Antonín Dvorák: Stabat Mater, Op. 58, B. 71
Collegium Vocale Gent, Antwerp Symphony Orchestra, Philippe Herreweghe
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Stabat Mater, Op. 58, B. 71
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1.1
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I. Stabat Mater dolorosa
Antonín Dvořák; Ilse Eerens; Michaela Selinger; Maximilian Schmitt; Florian Boesch; Collegium Vocale Gent; Antwerp Symphony Orchestra; Philippe Herreweghe |
17:06 | |||
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1.2
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II. Quis est homo?
Antonín Dvořák; Ilse Eerens; Michaela Selinger; Maximilian Schmitt; Florian Boesch; Antwerp Symphony Orchestra; Philippe Herreweghe |
9:27 | |||
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1.3
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III. Eia, Mater
Antonín Dvořák; Collegium Vocale Gent; Antwerp Symphony Orchestra; Philippe Herreweghe |
6:29 | |||
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1.4
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IV. Fac ut ardeat cor meum
Antonín Dvořák; Florian Boesch; Collegium Vocale Gent; Antwerp Symphony Orchestra; Philippe Herreweghe |
7:37 | |||
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1.5
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V. Tui nati vulnerati
Antonín Dvořák; Collegium Vocale Gent; Antwerp Symphony Orchestra; Philippe Herreweghe |
4:45 | |||
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1.6
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VI. Fac me tecum flere
Antonín Dvořák; Maximilian Schmitt; Collegium Vocale Gent; Antwerp Symphony Orchestra; Philippe Herreweghe |
6:04 | |||
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1.7
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VII. Virgo virginum praeclara
Antonín Dvořák; Collegium Vocale Gent; Antwerp Symphony Orchestra; Philippe Herreweghe |
5:38 | |||
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1.8
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VIII. Fac ut portem Christi mortem
Antonín Dvořák; Ilse Eerens; Maximilian Schmitt; Antwerp Symphony Orchestra; Philippe Herreweghe |
4:21 | |||
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1.9
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IX. Inflammatus et accensus
Antonín Dvořák; Michaela Selinger; Antwerp Symphony Orchestra; Philippe Herreweghe |
5:08 | |||
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1.10
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X. Quando corpus morietur
Antonín Dvořák; Ilse Eerens; Michaela Selinger; Maximilian Schmitt; Florian Boesch; Collegium Vocale Gent; Antwerp Symphony Orchestra; Philippe Herreweghe |
7:40 | |||
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Digital Booklet
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Collegium Vocale Gent are joined by the Antwerp Symphony Orchestra and conductor Philippe Herreweghe for a moving recording of Antonín Dvorák's religious cantata, Stabat Mater. Written between 1876 and 1877 in the wake of the deaths of three of his children, this setting of the Catholic hymn is particularly poignant, and is performed with sensitivity and warmth by the Belgian musicians.
44.1 kHz / 24-bit PCM – PHI Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.47 -8.96 to -0.10 | -26.58 -31.19 to -19.90 | -22.23 -27.50 to -15.00 | 14 12 to 16 | |
| 1 | I. Stabat Mater dolorosa | -0.10 | -22.83 | -17.8 | 14 |
| 2 | II. Quis est homo? | -0.62 | -29.09 | -24.9 | 15 |
| 3 | III. Eia, Mater | -0.10 | -23.48 | -18.2 | 14 |
| 4 | IV. Fac ut ardeat cor meum | -0.99 | -28.33 | -24.0 | 16 |
| 5 | V. Tui nati vulnerati | -1.41 | -24.94 | -20.5 | 14 |
| 6 | VI. Fac me tecum flere | -2.22 | -27.52 | -23.1 | 14 |
| 7 | VII. Virgo virginum praeclara | -1.78 | -28.02 | -24.1 | 14 |
| 8 | VIII. Fac ut portem Christi mortem | -8.43 | -31.19 | -27.5 | 15 |
| 9 | IX. Inflammatus et accensus | -8.96 | -30.52 | -27.2 | 13 |
| 10 | X. Quando corpus morietur | -0.10 | -19.90 | -15.0 | 12 |