℗ 2017 American Modern Recordings
Released | November 17, 2017 |
Duration | 1h 56m 20s |
Record Label | American Modern Recordings |
Genre | Classical (Opera) |
Robert Paterson: Three Way – A Trio of One-Act Operas
Nashville Opera Orchestra, Dean Williamson
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Three Way, Act I "The Companion"
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1.1
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Introduction
Robert Paterson; Nashville Opera Orchestra; Dean Williamson |
0:17 | |||
1.2
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I'm Home. Joe?
Robert Paterson; Danielle Pastin; Samuel Levine; Nashville Opera Orchestra; Dean Williamson |
4:11 | |||
1.3
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What Did I Do Today?
Robert Paterson; Samuel Levine; Nashville Opera Orchestra; Dean Williamson |
3:52 | |||
1.4
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Anything Else?
Robert Paterson; Danielle Pastin; Samuel Levine; Nashville Opera Orchestra; Dean Williamson |
3:05 | |||
1.5
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Interlude (Adagio)
Robert Paterson; Nashville Opera Orchestra; Dean Williamson |
0:26 | |||
1.6
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I Told You
Robert Paterson; Wes Mason; Danielle Pastin; Nashville Opera Orchestra; Dean Williamson |
5:12 | |||
1.7
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The Perfect Man
Robert Paterson; Danielle Pastin; Nashville Opera Orchestra; Dean Williamson |
2:55 | |||
1.8
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Perfect Sounds Kind of Boring, Maya
Robert Paterson; Wes Mason; Danielle Pastin; Nashville Opera Orchestra; Dean Williamson |
0:55 | |||
1.9
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Broken Machines
Robert Paterson; Wes Mason; Nashville Opera Orchestra; Dean Williamson |
4:25 | |||
1.10
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Interlude (Scene Change)
Robert Paterson; Nashville Opera Orchestra; Dean Williamson |
1:07 | |||
1.11
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Joe. Joe? Joe?! I'm Talking to You
Robert Paterson; Danielle Pastin; Samuel Levine; Nashville Opera Orchestra; Dean Williamson |
2:15 | |||
1.12
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Excuse Me, Someone Called?
Robert Paterson; Danielle Pastin; Samuel Levine; Wes Mason; Nashville Opera Orchestra; Dean Williamson |
1:48 | |||
1.13
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Open Codehub Channel Five, Joe
Robert Paterson; Wes Mason; Samuel Levine; Danielle Pastin; Nashville Opera Orchestra; Dean Williamson |
2:37 | |||
1.14
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I Have Been Collecting Data
Robert Paterson; Samuel Levine; Danielle Pastin; Wes Mason; Nashville Opera Orchestra; Dean Williamson |
2:42 | |||
1.15
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You Were My First Love
Robert Paterson; Samuel Levine; Nashville Opera Orchestra; Dean Williamson |
2:57 | |||
1.16
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That's It? He's Gone?
Robert Paterson; Danielle Pastin; Wes Mason; Nashville Opera Orchestra; Dean Williamson |
1:31 | |||
Three Way, Act II "Safe Word"
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1.17
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Make Them Wait
Robert Paterson; Eliza Bonet; Nashville Opera Orchestra; Dean Williamson |
1:48 | |||
1.18
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Come In, Close the Door
Robert Paterson; Eliza Bonet; Matthew Treviño; Nashville Opera Orchestra; Dean Williamson |
3:18 | |||
1.19
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A Man Needs
Robert Paterson; Matthew Treviño; Nashville Opera Orchestra; Dean Williamson |
2:22 | |||
1.20
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You Keep Singing, You Get the Ball Gag
Robert Paterson; Matthew Treviño; Eliza Bonet; Nashville Opera Orchestra; Dean Williamson |
0:36 | |||
1.21
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Pain and Release
Robert Paterson; Eliza Bonet; Nashville Opera Orchestra; Dean Williamson |
3:03 | |||
1.22
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Ready?
Robert Paterson; Eliza Bonet; Matthew Treviño; Nashville Opera Orchestra; Dean Williamson |
1:18 | |||
1.23
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Polly Puddlepanties
Robert Paterson; Eliza Bonet; Matthew Treviño; Nashville Opera Orchestra; Dean Williamson |
2:18 | |||
1.24
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It's Not Working!
Robert Paterson; Eliza Bonet; Matthew Treviño; Nashville Opera Orchestra; Dean Williamson |
1:43 | |||
1.25
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In Fact, We're Going to Switch
Robert Paterson; Eliza Bonet; Matthew Treviño; Nashville Opera Orchestra; Dean Williamson |
1:05 | |||
1.26
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I Know Your Type
Robert Paterson; Matthew Treviño; Nashville Opera Orchestra; Dean Williamson |
3:23 | |||
1.27
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Let Go
Robert Paterson; Eliza Bonet; Matthew Treviño; Nashville Opera Orchestra; Dean Williamson |
0:26 | |||
1.28
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You Don't Own Me
Robert Paterson; Eliza Bonet; Matthew Treviño; Nashville Opera Orchestra; Dean Williamson |
3:56 | |||
1.29
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Domme Releases Client
Robert Paterson; Nashville Opera Orchestra; Dean Williamson |
2:32 | |||
1.30
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You Really Don't Need to Tip
Robert Paterson; Eliza Bonet; Matthew Treviño; Nashville Opera Orchestra; Dean Williamson |
1:50 | |||
Three Way, Act III "Masquerade"
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2.1
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Hi! I'm Jessie and This Is Marcus
Robert Paterson; Courtney Ruckman; Samuel Levine; Danielle Pastin; Wes Mason; Nashville Opera Orchestra; Dean Williamson |
2:51 | |||
2.2
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Interlude - Hi Everybody!
Robert Paterson; Jordan Rutter; Melisa Bonetti; Danielle Pastin; Wes Mason; Courtney Ruckman; Nashville Opera Orchestra; Dean Williamson |
1:58 | |||
2.3
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Cis, Spelled C-I-S
Robert Paterson; Jordan Rutter; Wes Mason; Melisa Bonetti; Danielle Pastin; Courtney Ruckman; Nashville Opera Orchestra; Dean Williamson |
1:14 | |||
2.4
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If Our Friends Saw Us Here, They'd Die!
Robert Paterson; Wes Mason; Danielle Pastin; Melisa Bonetti; Jordan Rutter; Samuel Levine; Courtney Ruckman; Nashville Opera Orchestra; Dean Williamson |
1:45 | |||
2.5
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Good Evening, Friends
Robert Paterson; Matthew Treviño; Danielle Pastin; Samuel Levine; Courtney Ruckman; Jordan Rutter; Melisa Bonetti; Wes Mason; Nashville Opera Orchestra; Dean Williamson |
1:21 | |||
2.6
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Jesse, Babe? A Second?
Robert Paterson; Samuel Levine; Courtney Ruckman; Nashville Opera Orchestra; Dean Williamson |
1:37 | |||
2.7
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Children! Time to Go Over the Rules
Robert Paterson; Danielle Pastin; Matthew Treviño; Wes Mason; Jordan Rutter; Eliza Bonet; Courtney Ruckman; Melisa Bonetti; Samuel Levine; Nashville Opera Orchestra; Dean Williamson |
1:33 | |||
2.8
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Go Off Alone, Find a Room, and Change
Robert Paterson; Eliza Bonet; Matthew Treviño; Wes Mason; Courtney Ruckman; Jordan Rutter; Samuel Levine; Danielle Pastin; Melisa Bonetti; Nashville Opera Orchestra; Dean Williamson |
3:33 | |||
2.9
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Transition (Moderato)
Robert Paterson; Nashville Opera Orchestra; Dean Williamson |
0:15 | |||
2.10
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What Shall I Be Tonight?
Robert Paterson; Melisa Bonetti; Wes Mason; Courtney Ruckman; Jordan Rutter; Samuel Levine; Danielle Pastin; Nashville Opera Orchestra; Dean Williamson |
0:59 | |||
2.11
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Swing Style
Robert Paterson; Nashville Opera Orchestra; Dean Williamson |
0:27 | |||
2.12
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I'm Feeling a Connection Here
Robert Paterson; Danielle Pastin; Samuel Levine; Courtney Ruckman; Wes Mason; Nashville Opera Orchestra; Dean Williamson |
0:31 | |||
2.13
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Interlude (Placid)
Robert Paterson; Nashville Opera Orchestra; Dean Williamson |
0:22 | |||
2.14
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I Feel Like I Should Kiss You
Robert Paterson; Courtney Ruckman; Melisa Bonetti; Wes Mason; Nashville Opera Orchestra; Dean Williamson |
1:31 | |||
2.15
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Transition (Cheerful)
Robert Paterson; Nashville Opera Orchestra; Dean Williamson |
0:38 | |||
2.16
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Watching, Apart
Robert Paterson; Matthew Treviño; Eliza Bonet; Jordan Rutter; Nashville Opera Orchestra; Dean Williamson |
0:31 | |||
2.17
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Why So Shy?
Robert Paterson; Jordan Rutter; Nashville Opera Orchestra; Dean Williamson |
4:39 | |||
2.18
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Everything Okay?
Robert Paterson; Matthew Treviño; Jordan Rutter; Eliza Bonet; Nashville Opera Orchestra; Dean Williamson |
0:35 | |||
2.19
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Making Friends
Robert Paterson; Danielle Pastin; Nashville Opera Orchestra; Dean Williamson |
3:41 | |||
2.20
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Not My Night
Robert Paterson; Wes Mason; Nashville Opera Orchestra; Dean Williamson |
4:17 | |||
2.21
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Brief Interlude
Robert Paterson; Nashville Opera Orchestra; Dean Williamson |
0:24 | |||
2.22
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So, That Happened
Robert Paterson; Courtney Ruckman; Samuel Levine; Nashville Opera Orchestra; Dean Williamson |
2:36 | |||
2.23
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Have We Met?
Robert Paterson; Courtney Ruckman; Samuel Levine; Melisa Bonetti; Jordan Rutter; Matthew Treviño; Eliza Bonet; Nashville Opera Orchestra; Dean Williamson |
0:54 | |||
2.24
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Happy? Happy? What an Odd Question
Robert Paterson; Matthew Treviño; Courtney Ruckman; Danielle Pastin; Eliza Bonet; Samuel Levine; Wes Mason; Jordan Rutter; Melisa Bonetti; Nashville Opera Orchestra; Dean Williamson |
1:36 | |||
2.25
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Shadow Orgy
Robert Paterson; Nashville Opera Orchestra; Dean Williamson |
2:37 | |||
2.26
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Boysenberry
Robert Paterson; Wes Mason; Jordan Rutter; Samuel Levine; Courtney Ruckman; Danielle Pastin; Melisa Bonetti; Nashville Opera Orchestra; Dean Williamson |
1:27 | |||
2.27
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We're Sad to See You Go, but It Was a Grand Party
Robert Paterson; Matthew Treviño; Samuel Levine; Courtney Ruckman; Wes Mason; Eliza Bonet; Melisa Bonetti; Jordan Rutter; Danielle Pastin; Nashville Opera Orchestra; Dean Williamson |
2:35 | |||
Digital Booklet
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Grammy Award – Producer Of The Year, Classical, 2018 – Blanton Alspaugh
“...thoroughly accessible and enjoyable… plenty of fun. That’s not a word generally associated with opera but it’s entirely appropriate here. [Three Way] proves that opera done correctly can be as relatable as anything on television or at the multiplex.”
- Santosh Venkataraman, Opera Wire
Composer Robert Paterson and Nashville Opera brings us Three Way, a trio of one-act comedic operas that explore the future and questions of love, sex and desire that leap from android lovers to BDSM and open relationships.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – American Modern Recordings Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.60 -16.51 to -0.23 | -25.28 -32.68 to -19.61 | -21.94 -29.60 to -16.20 | 11 5 to 16 | |
1.1 | Introduction | -13.15 | -27.27 | -25.3 | 8 |
1.2 | I'm Home. Joe? | -6.13 | -27.05 | -23.9 | 12 |
1.3 | What Did I Do Today? | -5.82 | -24.78 | -21.6 | 11 |
1.4 | Anything Else? | -6.77 | -26.27 | -22.7 | 12 |
1.5 | Interlude (Adagio) | -10.08 | -27.73 | -24.4 | 5 |
1.6 | I Told You | -4.43 | -27.53 | -23.8 | 14 |
1.7 | The Perfect Man | -4.70 | -23.34 | -20.1 | 10 |
1.8 | Perfect Sounds Kind of Boring, Maya | -8.79 | -27.42 | -23.1 | 11 |
1.9 | Broken Machines | -6.01 | -24.81 | -21.6 | 12 |
1.10 | Interlude (Scene Change) | -8.83 | -26.92 | -24.6 | 8 |
1.11 | Joe. Joe? Joe?! I'm Talking to You | -3.35 | -23.51 | -19.8 | 11 |
1.12 | Excuse Me, Someone Called? | -4.54 | -25.34 | -21.6 | 12 |
1.13 | Open Codehub Channel Five, Joe | -4.30 | -24.30 | -20.9 | 12 |
1.14 | I Have Been Collecting Data | -3.06 | -22.26 | -18.7 | 11 |
1.15 | You Were My First Love | -9.54 | -27.40 | -24.2 | 10 |
1.16 | That's It? He's Gone? | -9.12 | -28.00 | -24.7 | 10 |
1.17 | Make Them Wait | -8.25 | -28.31 | -25.3 | 12 |
1.18 | Come In, Close the Door | -4.63 | -26.48 | -22.6 | 13 |
1.19 | A Man Needs | -2.77 | -23.61 | -20.3 | 12 |
1.20 | You Keep Singing, You Get the Ball Gag | -8.86 | -29.75 | -25.3 | 13 |
1.21 | Pain and Release | -0.66 | -25.73 | -22.5 | 16 |
1.22 | Ready? | -6.61 | -25.04 | -21.5 | 11 |
1.23 | Polly Puddlepanties | 0.00 | -23.26 | -19.3 | 16 |
1.24 | It's Not Working! | -3.66 | -24.23 | -20.7 | 12 |
1.25 | In Fact, We're Going to Switch | 0.00 | -23.14 | -18.9 | 15 |
1.26 | I Know Your Type | -4.67 | -24.36 | -20.7 | 12 |
1.27 | Let Go | -1.84 | -21.59 | -18.1 | 12 |
1.28 | You Don't Own Me | -3.48 | -21.91 | -18.6 | 11 |
1.29 | Domme Releases Client | -6.20 | -26.57 | -23.6 | 10 |
1.30 | You Really Don't Need to Tip | -0.23 | -23.12 | -18.8 | 12 |
2.1 | Hi! I'm Jessie and This Is Marcus | -3.93 | -22.98 | -19.8 | 12 |
2.2 | Interlude - Hi Everybody! | -1.09 | -24.12 | -21.1 | 13 |
2.3 | Cis, Spelled C-I-S | -2.89 | -23.67 | -20.3 | 11 |
2.4 | If Our Friends Saw Us Here, They'd Die! | -3.58 | -25.27 | -21.9 | 13 |
2.5 | Good Evening, Friends | -4.01 | -23.79 | -20.6 | 12 |
2.6 | Jesse, Babe? A Second? | -0.78 | -24.70 | -21.4 | 15 |
2.7 | Children! Time to Go Over the Rules | -1.04 | -23.21 | -19.8 | 12 |
2.8 | Go Off Alone, Find a Room, and Change | -3.11 | -22.51 | -19.6 | 11 |
2.9 | Transition (Moderato) | -14.51 | -31.45 | -26.9 | 9 |
2.10 | What Shall I Be Tonight? | -4.59 | -25.84 | -22.7 | 12 |
2.11 | Swing Style | -13.95 | -29.45 | -26.4 | 9 |
2.12 | I'm Feeling a Connection Here | -6.49 | -26.72 | -22.7 | 9 |
2.13 | Interlude (Placid) | -12.44 | -27.81 | -25.0 | 8 |
2.14 | I Feel Like I Should Kiss You | -8.03 | -27.30 | -23.7 | 11 |
2.15 | Transition (Cheerful) | -12.06 | -28.16 | -25.7 | 10 |
2.16 | Watching, Apart | -6.24 | -22.98 | -20.0 | 10 |
2.17 | Why So Shy? | -1.76 | -24.50 | -21.3 | 12 |
2.18 | Everything Okay? | -6.63 | -26.65 | -23.3 | 9 |
2.19 | Making Friends | -0.36 | -21.59 | -18.9 | 11 |
2.20 | Not My Night | -3.78 | -23.62 | -20.0 | 12 |
2.21 | Brief Interlude | -16.51 | -32.68 | -29.6 | 8 |
2.22 | So, That Happened | -3.69 | -23.46 | -20.2 | 11 |
2.23 | Have We Met? | -4.94 | -27.58 | -24.2 | 11 |
2.24 | Happy? Happy? What an Odd Question | -3.17 | -20.22 | -17.3 | 10 |
2.25 | Shadow Orgy | -1.09 | -23.96 | -21.6 | 14 |
2.26 | Boysenberry | -6.54 | -25.99 | -23.0 | 12 |
2.27 | We're Sad to See You Go, but It Was a Grand Party | -0.36 | -19.61 | -16.2 | 11 |