; Hofkapelle Stuttgart; Frieder Bernius |
9:34 | |||
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1.4
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IV. Sanctus
Franz Schubert; Johanna Winkel; Elvira Bill; Florian Sievers; Arttu Kataja; Kammerchor Stuttgart; Hofkapelle Stuttgart; Frieder Bernius |
2:58 | |||
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1.5
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V. Benedictus
Franz Schubert; Johanna Winkel; Elvira Bill; Florian Sievers; Arttu Kataja; Kammerchor Stuttgart; Hofkapelle Stuttgart; Frieder Bernius |
4:37 | |||
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1.6
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VI. Agnus Dei
Franz Schubert; Johanna Winkel; Elvira Bill; Florian Sievers; Arttu Kataja; Kammerchor Stuttgart; Hofkapelle Stuttgart; Frieder Bernius |
6:00 | |||
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Digital Booklet
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In his Mass in A flat, Schubert set himself the great task of composing a 'Missa solemnis', as he later entitled the work. As with the Mass he wrote in the last year of his life, he severed the bonds imposed by tradition on the four earlier works of 1814-16. His highest ambition for the effect it might have on the world (there is evidence of his early intention to dedicate it to the Emperor Franz and his consort) is linked in the A flat major Mass with a deeply personal confession, the formulation of his own faith, of 'true devotion 111 as he put it in 1825. There can scarcely be another work upon which Schubert worked so long, so intensively and with such revision: begun in November 1819, the Mass was not finished unti I September 1822; given one performance at the end of that year and possibly another in 1823 in the Alt-Lerchenfeld parish church in Vienna, it was by no means 'finished business', being modified by Schubert by 1825.
48 kHz / 24-bit PCM – haenssler CLASSIC Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.05 -5.38 to -0.16 | -23.17 -27.19 to -20.81 | -19.10 -23.80 to -16.30 | 13 12 to 15 | |
| 1 | I. Kyrie | -5.38 | -27.19 | -23.8 | 13 |
| 2 | II. Gloria | -0.21 | -22.06 | -17.7 | 13 |
| 3 | III. Credo | -0.20 | -21.17 | -16.6 | 13 |
| 4 | IV. Sanctus | -0.16 | -20.81 | -16.3 | 12 |
| 5 | V. Benedictus | -0.17 | -23.51 | -19.7 | 13 |
| 6 | VI. Agnus Dei | -0.20 | -24.30 | -20.5 | 15 |