℗ 2023 Toccata Classics
| Released | February 3, 2023 |
| Duration | 1h 24m 10s |
| Record Label | Toccata Classics |
| Catalogue No. | TOCC0668 |
| Genre | Classical (Orchestral) |
Livia Teodorescu-Ciocănea: Orchestral Works (Live)
Various Artists
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Archimedes Symphony
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1.1
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I. The Assault on Syracuse (Live)
Livia Teodorescu-Ciocănea; Romanian National Radio Orchestra; Valentin Doni |
6:35 | |||
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1.2
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II. Do Not Touch My Circles (Live)
Livia Teodorescu-Ciocănea; Romanian National Radio Orchestra; Valentin Doni |
9:14 | |||
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1.3
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III. the Burning Mirrors of Archimedes (Live)
Livia Teodorescu-Ciocănea; Romanian National Radio Orchestra; Valentin Doni |
8:56 | |||
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1.4
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IV. Elegy at the Tomb of Archimedes - The Sphere and the Cylinder (Live)
Livia Teodorescu-Ciocănea; Romanian National Radio Orchestra; Valentin Doni |
12:28 | |||
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Rite for Enchanting the Air
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1.5
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I Largo (Live)
Livia Teodorescu-Ciocănea; Pierre-Yves Artaud; Romanian National Radio Orchestra; Alan Tongue |
8:26 | |||
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1.6
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II. Mosso agitato (Live)
Livia Teodorescu-Ciocănea; Pierre-Yves Artaud; Romanian National Radio Orchestra; Alan Tongue |
2:44 | |||
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1.7
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III. Più mosso (Live)
Livia Teodorescu-Ciocănea; Pierre-Yves Artaud; Romanian National Radio Orchestra; Alan Tongue |
3:15 | |||
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1.8
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IV. Adagio (Live)
Livia Teodorescu-Ciocănea; Pierre-Yves Artaud; Romanian National Radio Orchestra; Alan Tongue |
14:03 | |||
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Mysterium tremendum
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1.9
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I. the Hymn of the Cherubim (Live)
Livia Teodorescu-Ciocănea; Antonela Barnat; Romanian Radio Chamber Orchestra; Cristian Oroșanu |
4:55 | |||
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1.10
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II. The Gospel of Matthew (Live)
Livia Teodorescu-Ciocănea; Antonela Barnat; Romanian Radio Chamber Orchestra; Cristian Oroșanu |
3:45 | |||
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1.11
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III. Dies irae (Live)
Livia Teodorescu-Ciocănea; Antonela Barnat; Romanian Radio Chamber Orchestra; Cristian Oroșanu |
3:56 | |||
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1.12
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IV. Recordare (Live)
Livia Teodorescu-Ciocănea; Antonela Barnat; Romanian Radio Chamber Orchestra; Cristian Oroșanu |
5:53 | |||
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Digital Booklet
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These three works by the Romanian composer Livia Teodorescu-Ciocanea (b. 1959) show her approach to three of the central genres of the western classical tradition: symphony, concerto and cantata. The powerful and programmatic Archimedes Symphony was inspired by the death of Archimedes in the siege of Syracuse in 214 bc; the Rite for Enchanting the Air – a concerto for various flutes and orchestra – is a kind of magical journey into a dizzying world of sound and colour; and the cantata Mysterium tremendum aims to reconcile Byzantine and Catholic liturgical traditions. All three make clear her fascination with orchestral timbre and texture – and have distant roots in Romanian folk-music.
48 kHz / 24-bit PCM – Toccata Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.30 -13.09 to -0.71 | -26.23 -38.79 to -18.16 | -21.88 -34.50 to -14.80 | 14 11 to 16 | |
| 1 | I. The Assault on Syracuse (Live) | -0.72 | -19.82 | -16.2 | 11 |
| 2 | II. Do Not Touch My Circles (Live) | -6.18 | -30.61 | -27.3 | 16 |
| 3 | III. the Burning Mirrors of Archimedes (Live) | -0.71 | -23.95 | -19.5 | 14 |
| 4 | IV. Elegy at the Tomb of Archimedes - The Sphere and the Cylinder (Live) | -0.87 | -23.64 | -18.7 | 13 |
| 5 | I Largo (Live) | -5.39 | -30.96 | -26.1 | 15 |
| 6 | II. Mosso agitato (Live) | -6.44 | -28.71 | -24.7 | 14 |
| 7 | III. Più mosso (Live) | -3.00 | -26.74 | -23.7 | 14 |
| 8 | IV. Adagio (Live) | -13.09 | -38.79 | -34.5 | 16 |
| 9 | I. the Hymn of the Cherubim (Live) | -0.71 | -23.47 | -18.2 | 13 |
| 10 | II. The Gospel of Matthew (Live) | -0.71 | -25.21 | -20.5 | 13 |
| 11 | III. Dies irae (Live) | -0.71 | -18.16 | -14.8 | 11 |
| 12 | IV. Recordare (Live) | -1.01 | -24.69 | -18.4 | 14 |