Tenxô Quenvô Xixetçu
Anthonello
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Nana de Itçuqi Sobre el Passamezzo, Momoya
Anonymous; Anthonello |
5:12 | ||
1.2
|
Não Tragais Borzeguis Pretos
Anonymous; Anthonello |
3:02 | ||
1.3
|
La Tricotea
Alonso Pérez de Alba; Anthonello |
3:50 | ||
1.4
|
Si la Noche Haze Escura
Francisco Guerrero; Anthonello |
4:21 | ||
1.5
|
Con Qué la Lavaré? (1)
Juan Vásquez; Anthonello |
0:50 | ||
1.6
|
Las vacas - Scatola degli aghi
Anonymous; Anthonello |
5:37 | ||
1.7
|
Dulce Memoriae
Hernando de Cabezón; Anthonello |
5:51 | ||
1.8
|
Ave Maria Gratia Plena à 4
Francisco Guerrero; Anthonello |
3:33 | ||
1.9
|
Nana de Zendai
António Carreira; Anthonello |
1:02 | ||
1.10
|
Fantasia à 4 em Lá Ré
Fabritio Caroso; Anthonello |
2:41 | ||
1.11
|
Ballo del fiore
Fabritio Caroso; Anthonello |
2:21 | ||
1.12
|
Spagnoletta
Anonymous; Anthonello |
6:09 | ||
1.13
|
Cobiqiuta de Fiuga
Anonymous; Anthonello |
2:17 | ||
1.14
|
Fanfara "L'accavallo"
Anonymous; Anthonello |
1:04 | ||
1.15
|
Laudate Dominum
Anonymous; Anthonello |
1:15 | ||
1.16
|
Tota Pulchra Es (After G.P. da Palestrina)
Giovanni Bassano; Anthonello |
3:01 | ||
1.17
|
Dindirindin
Anonymous; Anthonello |
2:08 | ||
1.18
|
Subvenite Sancti Dei
Anonymous; Anthonello |
3:30 | ||
1.19
|
Tento à 4 Sobre o Villancico "Con Qué la Lavaré"
António Carreira; Anthonello |
1:31 | ||
1.20
|
Con Qué la Lavaré?
Luys de Narváez; Anthonello |
2:00 | ||
1.21
|
Temariuta de Nacaura
Anonymous; Anthonello |
0:29 | ||
1.22
|
Recercada Sobre la Canción Doulce Memoire
Diego Ortiz; Anthonello |
3:23 | ||
1.23
|
So ben mi ch'ha bon tempo
Orazio Vecchi; Anthonello |
3:46 | ||
1.24
|
Rodrigo Martinez
Anonymous; Anthonello |
2:06 | ||
1.25
|
Litaniae
Anonymous; Anthonello |
3:15 | ||
1.26
|
Con Qué la Lavaré? (2)
Juan Vásquez; Anthonello |
0:54 | ||
1.27
|
Im Paradisma
Anonymous; Anthonello |
1:27 | ||
Total Playing Time 76:35
|
Named after 14th-century composer Anthonello da Caserta, early music ensemble Anthonello has made historically authentic performances their calling card. The music in this release comes to us from 1582 and the open-heartedness of the period is beautifully realized by Yoshimichi Hamada, Kaori Ishikawa and Marie Nishiyama.
96 kHz / 24-bit PCM – OMF Studio Masters