℗ 2017 OMF
Tenxô Quenvô Xixetçu
Anthonello
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1 |
Nana de Itçuqi Sobre el Passamezzo, Momoya Anonymous; Anthonello |
5:12 | ||
2 |
Não Tragais Borzeguis Pretos Anonymous; Anthonello |
3:02 | ||
3 |
La Tricotea Alonso Pérez de Alba; Anthonello |
3:50 | ||
4 |
Si la Noche Haze Escura Francisco Guerrero; Anthonello |
4:21 | ||
5 |
Con Qué la Lavaré? (1) Juan Vásquez; Anthonello |
0:50 | ||
6 |
Las vacas - Scatola degli aghi Anonymous; Anthonello |
5:37 | ||
7 |
Dulce Memoriae Hernando de Cabezón; Anthonello |
5:51 | ||
8 |
Ave Maria Gratia Plena à 4 Francisco Guerrero; Anthonello |
3:33 | ||
9 |
Nana de Zendai António Carreira; Anthonello |
1:02 | ||
10 |
Fantasia à 4 em Lá Ré Fabritio Caroso; Anthonello |
2:41 | ||
11 |
Ballo del fiore Fabritio Caroso; Anthonello |
2:21 | ||
12 |
Spagnoletta Anonymous; Anthonello |
6:09 | ||
13 |
Cobiqiuta de Fiuga Anonymous; Anthonello |
2:17 | ||
14 |
Fanfara "L'accavallo" Anonymous; Anthonello |
1:04 | ||
15 |
Laudate Dominum Anonymous; Anthonello |
1:15 | ||
16 |
Tota Pulchra Es (After G.P. da Palestrina) Giovanni Bassano; Anthonello |
3:01 | ||
17 |
Dindirindin Anonymous; Anthonello |
2:08 | ||
18 |
Subvenite Sancti Dei Anonymous; Anthonello |
3:30 | ||
19 |
Tento à 4 Sobre o Villancico "Con Qué la Lavaré" António Carreira; Anthonello |
1:31 | ||
20 |
Con Qué la Lavaré? Luys de Narváez; Anthonello |
2:00 | ||
21 |
Temariuta de Nacaura Anonymous; Anthonello |
0:29 | ||
22 |
Recercada Sobre la Canción Doulce Memoire Diego Ortiz; Anthonello |
3:23 | ||
23 |
So ben mi ch'ha bon tempo Orazio Vecchi; Anthonello |
3:46 | ||
24 |
Rodrigo Martinez Anonymous; Anthonello |
2:06 | ||
25 |
Litaniae Anonymous; Anthonello |
3:15 | ||
26 |
Con Qué la Lavaré? (2) Juan Vásquez; Anthonello |
0:54 | ||
27 |
Im Paradisma Anonymous; Anthonello |
1:27 | ||
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Total Playing Time 76:35
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Named after 14th-century composer Anthonello da Caserta, early music ensemble Anthonello has made historically authentic performances their calling card. The music in this release comes to us from 1582 and the open-heartedness of the period is beautifully realized by Yoshimichi Hamada, Kaori Ishikawa and Marie Nishiyama.
96 kHz / 24-bit PCM – OMF Studio Masters