℗ 2023 New Focus Recordings
| Released | January 20, 2023 |
| Duration | 50m 00s |
| Record Label | New Focus Recordings |
| Catalogue No. | FCR332 |
| Genre | Classical (Contemporary Era) |
The Consent of Sound and Meaning: Music of Eric Richards
Various Artists
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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A Fanfare for Diebenkorn
Eric Richards; Andy Kozar |
1:14 | |||
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1.2
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Wingsets
Eric Richards; Ekmeles; Laura Cocks; Andy Kozar; Curtis Stewart; Olivia de Prato; Hannah Levinson; Chris Gross; Robert Black; Caitlin Cawley; Jude Traxler; Jeffrey Gavett |
3:40 | |||
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1.3
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The Mouth of the Night
Eric Richards; Jeffrey Gavett |
6:42 | |||
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1.4
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Rocks; Gardens
Eric Richards; Andy Kozar; Steve Beck |
5:00 | |||
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1.5
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Owls, Too
Sir Edward Elgar; Dylan Thomas; Eric Richards; Ekmeles; Jeffrey Gavett |
4:08 | |||
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1.6
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Fire, Fire!
Eric Richards; Thomas Campion; Loadbang |
3:57 | |||
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1.7
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Hymn to Santa Muerte
Andreas Lagios; Giorgos Bokos; Themis Tolis; Eric Richards; Jeffrey Gavett; Jude Traxler |
9:06 | |||
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1.8
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The Consent of Sound and Meaning
Eric Richards; Andy Kozar; Robert Black |
16:13 | |||
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Digital Booklet
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Composer Eric Richards shared a penchant for deconstructing musical elements with his modernist contemporaries. And, like many of them, he used technology as a tool to examine and consider subtleties of sound and expression. But unlike his peer composers who then proceeded to write electronic and electro-acoustic music, Richards primarily used his chosen tool, the tape recorder, to conduct research on sound. After pondering it from many angles, he returned to the acoustic medium to produce works that reflect a prismatic stance on musical ideas, presented with almost scientific detachment and wonderment in the same breath. This collection of Richards’ works was co-curated by loadbang and Ekmeles, two ensembles with a deep dedication to advocating for under-appreciated gems of the avant-garde.
96 kHz / 24-bit PCM – New Focus Recordings Studio Masters
Track 7 – 48 kHz / 24-bit PCM
Track 7 – 48 kHz / 24-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.31 -3.50 to -0.82 | -22.35 -39.88 to -15.28 | -17.29 -30.70 to -12.40 | 13 7 to 25 | |
| 1 | A Fanfare for Diebenkorn | -0.82 | -21.20 | -16.5 | 12 |
| 2 | Wingsets | -0.99 | -21.99 | -17.2 | 12 |
| 3 | The Mouth of the Night | -1.15 | -39.88 | -30.7 | 25 |
| 4 | Rocks; Gardens | -0.99 | -22.05 | -16.3 | 14 |
| 5 | Owls, Too | -0.99 | -17.68 | -12.4 | 9 |
| 6 | Fire, Fire! | -0.99 | -20.43 | -16.8 | 13 |
| 7 | Hymn to Santa Muerte | -3.50 | -15.28 | -13.8 | 7 |
| 8 | The Consent of Sound and Meaning | -1.05 | -20.26 | -14.6 | 11 |