℗ 2023 Claves Records
| Released | February 3, 2023 |
| Duration | 1h 58m 00s |
| Record Label | Claves Records |
| Catalogue No. | CD-3074-75 |
| Genre | Classical (Medieval/ Renaissance) |
Frescobaldi's Manuscripts
Adrien Pièce
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Toccata per organo (No. 4)
Girolamo Frescobaldi; Adrien Pièce |
4:36 | |||
|
1.2
|
Canzona (No. 11)
Girolamo Frescobaldi; Adrien Pièce |
1:31 | |||
|
1.3
|
Ricercare (No. 12)
Girolamo Frescobaldi; Adrien Pièce |
2:15 | |||
|
1.4
|
Capriccio fatto sopra il Cuccù (No. 6)
Girolamo Frescobaldi; Adrien Pièce |
4:39 | |||
|
1.5
|
(Toccata / No. 48)
Girolamo Frescobaldi; Adrien Pièce |
2:05 | |||
|
Nelle feste della Madonna
|
|||||
|
1.6
|
Ave Maris Stella (No. 49)
Girolamo Frescobaldi; Adrien Pièce |
2:12 | |||
|
1.7
|
Toccata per l’Elevatione (No. 99)
Girolamo Frescobaldi; Adrien Pièce |
4:36 | |||
|
1.8
|
Toccata (No. 96)
Girolamo Frescobaldi; Adrien Pièce |
1:58 | |||
|
1.9
|
Ricercar canzona (No. 104)
Girolamo Frescobaldi; Adrien Pièce |
1:36 | |||
|
1.10
|
Canzona (No. 105)
Girolamo Frescobaldi; Adrien Pièce |
1:25 | |||
|
1.11
|
(Gagliarda di Frescobaldi] - [Gagliarda / No. 85-86)
Girolamo Frescobaldi; Adrien Pièce |
1:43 | |||
|
1.12
|
(Toccata) tertii toni (No. 143)
Girolamo Frescobaldi; Adrien Pièce |
4:13 | |||
|
1.13
|
Canzona Frescobaldi (No. 147-148)
Girolamo Frescobaldi; Adrien Pièce |
3:38 | |||
|
1.14
|
Canzone Decima Quarta (detta la Sabbatina / No. 182)
Girolamo Frescobaldi; Adrien Pièce |
4:57 | |||
|
1.15
|
Canzone Decima Quinta (No. 183)
Girolamo Frescobaldi; Adrien Pièce |
4:42 | |||
|
1.16
|
Quarta Toccata Piva (No. 190)
Girolamo Frescobaldi; Adrien Pièce |
2:17 | |||
|
1.17
|
Elevatione del Frescobaldi (No. 210)
Girolamo Frescobaldi; Adrien Pièce |
3:04 | |||
|
1.18
|
Canzon di Girolamo Frescobaldi (No. 193)
Girolamo Frescobaldi; Adrien Pièce |
9:59 | |||
|
2.1
|
Toccata (VI) F. Baldi (No. 129)
Girolamo Frescobaldi; Adrien Pièce |
4:21 | |||
|
2.2
|
Corrente (IV / No. 138)
Girolamo Frescobaldi; Adrien Pièce |
1:17 | |||
|
2.3
|
Toccata Terza (No. 16)
Girolamo Frescobaldi; Adrien Pièce |
5:47 | |||
|
2.4
|
(Aria detta) Balletto (No. 60)
Girolamo Frescobaldi; Adrien Pièce |
5:57 | |||
|
2.5
|
Ciaccona
Girolamo Frescobaldi; Adrien Pièce |
0:45 | |||
|
2.6
|
Canzona quinta (No. 22)
Girolamo Frescobaldi; Adrien Pièce |
3:00 | |||
|
2.7
|
Ruggieri (No. 107)
Girolamo Frescobaldi; Adrien Pièce |
2:42 | |||
|
2.8
|
La Monica (No. 108)
Girolamo Frescobaldi; Adrien Pièce |
3:23 | |||
|
2.9
|
Toccata- Canzona (No. 31)
Girolamo Frescobaldi; Adrien Pièce |
3:59 | |||
|
2.10
|
Toccata del Signor Girolamo Frescobaldi (No. 87)
Girolamo Frescobaldi; Adrien Pièce |
4:45 | |||
|
2.11
|
Corrente del Sig.r Ger FB. (No. 88)
Girolamo Frescobaldi; Adrien Pièce |
1:44 | |||
|
2.12
|
Fantaisie du Seignieur G. Frescobaldi (No. 208)
Girolamo Frescobaldi; Adrien Pièce |
2:57 | |||
|
2.13
|
Corrente (No. 114) - Allamana (No. 115)
Girolamo Frescobaldi; Adrien Pièce |
1:40 | |||
|
2.14
|
Balletto (No. 117) - Corrente (No. 122)
Girolamo Frescobaldi; Adrien Pièce |
1:41 | |||
|
2.15
|
Toccata a mó della Romanesca (No. 125)
Girolamo Frescobaldi; Adrien Pièce |
0:49 | |||
|
2.16
|
Romanesca (No. 206)
Girolamo Frescobaldi; Adrien Pièce |
2:42 | |||
|
2.17
|
Toccata (No. 9)
Girolamo Frescobaldi; Adrien Pièce |
1:31 | |||
|
2.18
|
Partite sopra l’aria di Fiorenza (No. 1)
Girolamo Frescobaldi; Adrien Pièce |
2:35 | |||
|
2.19
|
Arpeggiate (Frescobaldi / No. 69)
Girolamo Frescobaldi; Adrien Pièce |
0:50 | |||
|
2.20
|
Passacagli (No. 65)
Girolamo Frescobaldi; Adrien Pièce |
4:09 | |||
Girolamo Frescobaldi (1583-1643) was undoubtedly one of the most renowned 17th century organists of his lifetime. Born in Ferrara in 1583, he became organist of St Peter’s Basilica in Rome in 1608. This prestigious position was related to a significant network of patrons, to which Frescobaldi remained faithful until the end of his life. It was within this context that his music, most of which was devoted to keyboard instruments, was published: the two books of Toccate (1615 and 1617), the Capricci (1624) and the Ricercari e Canzoni (1615), among others. Frescobaldi pioneered a new virtuosity: while developing the forms already addressed by the composers who preceded him, he forged a personal language, a nuova maniera di suonare packed with ornamental figures, rhythmic contrasts and contrapuntal sophistication.
The pieces recorded here reveal a part of his production that is still largely in the shade, consisting of the keyboard pieces preserved in manuscript form.
"I wanted to put my long-standing passion for this rich repertoire to work here – I hope this recording will resonate with those interested in its study or who simply have the wish to discover it."
- Adrien Pièce
96 kHz / 24-bit PCM – Claves Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.75 -6.52 to -0.77 | -18.38 -21.87 to -16.06 | -15.27 -18.90 to -13.20 | 11 8 to 13 | |
| 1.1 | Toccata per organo (No. 4) | -0.77 | -16.51 | -13.6 | 10 |
| 1.2 | Canzona (No. 11) | -6.52 | -21.87 | -18.9 | 9 |
| 1.3 | Ricercare (No. 12) | -1.01 | -16.46 | -13.3 | 10 |
| 1.4 | Capriccio fatto sopra il Cuccù (No. 6) | -0.78 | -18.00 | -15.0 | 11 |
| 1.5 | (Toccata / No. 48) | -2.19 | -16.22 | -13.6 | 9 |
| 1.6 | Ave Maris Stella (No. 49) | -1.99 | -17.21 | -14.3 | 10 |
| 1.7 | Toccata per l’Elevatione (No. 99) | -1.26 | -16.59 | -14.2 | 10 |
| 1.8 | Toccata (No. 96) | -1.21 | -16.06 | -13.3 | 10 |
| 1.9 | Ricercar canzona (No. 104) | -3.40 | -18.20 | -15.7 | 9 |
| 1.10 | Canzona (No. 105) | -0.78 | -16.58 | -13.9 | 10 |
| 1.11 | (Gagliarda di Frescobaldi] - [Gagliarda / No. 85-86) | -0.78 | -17.36 | -14.2 | 11 |
| 1.12 | (Toccata) tertii toni (No. 143) | -0.78 | -16.33 | -13.2 | 10 |
| 1.13 | Canzona Frescobaldi (No. 147-148) | -0.78 | -17.33 | -14.5 | 10 |
| 1.14 | Canzone Decima Quarta (detta la Sabbatina / No. 182) | -0.77 | -16.36 | -13.3 | 10 |
| 1.15 | Canzone Decima Quinta (No. 183) | -2.69 | -18.80 | -16.1 | 10 |
| 1.16 | Quarta Toccata Piva (No. 190) | -3.55 | -18.64 | -15.8 | 9 |
| 1.17 | Elevatione del Frescobaldi (No. 210) | -2.78 | -16.65 | -14.4 | 8 |
| 1.18 | Canzon di Girolamo Frescobaldi (No. 193) | -0.77 | -18.17 | -13.9 | 11 |
| 2.1 | Toccata (VI) F. Baldi (No. 129) | -0.78 | -18.94 | -15.8 | 13 |
| 2.2 | Corrente (IV / No. 138) | -0.78 | -18.02 | -14.5 | 12 |
| 2.3 | Toccata Terza (No. 16) | -2.29 | -20.95 | -17.8 | 12 |
| 2.4 | (Aria detta) Balletto (No. 60) | -0.77 | -17.66 | -14.6 | 12 |
| 2.5 | Ciaccona | -0.82 | -18.25 | -14.3 | 11 |
| 2.6 | Canzona quinta (No. 22) | -0.77 | -18.20 | -15.0 | 12 |
| 2.7 | Ruggieri (No. 107) | -3.03 | -20.87 | -17.6 | 12 |
| 2.8 | La Monica (No. 108) | -1.87 | -20.40 | -17.2 | 12 |
| 2.9 | Toccata- Canzona (No. 31) | -0.77 | -18.25 | -14.8 | 12 |
| 2.10 | Toccata del Signor Girolamo Frescobaldi (No. 87) | -1.77 | -20.37 | -17.2 | 13 |
| 2.11 | Corrente del Sig.r Ger FB. (No. 88) | -2.67 | -19.37 | -16.1 | 12 |
| 2.12 | Fantaisie du Seignieur G. Frescobaldi (No. 208) | -3.31 | -21.27 | -18.1 | 12 |
| 2.13 | Corrente (No. 114) - Allamana (No. 115) | -0.77 | -17.60 | -14.4 | 12 |
| 2.14 | Balletto (No. 117) - Corrente (No. 122) | -0.77 | -17.84 | -14.4 | 12 |
| 2.15 | Toccata a mó della Romanesca (No. 125) | -4.40 | -21.77 | -18.5 | 11 |
| 2.16 | Romanesca (No. 206) | -2.34 | -20.62 | -17.3 | 12 |
| 2.17 | Toccata (No. 9) | -0.78 | -18.54 | -15.0 | 12 |
| 2.18 | Partite sopra l’aria di Fiorenza (No. 1) | -0.77 | -17.37 | -14.1 | 12 |
| 2.19 | Arpeggiate (Frescobaldi / No. 69) | -3.54 | -21.32 | -18.0 | 10 |
| 2.20 | Passacagli (No. 65) | -0.77 | -17.45 | -14.3 | 12 |