℗ 2017 Hallé Concerts Society
Released June 2, 2017
Duration 4h 18m 34s
Record Label Halle Concerts Society
Genre Classical
 

Wagner: Parsifal

Hallé, Sir Mark Elder

Available in 48 kHz / 24-bit AIFF, FLAC audio formats
  • Select Format
    • AIFF 48 kHz | 24-bit
    • FLAC 48 kHz | 24-bit
Add to cart
discounted price

 
Parsifal, WWV 111  
1.1
Act 1: Prelude
Richard Wagner; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
14:12
1.2
Act 1 Scene I: "He! Ho! Waldhüter ihr"
Richard Wagner; Katarina Dalayman; Sir John Tomlinson; Robert Murray; Andrew Greenan; Madeleine Shaw; Sarah Castle; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
8:28
1.3
Act 1 Scene II: "Recht so! Habt Dank!"
Richard Wagner; Katarina Dalayman; Sir John Tomlinson; Detlef Roth; Andrew Greenan; Robert Murray; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
6:27
1.4
Act 1 Scene III: "Nicht Dank!"
Richard Wagner; Katarina Dalayman; Sir John Tomlinson; Joshua Ellicott; Andrew Rees; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
7:53
1.5
Act 1 Scene IV: "O wundenwunder-voller heiliger Speer!"
Richard Wagner; Sir John Tomlinson; Sarah Castle; Madeleine Shaw; Joshua Ellicott; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
4:01
1.6
Act 1 Scene V: "Titurel, der fromme Held"
Richard Wagner; Sir John Tomlinson; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
6:03
1.7
Act 1 Scene V: "Die Wüste Schuf er sich zum Wonnegarten"
Richard Wagner; Sir John Tomlinson; Sarah Castle; Madeleine Shaw; Joshua Ellicott; Andrew Rees; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
5:22
1.8
Act 1 Scene VI: "Weh! Weh!"
Richard Wagner; Lars Cleveman; Sir John Tomlinson; Robert Murray; Andrew Greenan; Sarah Castle; Madeleine Shaw; Joshua Ellicott; Andrew Rees; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
5:18
1.9
Act 1 Scene VII: "Wo bist du her?"
Richard Wagner; Lars Cleveman; Katarina Dalayman; Sir John Tomlinson; Detlef Roth; Reinhard Hagen; Robert Murray; Andrew Greenan; Hallé Youth Choir; Trinity Boys Choir; Hallé; Sir Mark Elder
9:07
2.1
Act 1 Scene VIII: "Vom Bade kehrt der König heim"
Richard Wagner; Lars Cleveman; Sir John Tomlinson; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
2:06
2.2
Act 1: Interlude
Richard Wagner; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
4:12
2.3
Act 1 Scene X: "Nun achte wohl, und lass mich sehn"
Richard Wagner; Sir John Tomlinson; Royal Opera Chorus; Hallé; Sir Mark Elder
3:23
2.4
Act 1 Scene X: "Den sündigen Welten"
Richard Wagner; Hallé Youth Choir; Trinity Boys Choir; Hallé; Sir Mark Elder
3:37
2.5
Act 1 Scene XI: "Mein Sohn, Amfortas"
Richard Wagner; Detlef Roth; Reinhard Hagen; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
6:14
2.6
Act 1 Scene XII: "Die Weihgefässes göttlicher Gehalt"
Richard Wagner; Detlef Roth; Reinhard Hagen; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
5:49
2.7
Act 1 Scene XII: "Nehmet hin meinen Leib"
Richard Wagner; Reinhard Hagen; Hallé Youth Choir; Trinity Boys Choir; Hallé; Sir Mark Elder
7:35
2.8
Act 1 Scene XIII: "Wein und Brot"
Richard Wagner; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
5:22
2.9
Act 1: Interlude II
Richard Wagner; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
4:12
2.10
Act 1 Scene XV: Was stehst du doch da?
Richard Wagner; Sir John Tomlinson; Madeleine Shaw; Hallé Youth Choir; Trinity Boys Choir; Hallé; Sir Mark Elder
2:40
3.1
Act 2 Scene I: Prelude
Richard Wagner; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
2:29
3.2
Act 2 Scene II: "Die Zeit ist da"
Richard Wagner; Tom Fox; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
4:14
3.3
Act 2 Scene III: "Ach! Ach!"
Richard Wagner; Katarina Dalayman; Tom Fox; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
11:12
3.4
Act 2 Scene IV: "Hier war das Tosen! Hier, hier!"
Richard Wagner; Lars Cleveman; Elizabeth Cragg; Anita Watson; Sarah Castle; Ana James; Anna Devin; Madeleine Shaw; Royal Opera Chorus; Hallé; Sir Mark Elder
4:24
3.5
Act 2 Scene V: "Komm! Holder Knabe!"
Richard Wagner; Lars Cleveman; Katarina Dalayman; Elizabeth Cragg; Anita Watson; Sarah Castle; Ana James; Anna Devin; Madeleine Shaw; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
5:06
3.6
Act 2 Scene VI: "Parsifal!"
Richard Wagner; Lars Cleveman; Katarina Dalayman; Elizabeth Cragg; Anita Watson; Sarah Castle; Ana James; Anna Devin; Madeleine Shaw; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
2:58
3.7
Act 2 Scene VII: "Dies alles … hab' ich nun geträumt?"
Richard Wagner; Lars Cleveman; Katarina Dalayman; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
3:36
3.8
Act 2 Scene VIII: "Ich sah das Kind an seiner Mutter Brust"
Richard Wagner; Katarina Dalayman; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
5:07
3.9
Act 2 Scene IX: "Wehe! Wehe!"
Richard Wagner; Lars Cleveman; Katarina Dalayman; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
4:36
3.10
Act 2 Scene X: "Amfortas! Dei Wunde!"
Richard Wagner; Lars Cleveman; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
6:36
3.11
Act 2 Scene XI: "Gelobter Held!"
Richard Wagner; Lars Cleveman; Katarina Dalayman; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
5:16
3.12
Act 2 Scene XI: "Nun such ich ihn"
Richard Wagner; Lars Cleveman; Katarina Dalayman; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
8:35
3.13
Act 2 Scene XII: "Vergeh, unseliges Weib!"
Richard Wagner; Lars Cleveman; Katarina Dalayman; Tom Fox; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
4:08
4.1
Act 3 Scene I: Prelude
Richard Wagner; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
6:35
4.2
Act 3 Scene II: "Von dorther kam das Stöhnen"
Richard Wagner; Katarina Dalayman; Sir John Tomlinson; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
7:33
4.3
Act 3 Scene III: "Heil dir, mein Gast!"
Richard Wagner; Sir John Tomlinson; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
4:54
4.4
Act 3 Scene IV: "Erkennst du ihn?"
Richard Wagner; Sir John Tomlinson; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
2:27
4.5
Act 3 Scene IV: "Heil mir, dass ich dich wiederfinde!"
Richard Wagner; Lars Cleveman; Sir John Tomlinson; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
4:21
4.6
Act 3 Scene IV: "O Herr. War es ein Fluch"
Richard Wagner; Lars Cleveman; Sir John Tomlinson; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
6:47
4.7
Act 3 Scene V: "Nicht so!"
Richard Wagner; Lars Cleveman; Sir John Tomlinson; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
3:04
4.8
Act 3 Scene VI: "Du wuschest mir die Füsse"
Richard Wagner; Lars Cleveman; Sir John Tomlinson; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
6:09
4.9
Act 3 Scene VI: "Wie dünkt mich doch die Aue heut so schön!"
Richard Wagner; Lars Cleveman; Sir John Tomlinson; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
2:41
4.10
Act 3 Scene VI: "Du siehst, das ist nicht so"
Richard Wagner; Lars Cleveman; Sir John Tomlinson; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
5:59
4.11
Act 3 Scene VII: "Mittag, die Stund' ist da"
Richard Wagner; Sir John Tomlinson; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
4:46
4.12
Act 3 Scene VIII: "Geleiten wir in bergenden Schrein"
Richard Wagner; Royal Opera Chorus; Hallé; Sir Mark Elder
4:02
4.13
Act 3 Scene IX: "Ja! Wehe!"
Richard Wagner; Detlef Roth; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
6:27
4.14
Act 3 Scene X: "Enthüllet den Gral!"
Richard Wagner; Lars Cleveman; Detlef Roth; Royal Opera Chorus; Hallé; Sir Mark Elder
5:20
4.15
Act 3 Scene XI: "Höchsten Heiles Wunder!"
Richard Wagner; Hallé Youth Choir; Royal Opera Chorus; Trinity Boys Choir; Hallé; Sir Mark Elder
7:11
"Elder’s single-minded patience – much of it, one notes, reflecting the many indications in the score to keep things slow – creates a powerful and quietly hypnotic sense of weary sadness, an entirely appropriate feeling of pale grandeur. He controls everything with the surest of touches right up until a deeply moving account of the final bars, and his orchestra are with him every second of the way, playing with sensitivity and feeling, as well as an impressive delicacy of timbre." - Huga Shirley, Gramophone This Elder conducted Hallé recording of Wagner's final masterpiece is taken from the ensemble's contribution to the BBC Proms' Wagner anniversary celebration in 2013. As always, Elder is in fine form, leading the musicians of the Hallé with intelligence and fervour.
48 kHz / 24-bit PCM – Halle Concerts Society Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-4.12
-13.49 to -0.22
-29.21
-35.80 to -21.79
-24.87
-31.80 to -18.30
15
12 to 18
1.1
Act 1: Prelude
-2.46-29.29-24.416
1.2
Act 1 Scene I: "He! Ho! Waldhüter ihr"
-2.01-30.96-25.918
1.3
Act 1 Scene II: "Recht so! Habt Dank!"
-8.39-33.60-29.615
1.4
Act 1 Scene III: "Nicht Dank!"
-1.98-30.48-26.517
1.5
Act 1 Scene IV: "O wundenwunder-voller heiliger Speer!"
-3.70-26.24-22.213
1.6
Act 1 Scene V: "Titurel, der fromme Held"
-3.05-28.87-24.715
1.7
Act 1 Scene V: "Die Wüste Schuf er sich zum Wonnegarten"
-3.67-29.56-25.015
1.8
Act 1 Scene VI: "Weh! Weh!"
-0.94-26.18-21.614
1.9
Act 1 Scene VII: "Wo bist du her?"
-0.78-30.05-25.318
2.1
Act 1 Scene VIII: "Vom Bade kehrt der König heim"
-5.67-30.52-26.615
2.2
Act 1: Interlude
-0.65-22.66-18.914
2.3
Act 1 Scene X: "Nun achte wohl, und lass mich sehn"
-0.36-21.79-18.313
2.4
Act 1 Scene X: "Den sündigen Welten"
-13.49-35.80-31.812
2.5
Act 1 Scene XI: "Mein Sohn, Amfortas"
-5.51-32.09-27.514
2.6
Act 1 Scene XII: "Die Weihgefässes göttlicher Gehalt"
-6.88-31.98-27.814
2.7
Act 1 Scene XII: "Nehmet hin meinen Leib"
-4.47-33.67-28.516
2.8
Act 1 Scene XIII: "Wein und Brot"
-2.59-28.62-23.214
2.9
Act 1: Interlude II
-9.68-30.81-27.712
2.10
Act 1 Scene XV: Was stehst du doch da?
-6.57-34.96-30.918
3.1
Act 2 Scene I: Prelude
-4.66-25.44-20.512
3.2
Act 2 Scene II: "Die Zeit ist da"
-6.89-30.03-25.514
3.3
Act 2 Scene III: "Ach! Ach!"
-2.52-29.02-24.516
3.4
Act 2 Scene IV: "Hier war das Tosen! Hier, hier!"
-2.94-26.49-22.815
3.5
Act 2 Scene V: "Komm! Holder Knabe!"
-5.76-27.65-24.214
3.6
Act 2 Scene VI: "Parsifal!"
-3.53-30.96-26.617
3.7
Act 2 Scene VII: "Dies alles … hab' ich nun geträumt?"
-3.25-34.80-30.518
3.8
Act 2 Scene VIII: "Ich sah das Kind an seiner Mutter Brust"
-1.61-30.66-26.118
3.9
Act 2 Scene IX: "Wehe! Wehe!"
-6.21-31.18-26.615
3.10
Act 2 Scene X: "Amfortas! Dei Wunde!"
-5.02-28.00-23.613
3.11
Act 2 Scene XI: "Gelobter Held!"
-2.27-28.43-23.415
3.12
Act 2 Scene XI: "Nun such ich ihn"
-0.30-24.51-20.315
3.13
Act 2 Scene XII: "Vergeh, unseliges Weib!"
-0.22-24.33-19.714
4.1
Act 3 Scene I: Prelude
-6.79-28.98-23.613
4.2
Act 3 Scene II: "Von dorther kam das Stöhnen"
-6.91-32.80-27.816
4.3
Act 3 Scene III: "Heil dir, mein Gast!"
-7.26-32.66-28.315
4.4
Act 3 Scene IV: "Erkennst du ihn?"
-4.07-29.89-25.615
4.5
Act 3 Scene IV: "Heil mir, dass ich dich wiederfinde!"
-4.22-27.23-22.814
4.6
Act 3 Scene IV: "O Herr. War es ein Fluch"
-2.59-29.66-25.015
4.7
Act 3 Scene V: "Nicht so!"
-8.99-32.63-28.114
4.8
Act 3 Scene VI: "Du wuschest mir die Füsse"
-2.06-27.76-22.616
4.9
Act 3 Scene VI: "Wie dünkt mich doch die Aue heut so schön!"
-7.17-30.74-27.014
4.10
Act 3 Scene VI: "Du siehst, das ist nicht so"
-7.40-29.86-25.613
4.11
Act 3 Scene VII: "Mittag, die Stund' ist da"
-1.05-23.37-19.513
4.12
Act 3 Scene VIII: "Geleiten wir in bergenden Schrein"
-2.83-23.56-20.412
4.13
Act 3 Scene IX: "Ja! Wehe!"
-0.30-30.32-26.015
4.14
Act 3 Scene X: "Enthüllet den Gral!"
-2.86-25.38-21.813
4.15
Act 3 Scene XI: "Höchsten Heiles Wunder!"
-1.00-28.19-23.916

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions