℗ 2023 haenssler CLASSIC
| Released | February 3, 2023 |
| Duration | 1h 09m 59s |
| Record Label | haenssler CLASSIC |
| Catalogue No. | HC22066 |
| Genre | Classical (Solo Instrumental) |
Fink: The Great Organ Works
Sören Gieseler, Hyelin Lee, Philipp Kaufmann, Lukas Nagel
Available in 192 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Organ Sonata No. 5 in E Minor, Op. 83
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1.1
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I. Allegro risoluto
Christian Fink; Lukas Nagel |
5:14 | |||
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1.2
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II. Adagio moderato
Christian Fink; Lukas Nagel |
4:49 | |||
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1.3
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III. Allegretto vivace
Christian Fink; Lukas Nagel |
6:31 | |||
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1.4
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Fantasie in D Major on "Ein' feste Burg", Op. 23
Christian Fink; Philipp Kaufmann |
9:30 | |||
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Organ Sonata No. 1 in G Minor, Op. 1
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1.5
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I. Allegro con brio
Christian Fink; Sören Gieseler |
5:23 | |||
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1.6
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II. Adagio ma non troppo
Christian Fink; Sören Gieseler |
3:53 | |||
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1.7
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III. Allegretto, quasi recitativo
Christian Fink; Sören Gieseler |
1:58 | |||
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1.8
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IV. Allegro con fuoco
Christian Fink; Sören Gieseler |
5:07 | |||
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1.9
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Chorale Prelude on "Adorn Yourself, O Dear Soul" in E Major, Op. 2 No. 3
Christian Fink; Hyelin Lee |
4:41 | |||
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Organ Sonata No. 3 in D Minor, Op. 19
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1.10
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I. Andante
Christian Fink; Hyelin Lee |
10:54 | |||
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1.11
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II. Larghetto
Christian Fink; Hyelin Lee |
4:24 | |||
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1.12
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III. Allegro con fermezza
Christian Fink; Hyelin Lee |
7:35 | |||
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Digital Booklet
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Christian Fink (1831-1911) was a respected organist and choirmaster, known nationally as a performer and composer, and co-editor of the music magazine Euterpe; he performed at festivals of new music and at times was even associated with the “New German” school. And yet this successful musical career did not assure his entrance into cultural memory. After his death, efforts were made to keep his work alive. But essentially, Fink virtually disappeared during the 20th century, from the perspective of music practice and music research, although his compositions were also written in a highly exciting period, between the deaths of Schumann (1856) and Gustav Mahler (1911), and at the same time as the works of Brahms, Wagner, and many other of the Romantics. In this way, Fink’s music, without an existing listening tradition, can provide new and stimulating insights into the 19th century.
192 kHz / 24-bit PCM – haenssler CLASSIC Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.71 -13.50 to -0.30 | -23.30 -31.75 to -18.66 | -20.97 -29.10 to -16.20 | 11 9 to 12 | |
| 1 | I. Allegro risoluto | -0.73 | -20.16 | -17.1 | 12 |
| 2 | II. Adagio moderato | -13.50 | -31.75 | -29.1 | 10 |
| 3 | III. Allegretto vivace | -0.30 | -18.91 | -16.3 | 12 |
| 4 | Fantasie in D Major on "Ein' feste Burg", Op. 23 | -0.38 | -19.21 | -16.2 | 11 |
| 5 | I. Allegro con brio | -2.40 | -20.51 | -18.1 | 11 |
| 6 | II. Adagio ma non troppo | -13.21 | -30.27 | -28.6 | 10 |
| 7 | III. Allegretto, quasi recitativo | -4.39 | -24.56 | -22.8 | 10 |
| 8 | IV. Allegro con fuoco | -0.30 | -18.66 | -16.2 | 10 |
| 9 | Chorale Prelude on "Adorn Yourself, O Dear Soul" in E Major, Op. 2 No. 3 | -11.94 | -28.10 | -27.3 | 9 |
| 10 | I. Andante | -0.30 | -21.10 | -17.2 | 12 |
| 11 | II. Larghetto | -8.11 | -27.54 | -26.4 | 9 |
| 12 | III. Allegro con fermezza | -0.98 | -18.82 | -16.3 | 11 |