℗ 2016 harmonia mundi
 

Mozart: Piano Concertos, K. 413, 414, 415

Kristian Bezuidenhout, Freiburger Barockorchester

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Piano Concerto in A Major, K. 414  
1
I. Allegro
Wolfgang Amadeus Mozart; Kristian Bezuidenhout; Freiburger Barockorchester; Gottfried von der Goltz
10:03
2
II. Andante
Wolfgang Amadeus Mozart; Kristian Bezuidenhout; Freiburger Barockorchester; Gottfried von der Goltz
7:43
3
III. Rondeau. Allegretto
Wolfgang Amadeus Mozart; Kristian Bezuidenhout; Freiburger Barockorchester; Gottfried von der Goltz
6:08
Piano Concerto in F Major, K. 413  
4
I. Allegro
Wolfgang Amadeus Mozart; Kristian Bezuidenhout; Freiburger Barockorchester; Gottfried von der Goltz
9:01
5
II. Larghetto
Wolfgang Amadeus Mozart; Kristian Bezuidenhout; Freiburger Barockorchester; Gottfried von der Goltz
6:41
6
III. Tempo di Menuetto
Wolfgang Amadeus Mozart; Kristian Bezuidenhout; Freiburger Barockorchester; Gottfried von der Goltz
5:07
Piano Concerto in C Major, K. 415  
7
I. Allegro
Wolfgang Amadeus Mozart; Kristian Bezuidenhout; Freiburger Barockorchester; Gottfried von der Goltz
10:08
8
II. Andante
Wolfgang Amadeus Mozart; Kristian Bezuidenhout; Freiburger Barockorchester; Gottfried von der Goltz
6:58
9
III. Rondeau. Allegro
Wolfgang Amadeus Mozart; Kristian Bezuidenhout; Freiburger Barockorchester; Gottfried von der Goltz
7:38
Digital Booklet
Total Playing Time    69:27
“There’s plenty of interpretative freedom...as the soloist takes Mozart’s scores as a starting point rather than as the gospel handed down from above... he is superbly responsive to the music’s high spirits and to the possibilities inherent in these scores.”
- Gramophone

“These are dazzling and at times unusually searching performances.”
- BBC Music Magazine

South African-born keyboardist Kristian Bezuidenhout stars in this recording of Mozart's three early Viennese piano concertos. Accompanied by the musicians of the Freiburger Barockorchester and conductor Gottfried von der Goltz, Bezuidenhout's fortepiano performance is flexible and sensitive, complimented by the quartet scoring employed in solo sections, making for an engaging and vibrant period-informed release.
96 kHz / 24-bit PCM – harmonia mundi Studio Masters

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