Codex Las Huelgas
Jordi Savall, Hespèrion XXI, La Capella Reial de Catalunya
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Codex Las Huelgas
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1.1
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I. Iocundare plebs fidelis cuius Pater est in celis (Prose CLH 67)
Anonymous; Jordi Savall; Hespèrion XXI; La Capella Reial de Catalunya |
6:48 | |||
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1.2
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II. Audi pontus audi tellus (Conductus CLH 161)
Anonymous; Jordi Savall; Hespèrion XXI; La Capella Reial de Catalunya |
5:13 | |||
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1.3
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III. Eterni numinis (Prose VI de Santa María la Real CLH 55)
Anonymous; Jordi Savall; Hespèrion XXI; La Capella Reial de Catalunya |
6:36 | |||
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1.4
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IV. Kyrie fons bonitatis (Organum CLH 3)
Anonymous; Jordi Savall; Hespèrion XXI; La Capella Reial de Catalunya |
4:26 | |||
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1.5
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V. Gaude Virgo plena Deo (Prose IX de Santa María CLH 76)
Anonymous; Jordi Savall; Hespèrion XXI; La Capella Reial de Catalunya |
5:06 | |||
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1.6
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VI. Alpha bovi et leoni (Motet XXVIII CLH 83)
Anonymous; Jordi Savall; Hespèrion XXI; La Capella Reial de Catalunya |
3:49 | |||
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1.7
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VII. Virgines egregie (Prose XXIII de la Vierge CLH 72)
Anonymous; Jordi Savall; Hespèrion XXI; La Capella Reial de Catalunya |
4:39 | |||
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1.8
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VIII. Cum sint difficilia Salomoni tria (Notre-Dame Conductus mss. Firenze P9)
Anonymous; Jordi Savall; Hespèrion XXI; La Capella Reial de Catalunya |
3:25 | |||
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1.9
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IX. Virgo sidus aureum (Prose VIII de Santa María CLH 57)
Anonymous; Jordi Savall; Hespèrion XXI; La Capella Reial de Catalunya |
14:25 | |||
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1.10
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X. O Maria Virgo Davitica O Maria maris stella (Motet XXI CLH 104)
Anonymous; Jordi Savall; Hespèrion XXI; La Capella Reial de Catalunya |
5:38 | |||
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1.11
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XI. Flavit auster (Prose XL de Santa María CLH 58)
Anonymous; Jordi Savall; Hespèrion XXI; La Capella Reial de Catalunya |
4:10 | |||
After more than 220 albums, Jordi Savall still surprises us with this exhilarating recording of a masterpiece from the Middle Ages. Compiled in 1325 and rediscovered in 1904, the Codex Las Huelgas is the only manuscipt of this time still kept in it's original place : a Cistercian monastery on the road to Compostella in northern Spain. It grants us a privileged access to the music written in the 3 centuries prior to it's completion. Jordi Savall selected 11 pieces among the 186 included in the collection. His ensembles La Capella Reial de Catalunya and Hespèrion XXI reveal all the beauties of this fascinating music.
96 kHz / 24-bit PCM – Alia Vox Studio Masters
Tracks 1-11 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-11 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.20 -5.32 to -0.19 | -23.82 -25.67 to -21.38 | -20.31 -22.20 to -17.80 | 13 12 to 15 | |
| 1 | I. Iocundare plebs fidelis cuius Pater est in celis (Prose CLH 67) | -0.96 | -22.90 | -19.5 | 14 |
| 2 | II. Audi pontus audi tellus (Conductus CLH 161) | -4.75 | -25.67 | -21.3 | 13 |
| 3 | III. Eterni numinis (Prose VI de Santa María la Real CLH 55) | -0.48 | -22.51 | -19.4 | 14 |
| 4 | IV. Kyrie fons bonitatis (Organum CLH 3) | -1.16 | -23.44 | -20.0 | 13 |
| 5 | V. Gaude Virgo plena Deo (Prose IX de Santa María CLH 76) | -2.05 | -23.97 | -20.2 | 14 |
| 6 | VI. Alpha bovi et leoni (Motet XXVIII CLH 83) | -1.04 | -21.38 | -17.8 | 12 |
| 7 | VII. Virgines egregie (Prose XXIII de la Vierge CLH 72) | -0.19 | -22.70 | -19.2 | 14 |
| 8 | VIII. Cum sint difficilia Salomoni tria (Notre-Dame Conductus mss. Firenze P9) | -5.32 | -23.90 | -20.6 | 12 |
| 9 | IX. Virgo sidus aureum (Prose VIII de Santa María CLH 57) | -1.28 | -25.31 | -22.2 | 15 |
| 10 | X. O Maria Virgo Davitica O Maria maris stella (Motet XXI CLH 104) | -4.61 | -24.83 | -21.4 | 13 |
| 11 | XI. Flavit auster (Prose XL de Santa María CLH 58) | -2.39 | -25.42 | -21.8 | 13 |