℗ 2023 Toccata Classics
| Released | February 3, 2023 |
| Duration | 1h 08m 47s |
| Record Label | Toccata Classics |
| Catalogue No. | TOCC0666 |
| Genre | Classical (Piano) |
Henry Litolff: Piano Music, Vol. 1
Tingyue Jiang
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
6 Arabesken, Op. 65
|
|||||
|
1.1
|
No. 1, Heimgedenken
Henry Litolff; Tingyue Jiang |
4:39 | |||
|
1.2
|
No. 2, Polen
Henry Litolff; Tingyue Jiang |
3:56 | |||
|
1.3
|
No. 3, Sehnsucht
Henry Litolff; Tingyue Jiang |
4:32 | |||
|
1.4
|
No. 4, Der Gondolier
Henry Litolff; Tingyue Jiang |
4:08 | |||
|
1.5
|
No. 5, Erwartung
Henry Litolff; Tingyue Jiang |
3:42 | |||
|
1.6
|
No. 6, Frohes Wiedersehn
Henry Litolff; Tingyue Jiang |
2:22 | |||
|
6 Opuscules, Op. 25
|
|||||
|
1.7
|
No. 1, Tarantelle calabraise
Henry Litolff; Tingyue Jiang |
2:30 | |||
|
1.8
|
No. 2a, Vagabondes Polka No. 1
Henry Litolff; Tingyue Jiang |
2:19 | |||
|
1.9
|
No. 2b, Vagabondes Polka No. 2
Henry Litolff; Tingyue Jiang |
2:03 | |||
|
1.10
|
No. 3, La mazurka
Henry Litolff; Tingyue Jiang |
3:41 | |||
|
1.11
|
No. 4, Valse styrienne
Henry Litolff; Tingyue Jiang |
1:28 | |||
|
1.12
|
No. 5, Polonaise brillante
Henry Litolff; Tingyue Jiang |
3:00 | |||
|
1.13
|
No. 6, Bolero
Henry Litolff; Tingyue Jiang |
3:34 | |||
|
1.14
|
Invitation à la Polka, Op. 31
Henry Litolff; Tingyue Jiang |
4:05 | |||
|
1.15
|
La mazurka, Op. 109
Henry Litolff; Tingyue Jiang |
5:42 | |||
|
1.16
|
Valse élégante, Op. 107
Henry Litolff; Tingyue Jiang |
5:41 | |||
|
1.17
|
Une fleur du bal, Op. 77
Henry Litolff; Tingyue Jiang |
5:54 | |||
|
1.18
|
Scherzo for Piano, Op. 115
Henry Litolff; Tingyue Jiang |
5:31 | |||
|
Digital Booklet
|
|||||
The British-born Henry Litolff (1818–91) maintains a toehold on the repertoire thanks to the enduring popularity of the Scherzo of his Concerto symphonique No. 4 for piano and orchestra. Litolff’s substantial output of music for solo piano – mostly virtuoso salon miniatures – has entirely slipped from sight, even though in his prime as composer and pianist he was often compared with Liszt, a personal friend. This first album devoted to Litolff’s piano music reveals a fondness for atmospheric character pieces and vigorous dances, not least the polka, mazurka and waltz.
96 kHz / 24-bit PCM – Toccata Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.81 -11.39 to -0.87 | -27.40 -32.67 to -21.40 | -24.27 -29.60 to -18.30 | 13 11 to 17 | |
| 1 | No. 1, Heimgedenken | -11.09 | -32.67 | -29.6 | 12 |
| 2 | No. 2, Polen | -6.45 | -30.70 | -27.0 | 16 |
| 3 | No. 3, Sehnsucht | -9.69 | -30.58 | -27.4 | 13 |
| 4 | No. 4, Der Gondolier | -6.89 | -29.35 | -26.2 | 13 |
| 5 | No. 5, Erwartung | -9.40 | -29.55 | -26.4 | 12 |
| 6 | No. 6, Frohes Wiedersehn | -9.68 | -26.89 | -23.9 | 11 |
| 7 | No. 1, Tarantelle calabraise | -6.53 | -26.75 | -23.8 | 12 |
| 8 | No. 2a, Vagabondes Polka No. 1 | -4.95 | -26.16 | -23.3 | 14 |
| 9 | No. 2b, Vagabondes Polka No. 2 | -4.50 | -27.08 | -24.1 | 14 |
| 10 | No. 3, La mazurka | -5.45 | -26.28 | -23.0 | 12 |
| 11 | No. 4, Valse styrienne | -11.39 | -30.33 | -27.6 | 13 |
| 12 | No. 5, Polonaise brillante | -0.91 | -21.40 | -18.3 | 12 |
| 13 | No. 6, Bolero | -5.03 | -25.15 | -22.0 | 14 |
| 14 | Invitation à la Polka, Op. 31 | -2.70 | -25.40 | -22.1 | 14 |
| 15 | La mazurka, Op. 109 | -1.99 | -24.60 | -21.2 | 13 |
| 16 | Valse élégante, Op. 107 | -0.87 | -27.89 | -24.8 | 17 |
| 17 | Une fleur du bal, Op. 77 | -4.76 | -27.67 | -24.6 | 14 |
| 18 | Scherzo for Piano, Op. 115 | -2.28 | -24.79 | -21.6 | 14 |