℗ 2022 IBS Classical
| Released | January 13, 2023 |
| Duration | 1h 01m 06s |
| Catalogue No. | IBS-132022 |
| Genre | Classical (Art Song) |
Argentina Songs
Soledad Cardoso, Quimey Urquiaga
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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El vaso
Carlos Guastavino; Gabriela Mistral; Soledad Cardoso; Quimey Urquiaga |
3:15 | |||
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1.2
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Riqueza
Carlos Guastavino; Gabriela Mistral; Soledad Cardoso; Quimey Urquiaga |
2:09 | |||
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1.3
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Piececitos
Carlos Guastavino; Gabriela Mistral; Soledad Cardoso; Quimey Urquiaga |
2:00 | |||
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1.4
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Anhelo
Domingo Zerpa; Carlos Guastavino; Soledad Cardoso; Quimey Urquiaga |
1:56 | |||
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1.5
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Noches de Santa Fé
Carlos Guastavino; Guiche Aizemberg; Soledad Cardoso; Quimey Urquiaga |
3:11 | |||
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12 Canciones populares
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1.6
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No. 12, Mi viña de Chapanay
León Benarós; Carlos Guastavino; Soledad Cardoso; Quimey Urquiaga |
2:38 | |||
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13 Canciones argentinas
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1.7
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No. 1, Lied del pájaro y la muerte
Gilardo Gilardi; Leopoldo Lugones; Soledad Cardoso; Quimey Urquiaga |
1:43 | |||
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1.8
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No. 2, Lied de la estrella marina
Gilardo Gilardi; Leopoldo Lugones; Soledad Cardoso; Quimey Urquiaga |
4:10 | |||
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1.9
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No. 3, Lied del tesoro escondido
Gilardo Gilardi; Leopoldo Lugones; Soledad Cardoso; Quimey Urquiaga |
0:36 | |||
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1.10
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No. 4, Lied del amor verdadero
Gilardo Gilardi; Leopoldo Lugones; Soledad Cardoso; Quimey Urquiaga |
2:42 | |||
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1.11
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No. 5, Lied de los ojos amados
Gilardo Gilardi; Leopoldo Lugones; Soledad Cardoso; Quimey Urquiaga |
2:42 | |||
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1.12
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No. 6, Lied de las manos amigas
Gilardo Gilardi; Leopoldo Lugones; Soledad Cardoso; Quimey Urquiaga |
2:22 | |||
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1.13
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No. 7, Lied del viento y de la fuente
Gilardo Gilardi; Leopoldo Lugones; Soledad Cardoso; Quimey Urquiaga |
1:41 | |||
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1.14
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No. 8, Lied de la boca florida
Gilardo Gilardi; Leopoldo Lugones; Soledad Cardoso; Quimey Urquiaga |
1:12 | |||
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1.15
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No. 9, Lied de la gracia triunfante
Gilardo Gilardi; Leopoldo Lugones; Soledad Cardoso; Quimey Urquiaga |
3:59 | |||
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1.16
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No. 10, Lied de la ciencia de amar
Gilardo Gilardi; Leopoldo Lugones; Soledad Cardoso; Quimey Urquiaga |
1:19 | |||
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1.17
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No. 11, Lied del misterio gentil
Gilardo Gilardi; Leopoldo Lugones; Soledad Cardoso; Quimey Urquiaga |
1:12 | |||
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1.18
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No. 12, Lied de la eterna ventura
Gilardo Gilardi; Leopoldo Lugones; Soledad Cardoso; Quimey Urquiaga |
1:19 | |||
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1.19
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No. 13, Lied del secreto dichoso
Gilardo Gilardi; Leopoldo Lugones; Soledad Cardoso; Quimey Urquiaga |
2:00 | |||
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1.20
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Danza irregular
Alfonsina Storni; Gilardo Gilardi; Soledad Cardoso; Quimey Urquiaga |
1:53 | |||
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1.21
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Canción de cuna India
Gilardo Gilardi; Ana Serrano Redonnet; Soledad Cardoso; Quimey Urquiaga |
3:44 | |||
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1.22
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Balada
Lía Cimaglia Espinosa; Susana Calandrelli; Soledad Cardoso; Quimey Urquiaga |
2:21 | |||
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1.23
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Botoncito
Gabriela Mistral; Lía Cimaglia Espinosa; Soledad Cardoso; Quimey Urquiaga |
3:32 | |||
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3 Canciones de soledad
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1.24
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No. 1, Por eso
Emilio Dublanc; Hortensia Margarita Raffo; Soledad Cardoso; Quimey Urquiaga |
1:50 | |||
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1.25
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No. 2, Mi sueño
Emilio Dublanc; Hortensia Margarita Raffo; Soledad Cardoso; Quimey Urquiaga |
2:00 | |||
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1.26
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No. 3, Por qué?
Emilio Dublanc; Hortensia Margarita Raffo; Soledad Cardoso; Quimey Urquiaga |
1:36 | |||
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1.27
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Coplas
Rafael Jijena Sánchez; Arturo Luzzatti; Soledad Cardoso; Quimey Urquiaga |
2:04 | |||
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Digital Booklet
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Harmoniously united, music and literature were combined throughout Argentina’s cultural history on numerous occasions. A wide repertoire of vocal compositions was configured in the format of chamber song with piano and, as such, participated in the formation of identities –national, regional, local– strengthening the relationship between culture and society. Whether as single pieces or grouped in the form of real cycles, it is an extensive corpus that still remains almost unexplored, were it not for contributions such as the one present, characterized by an avoidance of the commonplaces of conventional discography. In fact, two composers born in the second half of the 19th century are combined with three others born around 1910 —the year of the 100th anniversary of the May Revolution— whose works came to fruition in the 1940s. Thus, the Santa Fe-born Carlos Guastavino (1912-2000) opens this record; after him, the focus is on the Buenos Aires-born Gilardo Gilardi (1889-1963); this is followed by a sample of the work of composers Lía Cimaglia Espinosa (1906-1998) and Emilio Dublanc (1911-1990), and ends with the Italian immigrant Arturo Luzzatti (1875-1959).
96 kHz / 24-bit PCM – IBS Classical Studio Masters
Tracks 1-27 – contains material which utilizes a limited amount of the available bandwidth
Tracks 1-27 – contains material which utilizes a limited amount of the available bandwidth
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.21 -2.87 to -0.10 | -20.64 -24.25 to -15.05 | -16.83 -20.80 to -11.80 | 11 8 to 13 | |
| 1 | El vaso | -0.11 | -19.94 | -16.1 | 12 |
| 2 | Riqueza | -0.47 | -20.65 | -16.7 | 12 |
| 3 | Piececitos | -0.63 | -19.98 | -16.4 | 12 |
| 4 | Anhelo | -0.84 | -21.37 | -17.7 | 11 |
| 5 | Noches de Santa Fé | -2.57 | -21.80 | -18.6 | 12 |
| 6 | No. 12, Mi viña de Chapanay | -0.11 | -18.81 | -15.7 | 12 |
| 7 | No. 1, Lied del pájaro y la muerte | -0.65 | -19.15 | -14.7 | 11 |
| 8 | No. 2, Lied de la estrella marina | -1.18 | -19.98 | -16.5 | 12 |
| 9 | No. 3, Lied del tesoro escondido | -0.10 | -15.05 | -11.8 | 8 |
| 10 | No. 4, Lied del amor verdadero | -2.87 | -24.25 | -20.8 | 12 |
| 11 | No. 5, Lied de los ojos amados | -1.05 | -20.88 | -15.9 | 11 |
| 12 | No. 6, Lied de las manos amigas | -0.30 | -18.19 | -14.6 | 10 |
| 13 | No. 7, Lied del viento y de la fuente | -2.67 | -22.34 | -18.3 | 11 |
| 14 | No. 8, Lied de la boca florida | -2.68 | -20.43 | -17.2 | 11 |
| 15 | No. 9, Lied de la gracia triunfante | -2.04 | -21.47 | -18.0 | 13 |
| 16 | No. 10, Lied de la ciencia de amar | -0.48 | -18.12 | -14.5 | 12 |
| 17 | No. 11, Lied del misterio gentil | -1.25 | -20.77 | -17.4 | 12 |
| 18 | No. 12, Lied de la eterna ventura | -1.76 | -21.59 | -18.6 | 11 |
| 19 | No. 13, Lied del secreto dichoso | -1.17 | -21.96 | -17.5 | 12 |
| 20 | Danza irregular | -0.12 | -18.63 | -15.3 | 12 |
| 21 | Canción de cuna India | -2.15 | -24.14 | -19.2 | 12 |
| 22 | Balada | -2.40 | -20.08 | -16.4 | 11 |
| 23 | Botoncito | -1.65 | -24.06 | -20.2 | 12 |
| 24 | No. 1, Por eso | -1.75 | -21.86 | -17.9 | 10 |
| 25 | No. 2, Mi sueño | -1.32 | -23.08 | -17.7 | 12 |
| 26 | No. 3, Por qué? | -0.28 | -20.28 | -16.2 | 11 |
| 27 | Coplas | -0.10 | -18.30 | -14.5 | 10 |