℗ 2023 SOMM Recordings
| Released | January 20, 2023 |
| Duration | 1h 19m 21s |
| Record Label | SOMM Recordings |
| Catalogue No. | SOMMCD0661 |
| Genre | Classical (Solo Instrumental) |
Frescobaldi: Fiori musicali, Op. 12 (Excerpts)
The Greenwood Consort, Richard Lester, Mark Bennett
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Fiori musicali, Op. 12 (Excerpts)
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1.1
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No. 18, Toccata avanti la messa delli apostoli, F 12.18
Girolamo Frescobaldi; Richard Lester |
2:05 | |||
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1.2
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No. 19, Kyrie delli apostoli, F 12.19 - No. 21, Kyrie, F 12.21
Girolamo Frescobaldi; The Greenwood Consort; Richard Lester; Mark Bennett |
2:14 | |||
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1.3
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No. 22, Christe, F 12.22 - No. 23, Christe, F 12.23
Girolamo Frescobaldi; The Greenwood Consort; Richard Lester; Mark Bennett |
1:24 | |||
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1.4
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No. 24, Kyrie, F 12.24 - No. 26, Kyrie, F 12.26
Girolamo Frescobaldi; The Greenwood Consort; Richard Lester; Mark Bennett |
3:17 | |||
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1.5
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No. 27, Canzon dopo l'epistola, F 12.27
Girolamo Frescobaldi; Richard Lester |
3:26 | |||
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1.6
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No. 28, Toccata avanti il recercar, F 12.28
Girolamo Frescobaldi; Richard Lester |
1:24 | |||
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1.7
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No. 30, Altro recercar, F 12.30
Girolamo Frescobaldi; Richard Lester |
5:49 | |||
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1.8
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No. 31, Toccata per l'elevatione, F 12.31
Girolamo Frescobaldi; Richard Lester |
3:58 | |||
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1.9
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No. 33, Canzon quarti toni dopo il post comune, F 12.33
Girolamo Frescobaldi; Richard Lester |
3:29 | |||
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1.10
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No. 1, Toccata avanti la messa della domenica, F 12.01
Girolamo Frescobaldi; Richard Lester |
1:30 | |||
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1.11
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No. 2, Kyrie della domenica, F 12.02 - No. 3, Kyrie, F 12.03
Girolamo Frescobaldi; The Greenwood Consort; Richard Lester; Mark Bennett |
2:20 | |||
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1.12
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No. 4, Christe, F 12.04 - No. 7, Christe alio modo, F 12.07
Girolamo Frescobaldi; The Greenwood Consort; Richard Lester; Mark Bennett |
1:41 | |||
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1.13
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No. 8, Kyrie, F 12.08 - No. 13, Kyrie alio modo, F 12.13
Girolamo Frescobaldi; The Greenwood Consort; Richard Lester; Mark Bennett |
2:28 | |||
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1.14
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No. 14, Canzon dopo l'epistola, F 12.14
Girolamo Frescobaldi; Richard Lester |
3:03 | |||
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1.15
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No. 15, Ricercar dopo il credo, F 12.15
Girolamo Frescobaldi; Richard Lester |
3:28 | |||
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1.16
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No. 16, Toccata cromaticha per l'elevatione, F 12.16
Girolamo Frescobaldi; Richard Lester |
5:12 | |||
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1.17
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No. 17, Canzon post il comune, F 12.17
Girolamo Frescobaldi; Richard Lester |
4:08 | |||
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1.18
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No. 34, Toccata avanti la messa della Madonna, F 12.34
Girolamo Frescobaldi; Richard Lester |
1:27 | |||
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1.19
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No. 35, Kyrie della Madonna, F 12.35 - No. 36, Kyrie, F 12.36
Girolamo Frescobaldi; The Greenwood Consort; Richard Lester; Mark Bennett |
1:57 | |||
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1.20
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No. 37, Christe, F 12.37 - No. 38, Christe, F 12.38
Girolamo Frescobaldi; The Greenwood Consort; Richard Lester; Mark Bennett |
1:07 | |||
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1.21
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No. 39, Kyrie, F 12.39 - No. 40, Kyrie, F 12.40
Girolamo Frescobaldi; The Greenwood Consort; Richard Lester; Mark Bennett |
2:11 | |||
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1.22
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No. 41, Canzon dopo l'epistola, F 12.41
Girolamo Frescobaldi; Richard Lester |
2:23 | |||
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1.23
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No. 43, Toccata avanti il recercar, F 12.43
Girolamo Frescobaldi; Richard Lester |
1:31 | |||
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1.24
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No. 44, Recercar con obligo di cantare la quinta parte senza toccarla, F 12.44
Girolamo Frescobaldi; Mark Bennett; Richard Lester |
4:17 | |||
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1.25
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No. 45, Toccata per l'elevatione, F 12.45
Girolamo Frescobaldi; Richard Lester |
2:58 | |||
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1.26
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No. 46, Bergamasca, F 12.46
Girolamo Frescobaldi; Richard Lester |
5:45 | |||
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1.27
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No. 47, Capriccio sopra la Girolmeta, F 12.47
Girolamo Frescobaldi; Richard Lester |
4:49 | |||
SOMM Recordings marks the anniversaries of the birth and death of the late-Renaissance, early-Baroque master Girolamo Frescobaldi with a revelatory new recording of his celebrated collection of liturgical organ music, Fiori musicali. Making their label debuts are acclaimed organist Richard Lester, who also provides authoritative booklet notes, and a baritone quartet drawn from The Greenwood Consort. Although the history of the Organ Mass dates to the early 15th century, Frescobaldi’s Fiori musicali of 1635, the feted composer’s last work comprising three Masses, represents a highwater-mark of the genre and 'a final flowering and significant celebration of his musical genius and creativity'. The first, In Dominicis infra annum (Orbis factor), composed for Sunday Mass, begins in declamatory style and transitions to a buoyant, playfully expressive conclusion. The Mass for the Apostles, Missa: In Festis Duplicibus I (Cunctipotens Genitor Deus), is marked by striking dynamic and textural contrasts. The third Mass, to mark Feasts of the Virgin Mary, In Festis Beata Mariae Virginis I (Cum jubilo), shows Frescobaldi daringly borrowing popular folk tunes to underline the connection between the secular and the sacred.
96 kHz / 24-bit PCM – SOMM Recordings Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.63 -13.73 to -1.48 | -21.34 -28.51 to -16.28 | -18.57 -25.70 to -13.50 | 9 8 to 13 | |
| 1 | No. 18, Toccata avanti la messa delli apostoli, F 12.18 | -1.50 | -16.51 | -13.9 | 10 |
| 2 | No. 19, Kyrie delli apostoli, F 12.19 - No. 21, Kyrie, F 12.21 | -4.22 | -20.11 | -17.4 | 10 |
| 3 | No. 22, Christe, F 12.22 - No. 23, Christe, F 12.23 | -10.28 | -26.89 | -23.9 | 10 |
| 4 | No. 24, Kyrie, F 12.24 - No. 26, Kyrie, F 12.26 | -3.54 | -19.23 | -16.3 | 10 |
| 5 | No. 27, Canzon dopo l'epistola, F 12.27 | -3.51 | -19.05 | -16.4 | 10 |
| 6 | No. 28, Toccata avanti il recercar, F 12.28 | -4.22 | -18.65 | -16.3 | 8 |
| 7 | No. 30, Altro recercar, F 12.30 | -2.27 | -18.13 | -15.5 | 10 |
| 8 | No. 31, Toccata per l'elevatione, F 12.31 | -13.73 | -27.09 | -24.9 | 8 |
| 9 | No. 33, Canzon quarti toni dopo il post comune, F 12.33 | -8.29 | -24.77 | -21.2 | 10 |
| 10 | No. 1, Toccata avanti la messa della domenica, F 12.01 | -1.48 | -16.28 | -13.5 | 9 |
| 11 | No. 2, Kyrie della domenica, F 12.02 - No. 3, Kyrie, F 12.03 | -4.36 | -18.91 | -16.2 | 9 |
| 12 | No. 4, Christe, F 12.04 - No. 7, Christe alio modo, F 12.07 | -4.11 | -20.73 | -17.6 | 9 |
| 13 | No. 8, Kyrie, F 12.08 - No. 13, Kyrie alio modo, F 12.13 | -3.61 | -18.34 | -15.3 | 9 |
| 14 | No. 14, Canzon dopo l'epistola, F 12.14 | -4.03 | -19.44 | -16.9 | 9 |
| 15 | No. 15, Ricercar dopo il credo, F 12.15 | -1.91 | -17.67 | -15.1 | 10 |
| 16 | No. 16, Toccata cromaticha per l'elevatione, F 12.16 | -12.60 | -26.62 | -24.5 | 8 |
| 17 | No. 17, Canzon post il comune, F 12.17 | -5.83 | -22.57 | -19.2 | 10 |
| 18 | No. 34, Toccata avanti la messa della Madonna, F 12.34 | -5.23 | -19.77 | -17.0 | 8 |
| 19 | No. 35, Kyrie della Madonna, F 12.35 - No. 36, Kyrie, F 12.36 | -4.15 | -19.53 | -16.6 | 9 |
| 20 | No. 37, Christe, F 12.37 - No. 38, Christe, F 12.38 | -11.49 | -28.51 | -25.7 | 11 |
| 21 | No. 39, Kyrie, F 12.39 - No. 40, Kyrie, F 12.40 | -2.45 | -19.57 | -16.3 | 10 |
| 22 | No. 41, Canzon dopo l'epistola, F 12.41 | -10.18 | -26.15 | -23.1 | 10 |
| 23 | No. 43, Toccata avanti il recercar, F 12.43 | -5.51 | -20.18 | -17.7 | 8 |
| 24 | No. 44, Recercar con obligo di cantare la quinta parte senza toccarla, F 12.44 | -7.09 | -26.21 | -23.9 | 13 |
| 25 | No. 45, Toccata per l'elevatione, F 12.45 | -9.18 | -23.02 | -20.8 | 8 |
| 26 | No. 46, Bergamasca, F 12.46 | -4.53 | -21.23 | -18.5 | 10 |
| 27 | No. 47, Capriccio sopra la Girolmeta, F 12.47 | -2.83 | -21.01 | -17.6 | 10 |