℗ 2017 ACT Music and Vision
Released October 27, 2017
Duration 54m 48s
Record Label ACT Music and Vision
Genre Jazz (Contemporary Jazz)
 

Meditarraneo: Jazz at Berlin Philharmonic VIII

Stefano Bollani Trio, Vincent Peirani, Berlin Philharmonic Orchestra, Geir Lysne

Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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L'Orfeo  
1.1
Toccata (Arr. by G. Lysne for jazz ensemble)
Stefano Bollani Trio
0:36
1.2
Act II, Sinfonia (Arr. by G. Lysne for jazz ensemble)
Stefano Bollani Trio
6:55
1.3
Amarcord (Arr. by G. Lysne)
Stefano Bollani Trio
2:47
Maddalena  
1.4
Chi Mai (Arr. by G. Lysne)
Stefano Bollani Trio
6:30
1.5
Il Buono, il brutto, il cattivo (the Good, the Bad and the Ugly) (Arr. by G. Lysne)
Stefano Bollani Trio
7:24
Indagine su un cittadino al di sopra di ogni sospetto (Investigation of a Citizen Above Suspicion)  
1.6
Main Theme (Arr. by G. Lysne)
Stefano Bollani Trio
6:30
1.7
Azzurro (Arr. by G. Lysne)
Stefano Bollani Trio
7:51
Gianni Schicchi  
1.8
O mio babbino caro - Mattinata (Arr. by G. Lysne for jazz ensemble)
Stefano Bollani Trio
5:37
Il barbiere di Siviglia (the Barber of Seville)  
1.9
Act I, Largo al factotum (Arr. by G. Lysne for jazz ensemble)
Stefano Bollani Trio
8:38
1.10
Fortunella (Arr. by G. Lysne)
Stefano Bollani Trio
2:00
"This is the 17th in the Jazz at Berlin Philharmonic series of concerts which attempts “to put the ‘Sound of Europe’ on the big stage. This time Italy is the star, not just because of Bollani's charismatic presence at the centre of everything, but because the music delves deep into the riches of Italy’s past, from Claudio Monteverdi through Giacomo Puccini, Gioachino Rossini and Ruggero Leoncavallo to Nino Rota, Ennio Morricone and Paulo Conte/Michele Virano." - London Jazz News Italian pianist Stefano Bollani brings his trio comprised of bassist Jesper Bodilsen and drummer Morten Lund together with fourteen members of the Berliner Philharmoniker in this concert recording of music arranged by Norwegian composer Geir Lysne. These jazz-oriented takes on Italian music favourites lend a new perspective on household tunes such as Puccini's O Mio Babbino Caro and Rossini's Largo al Factotum from The Barber of Seville.
48 kHz / 24-bit PCM – ACT Music and Vision Studio Masters

Track 1 – 44.1 kHz / 24-bit PCM; contains material which has been processed by a perceptual audio coding algorithm.
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.98
-2.45 to -0.70
-17.62
-23.69 to -14.52
-14.12
-20.20 to -10.90
10
8 to 13
1
Toccata (Arr. by G. Lysne for jazz ensemble)
-1.72-17.73-13.911
2
Act II, Sinfonia (Arr. by G. Lysne for jazz ensemble)
-0.70-15.56-12.19
3
Amarcord (Arr. by G. Lysne)
-2.45-23.69-20.213
4
Chi Mai (Arr. by G. Lysne)
-0.70-15.87-12.910
5
Il Buono, il brutto, il cattivo (the Good, the Bad and the Ugly) (Arr. by G. Lysne)
-0.70-17.96-13.610
6
Main Theme (Arr. by G. Lysne)
-0.70-17.44-13.810
7
Azzurro (Arr. by G. Lysne)
-0.70-16.74-14.210
8
O mio babbino caro - Mattinata (Arr. by G. Lysne for jazz ensemble)
-0.70-19.45-15.911
9
Act I, Largo al factotum (Arr. by G. Lysne for jazz ensemble)
-0.70-17.26-13.710
10
Fortunella (Arr. by G. Lysne)
-0.70-14.52-10.98

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