℗ 2023 MV Cremona
Released | March 3, 2023 |
Duration | 1h 17m 40s |
Record Label | MV Cremona |
Catalogue No. | MVC022060 |
Genre | Classical (Chamber) |
Johann Sebastian Bach: Orgelwerke vol.1
Massimiliano Sanca
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Orgelwerke Vol.1
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1.1
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I. Praeludium con fuga ex E Minor, BWV 533
Johann Sebastian Bach; Massimiliano Sanca |
5:53 | |||
1.2
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II. Allein Gott in der Höh’ sei Ehr’, BWV 662 a 2 clav. Et pedal
Johann Sebastian Bach; Massimiliano Sanca |
9:10 | |||
1.3
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III. Fuga sopra il Magnificat, BWV 733 pro organo pleno
Johann Sebastian Bach; Massimiliano Sanca |
6:10 | |||
1.4
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IV. An Wasserflüssen Babylon, BWV 653 a 2 clav. Et pedal
Johann Sebastian Bach; Massimiliano Sanca |
6:05 | |||
1.5
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V. Praeludium Pedaliter et Fuga ex C Minor, BWV 549
Johann Sebastian Bach; Massimiliano Sanca |
7:18 | |||
1.6
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VI. Allein Gott in der Höh’ sei Ehr’, BWV 676 a 2 clav. Et pedal
Johann Sebastian Bach; Massimiliano Sanca |
6:50 | |||
1.7
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VII. Fughetta super, Allein Gott in der Höh’ sei Ehr’, BWV 676 manualiter
Johann Sebastian Bach; Massimiliano Sanca |
1:40 | |||
1.8
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VIII. Fantasia et fuga ex C Minor, BWV 537
Johann Sebastian Bach; Massimiliano Sanca |
11:53 | |||
1.9
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IX. Von Gott will ich nicht lassen, BWV 658
Johann Sebastian Bach; Massimiliano Sanca |
5:46 | |||
1.10
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X. Praeludium cum Fuga ex C Minor, BWV 546
Johann Sebastian Bach; Massimiliano Sanca |
16:55 | |||
Digital Booklet
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"The pieces proposed in this album are the result of studies and in-depth research of masterpieces from the vast organ literature written in Germany in the XVII and XVIII century. The intonation studied and adopted on this particular organ, inspired by the great Gottfried Silbermann and the choice of temperament, which was most probably adopted on various organs of the time, as for example suggests to us the careful analysis of the counterpoint and the harmonies used in the keyboard compositions by the great Johann Sebastian Bach, aroused that interest and enthusiasm that led me with determination to the realization of this recording project that, certainly, does not end with this recording. The chosen registers, in the compositions performed here, make it pleasant to listen to even in the harmonic passages defined as 'harder', deriving from the unequal temperament and also offer a complete sound overview of the details of the pitch of the pipes which, according to the nature and the register language, make the musical discourse even more clear and understandable. Finally, the timbre variety of this instrument creates a unicum of emotions and sonorous colors which, as if by magic, plunges us into the past."
- Massimiliano Sanca
96 kHz / 24-bit PCM – MV Cremona Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.62 -14.46 to -0.06 | -22.18 -29.50 to -16.83 | -19.53 -26.40 to -14.10 | 10 9 to 12 | |
1 | I. Praeludium con fuga ex E Minor, BWV 533 | -3.54 | -21.49 | -18.6 | 11 |
2 | II. Allein Gott in der Höh’ sei Ehr’, BWV 662 a 2 clav. Et pedal | -9.66 | -24.09 | -21.8 | 9 |
3 | III. Fuga sopra il Magnificat, BWV 733 pro organo pleno | -0.06 | -16.83 | -14.1 | 10 |
4 | IV. An Wasserflüssen Babylon, BWV 653 a 2 clav. Et pedal | -8.31 | -23.90 | -21.7 | 10 |
5 | V. Praeludium Pedaliter et Fuga ex C Minor, BWV 549 | -0.48 | -18.66 | -16.0 | 11 |
6 | VI. Allein Gott in der Höh’ sei Ehr’, BWV 676 a 2 clav. Et pedal | -7.01 | -22.73 | -19.9 | 10 |
7 | VII. Fughetta super, Allein Gott in der Höh’ sei Ehr’, BWV 676 manualiter | -14.46 | -29.50 | -26.4 | 9 |
8 | VIII. Fantasia et fuga ex C Minor, BWV 537 | -1.97 | -20.27 | -17.5 | 12 |
9 | IX. Von Gott will ich nicht lassen, BWV 658 | -10.48 | -25.80 | -23.6 | 9 |
10 | X. Praeludium cum Fuga ex C Minor, BWV 546 | -0.22 | -18.52 | -15.7 | 12 |