℗ 2017 Universal Music Operations Limited; A UMC Release
 

Days Of Future Passed

The Moody Blues, London Festival Orchestra, Peter Knight

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
The Day Begins
The Moody Blues; Mike Pinder; London Festival Orchestra; Peter Knight
5:48
1.2
Dawn: Dawn Is A Feeling
The Moody Blues; Mike Pinder; Justin Hayward; John Lodge; Ray Thomas; Graeme Edge; London Festival Orchestra; Peter Knight
3:48
1.3
The Morning: Another Morning
The Moody Blues; Ray Thomas; Justin Hayward; John Lodge; Mike Pinder; Graeme Edge; London Festival Orchestra; Peter Knight
3:40
1.4
Lunch Break: Peak Hour
The Moody Blues; John Lodge; Justin Hayward; Mike Pinder; Ray Thomas; Graeme Edge; London Festival Orchestra; Peter Knight
5:16
1.5
The Afternoon
The Moody Blues; Justin Hayward; John Lodge; Mike Pinder; Ray Thomas; Graeme Edge; London Festival Orchestra; Peter Knight
8:25
1.6
Evening
The Moody Blues; Mike Pinder; Ray Thomas; Justin Hayward; John Lodge; Graeme Edge; London Festival Orchestra; Peter Knight
6:38
1.7
The Night
The Moody Blues; Justin Hayward; Mike Pinder; John Lodge; Ray Thomas; Graeme Edge; London Festival Orchestra; Peter Knight
7:43
Total Playing Time    41:18
"This year has been particularly demanding on prog fans’ pockets as a seminal 1967 is marked by endless 50th anniversary boxsets. But few are more deserving of the deluxe treatment than the tumultuously grandiose work that launched the classical-prog crossover." - Kris Needs, Prog The Moody Blues put the orchestra at centre stage with Days of Future Passed, their second album originally released in 1967. Considered by many to be the release that would come to define progressive and rock, psychedelic ballads appear next to lush, trippy, symphonic interludes. This 50th-anniversary reissue includes the original 1967 stereo mix, available for digital download for the first time.
96 kHz / 24-bit PCM – Polydor Studio Masters

This album contains high-resolution digital transfers of material originating from an analogue master source. Tracks 1-7 – 44.1 kHz / 16-bit PCM, mastered in 96 kHz / 24-bit

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