℗ ℗ 2017 OMF
Tenxô Quenvô Xixetçu
Anthonello
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Nana de Itçuqi Sobre el Passamezzo, Momoya
Anonymous; Anthonello |
5:12 | ||
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1.2
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Não Tragais Borzeguis Pretos
Anonymous; Anthonello |
3:02 | ||
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1.3
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La Tricotea
Alonso Pérez de Alba; Anthonello |
3:50 | ||
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1.4
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Si la Noche Haze Escura
Francisco Guerrero; Anthonello |
4:21 | ||
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1.5
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Con Qué la Lavaré? (1)
Juan Vásquez; Anthonello |
0:50 | ||
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1.6
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Las vacas - Scatola degli aghi
Anonymous; Anthonello |
5:37 | ||
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1.7
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Dulce Memoriae
Hernando de Cabezón; Anthonello |
5:51 | ||
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1.8
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Ave Maria Gratia Plena à 4
Francisco Guerrero; Anthonello |
3:33 | ||
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1.9
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Nana de Zendai
António Carreira; Anthonello |
1:02 | ||
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1.10
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Fantasia à 4 em Lá Ré
Fabritio Caroso; Anthonello |
2:41 | ||
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1.11
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Ballo del fiore
Fabritio Caroso; Anthonello |
2:21 | ||
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1.12
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Spagnoletta
Anonymous; Anthonello |
6:09 | ||
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1.13
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Cobiqiuta de Fiuga
Anonymous; Anthonello |
2:17 | ||
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1.14
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Fanfara "L'accavallo"
Anonymous; Anthonello |
1:04 | ||
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1.15
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Laudate Dominum
Anonymous; Anthonello |
1:15 | ||
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1.16
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Tota Pulchra Es (After G.P. da Palestrina)
Giovanni Bassano; Anthonello |
3:01 | ||
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1.17
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Dindirindin
Anonymous; Anthonello |
2:08 | ||
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1.18
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Subvenite Sancti Dei
Anonymous; Anthonello |
3:30 | ||
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1.19
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Tento à 4 Sobre o Villancico "Con Qué la Lavaré"
António Carreira; Anthonello |
1:31 | ||
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1.20
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Con Qué la Lavaré?
Luys de Narváez; Anthonello |
2:00 | ||
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1.21
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Temariuta de Nacaura
Anonymous; Anthonello |
0:29 | ||
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1.22
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Recercada Sobre la Canción Doulce Memoire
Diego Ortiz; Anthonello |
3:23 | ||
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1.23
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So ben mi ch'ha bon tempo
Orazio Vecchi; Anthonello |
3:46 | ||
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1.24
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Rodrigo Martinez
Anonymous; Anthonello |
2:06 | ||
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1.25
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Litaniae
Anonymous; Anthonello |
3:15 | ||
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1.26
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Con Qué la Lavaré? (2)
Juan Vásquez; Anthonello |
0:54 | ||
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1.27
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Im Paradisma
Anonymous; Anthonello |
1:27 | ||
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Total Playing Time 76:35
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Named after 14th-century composer Anthonello da Caserta, early music ensemble Anthonello has made historically authentic performances their calling card. The music in this release comes to us from 1582 and the open-heartedness of the period is beautifully realized by Yoshimichi Hamada, Kaori Ishikawa and Marie Nishiyama.
96 kHz / 24-bit PCM – OMF Studio Masters