℗ 2017 Huddersfield Contemporary Records
| Released | November 17, 2017 |
| Duration | 2h 27m 21s |
| Record Label | Huddersfield Contemporary Records |
| Genre | Classical |
Michael Parsons: Patterns of Connection — Instrumental Music 1962-2017
Various Artists
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Dispersal (Performance 1)
Michael Edward Parsons; Nancy Ruffer; Andrew Sparling; Mira Benjamin; Bridget Carey; Anton Lukoszevieze; Philip Thomas; Simon Limbrick |
2:19 | |||
|
1.2
|
Rhythmic Canons
Michael Edward Parsons; Nancy Ruffer; Andrew Sparling; Mira Benjamin; Bridget Carey; Anton Lukoszevieze; Philip Thomas; Simon Limbrick |
2:06 | |||
|
1.3
|
Percussion & Glissandi (Performance 1)
Michael Edward Parsons; Nancy Ruffer; Andrew Sparling; Mira Benjamin; Bridget Carey; Anton Lukoszevieze; Philip Thomas; Simon Limbrick; Michael Edward Parsons |
4:47 | |||
|
1.4
|
Piano Piece (1962)
Michael Edward Parsons; Philip Thomas |
2:29 | |||
|
1.5
|
Piano Piece (1967)
Michael Edward Parsons; Philip Thomas |
4:59 | |||
|
1.6
|
Piano Piece (1968)
Michael Edward Parsons; Philip Thomas |
3:51 | |||
|
1.7
|
Highland Variations
Michael Edward Parsons; Mira Benjamin; Hilary Sturt; Bridget Carey; Anton Lukoszevieze |
11:59 | |||
|
1.8
|
Fourths & Fifths for Flute
Michael Edward Parsons; Nancy Ruffer |
6:47 | |||
|
1.9
|
Fourths & Fifths for Piano (1982)
Michael Edward Parsons; Philip Thomas |
2:05 | |||
|
1.10
|
Bagatelle No. 2
Michael Edward Parsons; Philip Thomas |
2:32 | |||
|
1.11
|
Bagatelle No. 3
Michael Edward Parsons; Philip Thomas |
2:02 | |||
|
1.12
|
Bagatelle No. 5
Michael Edward Parsons; Philip Thomas |
2:27 | |||
|
1.13
|
Fourths & Fifths for Piano (1977)
Michael Edward Parsons; Philip Thomas |
5:30 | |||
|
1.14
|
Barcarolle
Michael Edward Parsons; Nancy Ruffer |
3:02 | |||
|
1.15
|
Level
Michael Edward Parsons; Hilary Sturt; Bridget Carey; Anton Lukoszevieze |
2:06 | |||
|
1.16
|
Relay
Michael Edward Parsons; Mira Benjamin; Hilary Sturt; Bridget Carey; Anton Lukoszevieze |
1:41 | |||
|
1.17
|
Pentachordal Melody
Michael Edward Parsons; Nancy Ruffer; Andrew Sparling; Bridget Carey; Anton Lukoszevieze |
2:53 | |||
|
1.18
|
Jive
Michael Edward Parsons; Philip Thomas |
2:40 | |||
|
1.19
|
Jive 2
Michael Edward Parsons; Philip Thomas |
2:59 | |||
|
1.20
|
Levels
Michael Edward Parsons; Mira Benjamin; Hilary Sturt; Bridget Carey; Anton Lukoszevieze |
4:30 | |||
|
2.1
|
Canon in Proportional Tempi (arr. for Piano)
Anonymous; Michael Edward Parsons; Philip Thomas |
1:05 | |||
|
2.2
|
12 Part Canon
Michael Edward Parsons; Philip Thomas |
3:14 | |||
|
2.3
|
Concertante 1
Michael Edward Parsons; Nancy Ruffer; Andrew Sparling; Helen Bennett; Mira Benjamin; Bridget Carey; Anton Lukoszevieze; Philip Thomas; Kerry Yong |
10:32 | |||
|
2.4
|
Piano Piece (2000)
Michael Edward Parsons; Philip Thomas |
3:32 | |||
|
2.5
|
Piano Piece (February 2001)
Michael Edward Parsons; Philip Thomas |
3:51 | |||
|
2.6
|
Piano Piece (September 2001 / Performance 1)
Michael Edward Parsons; Philip Thomas |
3:13 | |||
|
2.7
|
Dispersal (Performance 2)
Michael Edward Parsons; Nancy Ruffer; Andrew Sparling; Mira Benjamin; Bridget Carey; Anton Lukoszevieze; Philip Thomas; Simon Limbrick |
1:51 | |||
|
2.8
|
Percussion & Glissandi (Performance 2)
Michael Edward Parsons; Nancy Ruffer; Andrew Sparling; Mira Benjamin; Bridget Carey; Anton Lukoszevieze; Philip Thomas; Simon Limbrick; Michael Edward Parsons |
5:39 | |||
|
2.9
|
Independent Pulses
Michael Edward Parsons; Nancy Ruffer; Andrew Sparling; Mira Benjamin; Bridget Carey; Anton Lukoszevieze; Philip Thomas; Kerry Yong; Simon Limbrick |
4:40 | |||
|
2.10
|
Piano Piece (September 2001 / Performance 2)
Michael Edward Parsons; Philip Thomas |
3:13 | |||
|
2.11
|
Piano Piece (2002)
Michael Edward Parsons; Philip Thomas |
3:11 | |||
|
2.12
|
Piano Piece (2003)
Michael Edward Parsons; Philip Thomas |
3:32 | |||
|
2.13
|
Talea 3
Michael Edward Parsons; Anton Lukoszevieze |
4:56 | |||
|
2.14
|
Kettle's Yard Canon
Michael Edward Parsons; Nancy Ruffer; Andrew Sparling |
1:01 | |||
|
2.15
|
Mosaic Patterns
Michael Edward Parsons; Nancy Ruffer; Andrew Sparling; Mira Benjamin; Bridget Carey; Anton Lukoszevieze |
2:27 | |||
|
2.16
|
Syzygy (arr. for Oboe, Clarinet, Viola & Cello)
Anonymous; Michael Edward Parsons; Christopher Redgate; Andrew Sparling; Bridget Carey; Anton Lukoszevieze |
7:24 | |||
|
2.17
|
Piano Piece 5
Michael Edward Parsons; Philip Thomas |
4:22 | |||
|
2.18
|
Variations for Piano
Michael Edward Parsons; Philip Thomas |
2:48 | |||
|
2.19
|
3 Tallis Transcriptions
Michael Edward Parsons; Nancy Ruffer; Christopher Redgate; Andrew Sparling; Anton Lukoszevieze |
3:06 | |||
|
Digital Booklet
|
Patterns of Connection sees contemporary music ensemble Apartment House with pianist Philip Thomas present the first major survey of compositions by British composer Michael Parsons. This double release presents solo and chamber 39 works written between 1962 and 2017, offering up a comprehensive collection of Parsons' explorations with pitch, rhythm, and instrumentation over the past 50 years.
44.1 kHz / 24-bit PCM – Huddersfield Contemporary Records Studio Masters
Disc 2, Track 13 – contains monophonic material - ie., both channels are identical.
Disc 2, Track 13 – contains monophonic material - ie., both channels are identical.
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.34 -13.17 to -0.01 | -28.47 -35.65 to -23.71 | -23.90 -29.50 to -19.50 | 15 8 to 24 | |
| 1.1 | Dispersal (Performance 1) | -3.76 | -28.93 | -24.4 | 15 |
| 1.2 | Rhythmic Canons | -4.93 | -26.94 | -24.0 | 16 |
| 1.3 | Percussion & Glissandi (Performance 1) | -0.75 | -28.40 | -23.9 | 21 |
| 1.4 | Piano Piece (1962) | -1.63 | -25.86 | -21.8 | 15 |
| 1.5 | Piano Piece (1967) | -2.90 | -30.39 | -24.8 | 18 |
| 1.6 | Piano Piece (1968) | 0.00 | -29.42 | -22.5 | 20 |
| 1.7 | Highland Variations | -7.31 | -28.24 | -25.2 | 14 |
| 1.8 | Fourths & Fifths for Flute | -10.80 | -29.68 | -25.2 | 12 |
| 1.9 | Fourths & Fifths for Piano (1982) | -7.70 | -26.97 | -23.9 | 12 |
| 1.10 | Bagatelle No. 2 | -8.42 | -29.86 | -27.2 | 14 |
| 1.11 | Bagatelle No. 3 | -13.17 | -35.65 | -29.5 | 15 |
| 1.12 | Bagatelle No. 5 | -3.73 | -26.93 | -20.0 | 14 |
| 1.13 | Fourths & Fifths for Piano (1977) | -9.00 | -30.60 | -27.6 | 15 |
| 1.14 | Barcarolle | -7.89 | -26.72 | -23.7 | 10 |
| 1.15 | Level | -7.43 | -25.44 | -21.4 | 10 |
| 1.16 | Relay | -5.20 | -24.11 | -20.3 | 12 |
| 1.17 | Pentachordal Melody | -6.33 | -25.68 | -21.6 | 12 |
| 1.18 | Jive | -0.97 | -26.03 | -21.1 | 17 |
| 1.19 | Jive 2 | -0.01 | -26.39 | -21.7 | 17 |
| 1.20 | Levels | -8.41 | -28.65 | -24.1 | 11 |
| 2.1 | Canon in Proportional Tempi (arr. for Piano) | -11.74 | -29.38 | -25.7 | 10 |
| 2.2 | 12 Part Canon | -4.10 | -23.71 | -20.3 | 13 |
| 2.3 | Concertante 1 | -0.28 | -25.56 | -19.8 | 17 |
| 2.4 | Piano Piece (2000) | -1.58 | -30.84 | -24.3 | 19 |
| 2.5 | Piano Piece (February 2001) | -3.23 | -31.83 | -24.5 | 20 |
| 2.6 | Piano Piece (September 2001 / Performance 1) | -5.19 | -34.36 | -26.9 | 19 |
| 2.7 | Dispersal (Performance 2) | -2.24 | -28.98 | -24.6 | 16 |
| 2.8 | Percussion & Glissandi (Performance 2) | -0.70 | -28.19 | -23.4 | 20 |
| 2.9 | Independent Pulses | -0.67 | -32.98 | -29.2 | 24 |
| 2.10 | Piano Piece (September 2001 / Performance 2) | -2.40 | -29.86 | -23.9 | 19 |
| 2.11 | Piano Piece (2002) | -1.26 | -29.54 | -22.9 | 20 |
| 2.12 | Piano Piece (2003) | -3.75 | -31.17 | -24.8 | 17 |
| 2.13 | Talea 3 | -11.99 | -31.05 | -28.3 | 12 |
| 2.14 | Kettle's Yard Canon | -8.81 | -25.59 | -21.8 | 8 |
| 2.15 | Mosaic Patterns | -8.70 | -29.07 | -25.2 | 12 |
| 2.16 | Syzygy (arr. for Oboe, Clarinet, Viola & Cello) | -3.34 | -23.77 | -19.5 | 12 |
| 2.17 | Piano Piece 5 | -8.76 | -30.75 | -27.2 | 16 |
| 2.18 | Variations for Piano | -7.96 | -28.84 | -25.5 | 12 |
| 2.19 | 3 Tallis Transcriptions | -5.84 | -24.00 | -20.3 | 10 |