℗ 1973 Deutsche Grammophon GmbH, Berlin
Released December 29, 2017
Originated April 1, 1973
Duration 2h 39m 32s
Record Label DG CD
Genre Classical
 

Bizet: Carmen, WD 31

Marilyn Horne, James McCracken, Metropolitan Opera Orchestra & Chorus, Leonard Bernstein

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price

 
Carmen, WD 31  
1.1
Prélude
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
4:20
Carmen, WD 31, Act 1  
1.2
"Sur la place chacun passe"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
6:01
1.3
"Allez, dépêchez-vous! ... Avec la garde montante"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
4:32
1.4
"Dites-moi, brigadier?"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
0:46
1.5
"Voici la cloche qui sonne ... La cloche a sonné"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
6:05
1.6
"Mais nous ne voyons pas la Carmencita"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
1:13
1.7
"L'amour est un oiseau rebelle"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
4:51
1.8
"Carmen, sur tes pas nous nous pressons tous"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
2:28
1.9
"Monsieur le brigadier?" - "Parle-moi de ma mère!"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
9:22
1.10
"Attends un peu maintenant"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
0:22
1.11
"Eh bien! Qu'est-ce qui arrive? ... Au secours! Au secours!"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
3:39
1.12
"Eh bien, brigadier?" - "Tra la la la ..."
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
4:01
1.13
"Près des remparts de Séville"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
4:56
1.14
"Le lieutenant! Prenez garde! ... L'amour est enfant de Bohème"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
2:31
1.15
Entr'acte
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
1:43
Carmen, WD 31, Act 2  
1.16
"Les tringles des sistres tintaient"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
4:50
1.17
"Mon Dieu, messieurs, il commence à se faire tard"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
0:35
1.18
"Vivat! vivat le toréro!"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
1:27
1.19
"Votre toast ... je peux vous le rendre"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
5:31
1.20
"Dis-moi ton nom"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
0:41
1.21
"Toréador, en garde"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
1:07
1.22
"Eh bien, les nouvelles?"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
0:30
1.23
"Nous avons en tête une affaire"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
4:27
1.24
"Amoureuse ... ce n'est pas une raison, cela" - "Halte là! Qui va là?" - "Ecoutez, la voilà"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
3:14
1.25
"Je vais danser en votre honneur"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
6:00
1.26
"La fleur que tu m'avais jetée"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
4:29
1.27
"Non, tu ne m'aimes pas!"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
4:29
1.28
"Holà! Carmen!"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
5:23
1.29
Entr'acte
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
3:01
Carmen, WD 31, Act 3  
1.30
"Écoute, compagnon, écoute ... Notre metier est bon"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
4:25
1.31
"Voyons, Carmen ... faisons la paix"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
0:47
1.32
"Mêlons! Coupons!"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
2:54
1.33
"Carreau, pique ... la mort! ... En vain, pour éviter les réponses amères"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
3:54
1.34
"Parlez encore, parlez, mes belles"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
0:44
1.35
"Holà, les belles!"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
0:51
1.36
"Quant au douanier, c'est notre affaire"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
3:37
1.37
"Je dis que rien ne m'épouvante"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
5:23
1.38
"Qui va là?" - "Je suis Escamillo"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
3:46
1.39
"Holà, holà, José!"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
3:15
1.40
"Moi? Je viens te chercher"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
5:13
1.41
Entr'acte
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
2:24
Carmen, WD 31, Act 4  
1.42
"A deux cuartos"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
2:16
1.43
"Les voici! Voici la quadrille"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
4:16
1.44
"Si tu m'aimes, Carmen"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
2:06
1.45
"Carmen, un bon conseil"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
1:53
1.46
"C'est toi?" - "C'est moi!"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus
9:14
Digital Booklet
Leonard Bernstein leads the Metropolitan Opera Orchestra & Chorus in a passionate and theatrical Carmen. Marilyn Horne's full-blooded, powerful mezzo teases out Carmen's iron will and wild vivacity and her Don José, James McCracken's range of emotive expression makes for a spellbinding recording of the productions. Bernstein's uncharacteristically slow tempos draw out the pathos in Bizet's writing, making for an ardent, romantic rendition of this well-loved work.
96 kHz / 24-bit PCM – DG CD Studio Masters

This album contains high-resolution digital transfers of material originating from an analogue master source.
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-3.20
-13.15 to -0.44
-24.92
-40.30 to -18.17
-20.74
-35.80 to -14.50
12
10 to 17
1
Prélude
-0.45-20.72-17.113
2
"Sur la place chacun passe"
-2.61-24.30-20.613
3
"Allez, dépêchez-vous! ... Avec la garde montante"
-2.58-23.99-18.913
4
"Dites-moi, brigadier?"
-10.31-33.81-29.717
5
"Voici la cloche qui sonne ... La cloche a sonné"
-1.39-22.93-19.613
6
"Mais nous ne voyons pas la Carmencita"
-0.69-21.50-17.312
7
"L'amour est un oiseau rebelle"
-1.63-23.84-19.513
8
"Carmen, sur tes pas nous nous pressons tous"
-1.15-22.32-18.311
9
"Monsieur le brigadier?" - "Parle-moi de ma mère!"
-4.73-23.86-20.111
10
"Attends un peu maintenant"
-13.15-40.30-35.815
11
"Eh bien! Qu'est-ce qui arrive? ... Au secours! Au secours!"
-0.85-18.54-14.910
12
"Eh bien, brigadier?" - "Tra la la la ..."
-3.07-28.87-24.116
13
"Près des remparts de Séville"
-3.37-26.67-22.113
14
"Le lieutenant! Prenez garde! ... L'amour est enfant de Bohème"
-2.37-24.34-17.112
15
Entr'acte
-9.24-32.94-30.215
16
"Les tringles des sistres tintaient"
-1.35-23.22-17.612
17
"Mon Dieu, messieurs, il commence à se faire tard"
-9.78-33.46-29.313
18
"Vivat! vivat le toréro!"
-1.80-21.05-16.610
19
"Votre toast ... je peux vous le rendre"
-1.37-19.70-16.311
20
"Dis-moi ton nom"
-11.75-39.94-34.612
21
"Toréador, en garde"
-3.45-22.37-18.912
22
"Eh bien, les nouvelles?"
-3.54-29.41-25.513
23
"Nous avons en tête une affaire"
-1.17-20.78-17.211
24
"Amoureuse ... ce n'est pas une raison, cela" - "Halte là! Qui va là?" - "Ecoutez, la voilà"
-2.09-30.45-25.516
25
"Je vais danser en votre honneur"
-0.87-22.59-18.312
26
"La fleur que tu m'avais jetée"
-3.12-24.04-19.211
27
"Non, tu ne m'aimes pas!"
-1.07-21.41-16.312
28
"Holà! Carmen!"
-0.58-19.30-15.310
29
Entr'acte
-7.69-28.79-25.712
30
"Écoute, compagnon, écoute ... Notre metier est bon"
-1.10-22.26-17.812
31
"Voyons, Carmen ... faisons la paix"
-10.13-38.84-33.617
32
"Mêlons! Coupons!"
-1.97-23.94-20.413
33
"Carreau, pique ... la mort! ... En vain, pour éviter les réponses amères"
-3.95-26.49-22.413
34
"Parlez encore, parlez, mes belles"
-0.55-20.32-17.111
35
"Holà, les belles!"
-4.30-32.66-27.917
36
"Quant au douanier, c'est notre affaire"
-1.05-19.92-15.711
37
"Je dis que rien ne m'épouvante"
-2.64-23.43-19.712
38
"Qui va là?" - "Je suis Escamillo"
-0.63-20.11-16.512
39
"Holà, holà, José!"
-0.80-22.29-18.612
40
"Moi? Je viens te chercher"
-0.93-20.02-15.611
41
Entr'acte
-1.54-22.96-19.213
42
"A deux cuartos"
-3.04-21.37-18.111
43
"Les voici! Voici la quadrille"
-1.40-18.17-14.511
44
"Si tu m'aimes, Carmen"
-4.91-25.14-21.311
45
"Carmen, un bon conseil"
-0.44-21.13-16.510
46
"C'est toi?" - "C'est moi!"
-0.67-21.69-17.512

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions