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1.1
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Sonata No. 100
Heinrich Lübeck; La Pifarescha |
2:05 | |||
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1.2
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Virgo Maria
Gaspar van Weerbeke; Liuwe Tamminga |
2:27 | |||
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1.3
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Ave, stella matutina, a 4
Gaspar van Weerbeke; Odhecaton; La Reverdie; La Pifarescha |
2:30 | |||
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1.4
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Ave Domina Sancta Maria
Alexander Agricola; Odhecaton; La Reverdie |
4:06 | |||
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Missa Galeazescha
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1.5
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Loco Introitus. Ave, Virgo gloriosa
Loyset Compère; Odhecaton; La Pifarescha; La Reverdie; Paulo Col |
3:08 | |||
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1.6
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Loco gloria. Ave, salus infirmorum
Loyset Compère; Odhecaton; La Pifarescha; La Reverdie; Paulo Col |
3:14 | |||
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1.7
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Tousjours bien
Johannes Martini; La Pifarescha |
1:18 | |||
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1.8
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Loco credo. Ave, decus virginale
Loyset Compère; Odhecaton; La Pifarescha; La Reverdie; Paulo Col |
3:08 | |||
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1.9
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La martinella
Johannes Martini; Odhecaton; Liuwe Tamminga |
3:06 | |||
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1.10
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Loco offertorii. Ave, sponsa verbi summi
Loyset Compère; Odhecaton; La Pifarescha; La Reverdie; Paulo Col |
3:30 | |||
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1.11
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Tota pulchra es
Alexander Agricola; Liuwe Tamminga |
2:25 | |||
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1.12
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Loco sanctus. O Maria
Loyset Compère; Odhecaton; La Pifarescha; La Reverdie; Paulo Col |
3:18 | |||
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1.13
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Ad elevationem. Adoramus te, Christe
Loyset Compère; Odhecaton; La Pifarescha; La Reverdie; Paulo Col |
4:29 | |||
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1.14
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L'homme banni
Alexander Agricola; La Reverdie |
2:04 | |||
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1.15
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Loco agnus. Salve, mater salvatoris
Loyset Compère; Odhecaton; La Pifarescha; La Reverdie; Paulo Col |
2:52 | |||
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1.16
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Christi mater, ave
Gaspar van Weerbeke; Odhecaton; Paulo Col |
2:32 | |||
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1.17
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Ave, pulcherrima Regina
Alexander Agricola; Odhecaton; Paulo Col |
2:43 | |||
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1.18
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Loco Deo gratias. Virginis Mariae laudes
Loyset Compère; Odhecaton; La Pifarescha; La Reverdie; Paulo Col |
4:00 | |||
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1.19
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Ave Maria gratia plena
Loyset Compère; Liuwe Tamminga |
5:14 | |||
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1.20
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Etzliche Punctenn aus einer Sonade
Heinrich Lübeck; La Pifarescha |
1:34 | |||
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1.21
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Mater digna Dei
Gaspar van Weerbeke; La Pifarescha; Odhecaton; La Reverdie |
3:39 | |||
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1.22
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Sonata No. 6
Heinrich Lübeck; La Pifarescha |
1:42 | |||
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Digital Booklet
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In the 1470's Duke Galeazzo Maria Sforza recruited vocalists from far and wide to form choir that would be the envy in Italy and beyond, resulting in an incredible musical renaissance for Milan. Many of the works commissioned by the Duke are performed in this release that brings together four vocal-instrumental groups to emulate the impressive size of Galeazzo Maria Sforza's cappella.
96 kHz / 24-bit PCM – Arcana Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.74 -14.52 to -0.53 | -24.04 -32.40 to -20.80 | -20.83 -29.80 to -17.10 | 12 9 to 17 | |
| 1 | Sonata No. 100 | -0.94 | -23.38 | -19.6 | 17 |
| 2 | Virgo Maria | -5.92 | -20.83 | -17.9 | 9 |
| 3 | Ave, stella matutina, a 4 | -0.65 | -21.34 | -17.8 | 13 |
| 4 | Ave Domina Sancta Maria | -0.91 | -22.01 | -18.9 | 12 |
| 5 | Loco Introitus. Ave, Virgo gloriosa | -3.61 | -23.67 | -20.6 | 12 |
| 6 | Loco gloria. Ave, salus infirmorum | -3.52 | -22.81 | -19.7 | 12 |
| 7 | Tousjours bien | -7.70 | -24.70 | -21.5 | 11 |
| 8 | Loco credo. Ave, decus virginale | -3.02 | -23.11 | -19.8 | 12 |
| 9 | La martinella | -13.46 | -27.86 | -25.2 | 9 |
| 10 | Loco offertorii. Ave, sponsa verbi summi | -1.64 | -22.19 | -19.1 | 12 |
| 11 | Tota pulchra es | -11.65 | -27.18 | -24.8 | 10 |
| 12 | Loco sanctus. O Maria | -4.57 | -24.71 | -21.5 | 12 |
| 13 | Ad elevationem. Adoramus te, Christe | -3.64 | -22.50 | -19.4 | 12 |
| 14 | L'homme banni | -14.52 | -32.40 | -29.8 | 11 |
| 15 | Loco agnus. Salve, mater salvatoris | -3.50 | -23.47 | -20.4 | 12 |
| 16 | Christi mater, ave | -0.53 | -22.61 | -18.6 | 12 |
| 17 | Ave, pulcherrima Regina | -7.16 | -27.57 | -24.5 | 12 |
| 18 | Loco Deo gratias. Virginis Mariae laudes | -2.71 | -21.30 | -18.1 | 12 |
| 19 | Ave Maria gratia plena | -8.85 | -24.52 | -22.0 | 10 |
| 20 | Etzliche Punctenn aus einer Sonade | -3.91 | -27.04 | -22.9 | 16 |
| 21 | Mater digna Dei | -0.53 | -20.80 | -17.1 | 12 |
| 22 | Sonata No. 6 | -1.29 | -22.97 | -19.1 | 15 |