℗ 2023 Toccata Classics
| Released | February 3, 2023 |
| Duration | 1h 14m 11s |
| Record Label | Toccata Classics |
| Catalogue No. | TOCC0617 |
| Genre | Classical (Chamber) |
Egon Wellesz: Chamber Music
Peter Cigleris, Gabriela Opacka-Boccadoro, Veles Ensemble
Available in 192 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Vier Stücke for String Trio, Op. 105
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1.1
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No. 1, Moderato
Egon Wellesz; Veles Ensemble |
2:42 | |||
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1.2
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No. 2, Scherzando
Egon Wellesz; Veles Ensemble |
1:42 | |||
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1.3
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No. 3, Largo
Egon Wellesz; Veles Ensemble |
4:31 | |||
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1.4
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No. 4, Molto tranquillo
Egon Wellesz; Veles Ensemble |
8:05 | |||
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String Trio, Op. 86
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1.5
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I. Molto sostenuto
Egon Wellesz; Veles Ensemble |
5:56 | |||
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1.6
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II. Vivace
Egon Wellesz; Veles Ensemble |
2:45 | |||
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1.7
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III. Adagio
Egon Wellesz; Veles Ensemble |
5:18 | |||
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1.8
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IV. Allegro moderato
Egon Wellesz; Veles Ensemble |
1:34 | |||
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Vier Stücke for String Quartet, Op. 103
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1.9
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No. 1, Adagio
Egon Wellesz; Gabriela Opacka-Boccadoro; Veles Ensemble |
3:40 | |||
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1.10
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No. 2, Agitato
Egon Wellesz; Gabriela Opacka-Boccadoro; Veles Ensemble |
2:18 | |||
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1.11
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No. 3, Lento
Egon Wellesz; Gabriela Opacka-Boccadoro; Veles Ensemble |
3:15 | |||
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1.12
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No. 4, Allegretto
Egon Wellesz; Gabriela Opacka-Boccadoro; Veles Ensemble |
2:53 | |||
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Clarinet Quintet, Op. 81
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1.13
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I. Allegro commodo
Egon Wellesz; Peter Cigleris; Gabriela Opacka-Boccadoro; Veles Ensemble |
4:28 | |||
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1.14
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II. Adagio
Egon Wellesz; Peter Cigleris; Gabriela Opacka-Boccadoro; Veles Ensemble |
4:19 | |||
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1.15
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III. Allegro vivace
Egon Wellesz; Peter Cigleris; Gabriela Opacka-Boccadoro; Veles Ensemble |
3:56 | |||
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Vier Stücke for String Trio, Op. 105 (1971 Version)
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1.16
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No. 1, Energico
Egon Wellesz; Veles Ensemble |
2:41 | |||
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1.17
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No. 2, Scherzando
Egon Wellesz; Veles Ensemble |
1:37 | |||
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1.18
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No. 3, Largo
Egon Wellesz; Veles Ensemble |
4:33 | |||
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1.19
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No. 4, Molto tranquillo
Egon Wellesz; Veles Ensemble |
7:58 | |||
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Digital Booklet
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In its mix of tonality, Expressionism and Schoenbergian serialism, the late chamber music of Egon Wellesz (1885–1974) – born in Vienna but an Oxford don for almost four decades – marries the mid-century radicalism of his native city with the lyricism of his adoptive homeland. In the first part of his career Wellesz was best known as a composer of operas, and these chamber works were audibly written by someone with a keen sense of drama: in their primal passion, flawless pacing, arching melodic lines and occasional bursts of humour, one can almost imagine them on stage.
192 kHz / 24-bit PCM – Toccata Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.92 -4.71 to -0.71 | -20.90 -26.00 to -14.28 | -16.45 -22.20 to -10.80 | 12 7 to 15 | |
| 1 | No. 1, Moderato | -0.71 | -22.96 | -18.6 | 14 |
| 2 | No. 2, Scherzando | -0.71 | -21.10 | -17.3 | 13 |
| 3 | No. 3, Largo | -0.71 | -23.36 | -18.0 | 15 |
| 4 | No. 4, Molto tranquillo | -0.71 | -20.76 | -15.5 | 12 |
| 5 | I. Molto sostenuto | -0.71 | -21.76 | -17.0 | 13 |
| 6 | II. Vivace | -0.71 | -19.82 | -16.1 | 13 |
| 7 | III. Adagio | -4.71 | -26.00 | -22.2 | 13 |
| 8 | IV. Allegro moderato | -0.71 | -19.02 | -15.2 | 12 |
| 9 | No. 1, Adagio | -0.71 | -21.46 | -16.5 | 13 |
| 10 | No. 2, Agitato | -0.71 | -19.07 | -14.5 | 12 |
| 11 | No. 3, Lento | -0.71 | -23.96 | -19.6 | 14 |
| 12 | No. 4, Allegretto | -0.71 | -20.81 | -14.8 | 12 |
| 13 | I. Allegro commodo | -0.71 | -14.28 | -10.8 | 7 |
| 14 | II. Adagio | -0.71 | -17.73 | -13.2 | 9 |
| 15 | III. Allegro vivace | -0.71 | -14.95 | -11.5 | 7 |
| 16 | No. 1, Energico | -0.71 | -23.04 | -19.2 | 14 |
| 17 | No. 2, Scherzando | -0.71 | -21.46 | -17.5 | 13 |
| 18 | No. 3, Largo | -0.71 | -23.99 | -18.7 | 15 |
| 19 | No. 4, Molto tranquillo | -0.71 | -21.59 | -16.3 | 13 |