℗ 2022 TYM Recordings
| Released | December 30, 2022 |
| Duration | 20m 47s |
| Record Label | TYM Recordings |
| Genre | Singer/Songwriter |
|
1.1
|
Dragonfly (Piano Version)
Tom A. Smith |
3:28 | |||
|
1.2
|
Never Good Enough (Piano Version)
Tom A. Smith |
4:09 | |||
|
1.3
|
Could I Live With Being Fake (Piano Version)
Tom A. Smith |
3:50 | |||
|
1.4
|
Under The Ivy (Piano Version)
Tom A. Smith |
2:30 | |||
|
1.5
|
Like You Do (Piano Version)
Tom A. Smith |
2:55 | |||
|
1.6
|
Wolves (Piano Version)
Tom A. Smith |
3:55 |
Channelling the same warm and euphoric sound as The Cure’s Robert Smith, Tom A. Smith's The Piano Sessions perfectly establishes his rich and soaring direction through a bold and contemporary lens. With its intimate and minimalistic production, layered effortlessly over Smith’s own passionate vocals, the effort makes for powerful listening and showcases a true talent on the rise.
48 kHz / 24-bit PCM – TYM Recordings Studio Masters
Tracks 1-3, 5, 6 – 44.1 kHz / 24-bit PCM
Tracks 1-3, 5, 6 – 44.1 kHz / 24-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.11 -0.16 to -0.08 | -19.43 -21.53 to -16.71 | -16.08 -18.30 to -13.30 | 13 11 to 15 | |
| 1 | Dragonfly (Piano Version) | -0.12 | -18.74 | -15.1 | 11 |
| 2 | Never Good Enough (Piano Version) | -0.12 | -21.53 | -18.3 | 15 |
| 3 | Could I Live With Being Fake (Piano Version) | -0.16 | -19.24 | -15.7 | 13 |
| 4 | Under The Ivy (Piano Version) | -0.10 | -16.71 | -13.3 | 11 |
| 5 | Like You Do (Piano Version) | -0.11 | -20.33 | -17.2 | 14 |
| 6 | Wolves (Piano Version) | -0.08 | -20.03 | -16.9 | 12 |