℗ 2016 Resonus Limited
Released March 4, 2016
Duration 2h 05m 10s
Genre Classical (Baroque)
 

J.S. Bach: French Suites, BWV 812-817

Julian Perkins

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
↵ discounted price
 
Partita No. 2 in D Minor, FbWV 602  
1.1
I. Allemanda
Johann Jakob Froberger; Julian Perkins
3:47
1.2
II. Courant
Johann Jakob Froberger; Julian Perkins
1:25
1.3
III. Sarabanda
Johann Jakob Froberger; Julian Perkins
3:25
1.4
IV. Gigue
Johann Jakob Froberger; Julian Perkins
1:15
French Suite No. 1 in D Minor, BWV 812  
1.5
I. Allemande
Johann Sebastian Bach; Julian Perkins
4:19
1.6
II. Courante
Johann Sebastian Bach; Julian Perkins
2:31
1.7
III. Sarabande
Johann Sebastian Bach; Julian Perkins
2:54
1.8
IV. Menuet I & II
Johann Sebastian Bach; Julian Perkins
2:48
1.9
V. Gigue
Johann Sebastian Bach; Julian Perkins
3:48
French Suite No. 2 in C Minor, BWV 813  
1.10
I. Allemande
Johann Sebastian Bach; Julian Perkins
2:58
1.11
II. Courante
Johann Sebastian Bach; Julian Perkins
2:22
1.12
III. Sarabande
Johann Sebastian Bach; Julian Perkins
3:16
1.13
IV. Air
Johann Sebastian Bach; Julian Perkins
1:37
1.14
V. Menuet I & II
Johann Sebastian Bach; Julian Perkins
2:52
1.15
VI. Gigue
Johann Sebastian Bach; Julian Perkins
2:36
French Suite No. 3 in B Minor, BWV 814  
1.16
I. Allemande
Johann Sebastian Bach; Julian Perkins
3:50
1.17
II. Courante
Johann Sebastian Bach; Julian Perkins
2:34
1.18
III. Sarabande
Johann Sebastian Bach; Julian Perkins
2:59
1.19
IV. Anglaise
Johann Sebastian Bach; Julian Perkins
1:32
1.20
V. Menuet & Trio
Johann Sebastian Bach; Julian Perkins
2:42
1.21
VI. Gigue
Johann Sebastian Bach; Julian Perkins
2:30
Suite in A Major, TWV 32:14  
2.1
I. Allemande
Georg Philipp Telemann; Julian Perkins
2:32
2.2
II. Courante
Georg Philipp Telemann; Julian Perkins
2:27
2.3
III. Sarabanda
Georg Philipp Telemann; Julian Perkins
2:15
2.4
IV. Gigue
Georg Philipp Telemann; Julian Perkins
3:00
Suite No. 4 in E Flat Major, BWV 815  
2.5
I. Prélude
Johann Sebastian Bach; Julian Perkins
1:43
2.6
II. Allemande
Johann Sebastian Bach; Julian Perkins
2:51
2.7
III. Courante
Johann Sebastian Bach; Julian Perkins
2:02
2.8
IV. Sarabande
Johann Sebastian Bach; Julian Perkins
3:24
2.9
V. Gavotte & Menuet
Johann Sebastian Bach; Julian Perkins
2:39
2.10
VI. Air
Johann Sebastian Bach; Julian Perkins
1:55
2.11
VII. Gigue
Johann Sebastian Bach; Julian Perkins
2:37
Suite No. 5 in G Major, BWV 816  
2.12
I. Allemande
Johann Sebastian Bach; Julian Perkins
3:39
2.13
II. Courante
Johann Sebastian Bach; Julian Perkins
1:49
2.14
III. Sarabande
Johann Sebastian Bach; Julian Perkins
5:05
2.15
IV. Gavotte
Johann Sebastian Bach; Julian Perkins
1:17
2.16
V. Bourrée
Johann Sebastian Bach; Julian Perkins
1:29
2.17
VI. Loure
Johann Sebastian Bach; Julian Perkins
2:26
2.18
VII. Gigue
Johann Sebastian Bach; Julian Perkins
3:37
Suite No. 6 in E Major, BWV 817  
2.19
I. Prélude
Johann Sebastian Bach; Julian Perkins
1:39
2.20
II. Allemande
Johann Sebastian Bach; Julian Perkins
3:37
2.21
III. Courante
Johann Sebastian Bach; Julian Perkins
2:06
2.22
IV. Sarabande
Johann Sebastian Bach; Julian Perkins
3:48
2.23
V. Gavotte
Johann Sebastian Bach; Julian Perkins
1:19
2.24
VI. Polonaise & Menuet
Johann Sebastian Bach; Julian Perkins
3:16
2.25
VII. Bourrée
Johann Sebastian Bach; Julian Perkins
1:44
2.26
VIII. Gigue
Johann Sebastian Bach; Julian Perkins
2:54
"The ability to play loud and soft, albeit within a very narrow and low-level range – is effectively exploited by Perkins; melodies sing over their accompaniments and the soft-curved sarabandes (the Fifth especially) are shaped with beauty and feeling." - Lindsay Kemp, Gramophone Julian Perkins enjoys his Resonus solo recording debut with six J.S. Bach French Suites in this delightful release. His expressive range and sensitivity are highlighted throughout with these performances on clavidchord, a delicate keyboard instrument favoured by Bach himself.
96 kHz / 24-bit PCM – Resonus Classics Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-18.86
-22.74 to -13.36
-38.13
-43.61 to -33.85
-35.24
-40.10 to -31.10
13
12 to 15
1.1
I. Allemanda
-21.29-43.61-40.115
1.2
II. Courant
-18.40-37.23-34.313
1.3
III. Sarabanda
-21.01-42.58-38.915
1.4
IV. Gigue
-16.86-36.94-33.713
1.5
I. Allemande
-22.37-42.22-39.314
1.6
II. Courante
-18.99-38.08-35.114
1.7
III. Sarabande
-21.42-42.57-39.415
1.8
IV. Menuet I & II
-20.34-39.41-36.514
1.9
V. Gigue
-19.50-39.22-36.014
1.10
I. Allemande
-19.76-38.78-36.013
1.11
II. Courante
-18.14-35.71-33.112
1.12
III. Sarabande
-20.72-40.37-37.513
1.13
IV. Air
-17.52-35.75-33.012
1.14
V. Menuet I & II
-17.87-36.92-34.212
1.15
VI. Gigue
-18.07-36.73-33.913
1.16
I. Allemande
-19.42-39.71-37.014
1.17
II. Courante
-17.21-36.15-33.513
1.18
III. Sarabande
-19.49-39.49-36.614
1.19
IV. Anglaise
-16.51-34.70-32.012
1.20
V. Menuet & Trio
-17.73-36.32-33.514
1.21
VI. Gigue
-16.63-34.33-31.612
2.1
I. Allemande
-17.27-36.12-33.513
2.2
II. Courante
-17.44-36.69-34.113
2.3
III. Sarabanda
-18.08-40.70-37.415
2.4
IV. Gigue
-13.36-33.96-31.314
2.5
I. Prélude
-16.42-36.24-33.413
2.6
II. Allemande
-19.01-38.44-35.813
2.7
III. Courante
-16.64-34.11-31.512
2.8
IV. Sarabande
-21.30-41.29-38.314
2.9
V. Gavotte & Menuet
-15.44-34.71-32.213
2.10
VI. Air
-17.15-34.78-32.212
2.11
VII. Gigue
-15.70-33.85-31.112
2.12
I. Allemande
-21.89-41.07-38.113
2.13
II. Courante
-19.36-35.85-33.112
2.14
III. Sarabande
-21.69-43.04-39.714
2.15
IV. Gavotte
-19.69-38.26-35.313
2.16
V. Bourrée
-19.90-36.73-33.912
2.17
VI. Loure
-20.24-41.30-37.914
2.18
VII. Gigue
-17.42-36.06-33.312
2.19
I. Prélude
-22.74-41.98-38.813
2.20
II. Allemande
-22.09-41.04-38.213
2.21
III. Courante
-20.19-38.22-35.412
2.22
IV. Sarabande
-18.29-41.45-38.315
2.23
V. Gavotte
-19.76-38.49-35.613
2.24
VI. Polonaise & Menuet
-19.31-39.05-36.214
2.25
VII. Bourrée
-18.39-35.82-33.112
2.26
VIII. Gigue
-18.34-36.02-33.312

Offers & New Releases

exclusive benefits for mailing list members

 Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions