℗ 1973 Deutsche Grammophon GmbH, Berlin
Released | April 1, 1973 |
Duration | 2h 39m 32s |
Record Label | DG CD |
Genre | Classical |
Bizet: Carmen, WD 31
Marilyn Horne, James McCracken, Metropolitan Opera Orchestra & Chorus, Leonard Bernstein
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Carmen, WD 31
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1.1
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Prélude
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
4:20 | |||
Carmen, WD 31, Act 1
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1.2
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"Sur la place chacun passe"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
6:01 | |||
1.3
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"Allez, dépêchez-vous! ... Avec la garde montante"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
4:32 | |||
1.4
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"Dites-moi, brigadier?"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
0:46 | |||
1.5
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"Voici la cloche qui sonne ... La cloche a sonné"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
6:05 | |||
1.6
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"Mais nous ne voyons pas la Carmencita"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
1:13 | |||
1.7
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"L'amour est un oiseau rebelle"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
4:51 | |||
1.8
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"Carmen, sur tes pas nous nous pressons tous"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
2:28 | |||
1.9
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"Monsieur le brigadier?" - "Parle-moi de ma mère!"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
9:22 | |||
1.10
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"Attends un peu maintenant"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
0:22 | |||
1.11
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"Eh bien! Qu'est-ce qui arrive? ... Au secours! Au secours!"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
3:39 | |||
1.12
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"Eh bien, brigadier?" - "Tra la la la ..."
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
4:01 | |||
1.13
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"Près des remparts de Séville"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
4:56 | |||
1.14
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"Le lieutenant! Prenez garde! ... L'amour est enfant de Bohème"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
2:31 | |||
1.15
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Entr'acte
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
1:43 | |||
Carmen, WD 31, Act 2
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1.16
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"Les tringles des sistres tintaient"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
4:50 | |||
1.17
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"Mon Dieu, messieurs, il commence à se faire tard"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
0:35 | |||
1.18
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"Vivat! vivat le toréro!"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
1:27 | |||
1.19
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"Votre toast ... je peux vous le rendre"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
5:31 | |||
1.20
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"Dis-moi ton nom"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
0:41 | |||
1.21
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"Toréador, en garde"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
1:07 | |||
1.22
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"Eh bien, les nouvelles?"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
0:30 | |||
1.23
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"Nous avons en tête une affaire"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
4:27 | |||
1.24
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"Amoureuse ... ce n'est pas une raison, cela" - "Halte là! Qui va là?" - "Ecoutez, la voilà"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
3:14 | |||
1.25
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"Je vais danser en votre honneur"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
6:00 | |||
1.26
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"La fleur que tu m'avais jetée"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
4:29 | |||
1.27
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"Non, tu ne m'aimes pas!"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
4:29 | |||
1.28
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"Holà! Carmen!"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
5:23 | |||
1.29
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Entr'acte
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
3:01 | |||
Carmen, WD 31, Act 3
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1.30
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"Écoute, compagnon, écoute ... Notre metier est bon"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
4:25 | |||
1.31
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"Voyons, Carmen ... faisons la paix"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
0:47 | |||
1.32
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"Mêlons! Coupons!"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
2:54 | |||
1.33
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"Carreau, pique ... la mort! ... En vain, pour éviter les réponses amères"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
3:54 | |||
1.34
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"Parlez encore, parlez, mes belles"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
0:44 | |||
1.35
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"Holà, les belles!"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
0:51 | |||
1.36
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"Quant au douanier, c'est notre affaire"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
3:37 | |||
1.37
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"Je dis que rien ne m'épouvante"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
5:23 | |||
1.38
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"Qui va là?" - "Je suis Escamillo"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
3:46 | |||
1.39
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"Holà, holà, José!"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
3:15 | |||
1.40
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"Moi? Je viens te chercher"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
5:13 | |||
1.41
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Entr'acte
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
2:24 | |||
Carmen, WD 31, Act 4
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1.42
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"A deux cuartos"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
2:16 | |||
1.43
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"Les voici! Voici la quadrille"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
4:16 | |||
1.44
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"Si tu m'aimes, Carmen"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
2:06 | |||
1.45
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"Carmen, un bon conseil"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
1:53 | |||
1.46
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"C'est toi?" - "C'est moi!"
Georges Bizet; Adriana Maliponte; Marilyn Horne; James McCracken; Tom Krause; Metropolitan Opera Orchestra; Leonard Bernstein; The Manhattan Opera Chorus |
9:14 | |||
Digital Booklet
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Leonard Bernstein leads the Metropolitan Opera Orchestra & Chorus in a passionate and theatrical Carmen. Marilyn Horne's full-blooded, powerful mezzo teases out Carmen's iron will and wild vivacity and her Don José, James McCracken's range of emotive expression makes for a spellbinding recording of the productions. Bernstein's uncharacteristically slow tempos draw out the pathos in Bizet's writing, making for an ardent, romantic rendition of this well-loved work.
96 kHz / 24-bit PCM – DG CD Studio Masters
This album contains high-resolution digital transfers of material originating from an analogue master source.
This album contains high-resolution digital transfers of material originating from an analogue master source.
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.20 -13.15 to -0.44 | -24.92 -40.30 to -18.17 | -20.74 -35.80 to -14.50 | 12 10 to 17 | |
1 | Prélude | -0.45 | -20.72 | -17.1 | 13 |
2 | "Sur la place chacun passe" | -2.61 | -24.30 | -20.6 | 13 |
3 | "Allez, dépêchez-vous! ... Avec la garde montante" | -2.58 | -23.99 | -18.9 | 13 |
4 | "Dites-moi, brigadier?" | -10.31 | -33.81 | -29.7 | 17 |
5 | "Voici la cloche qui sonne ... La cloche a sonné" | -1.39 | -22.93 | -19.6 | 13 |
6 | "Mais nous ne voyons pas la Carmencita" | -0.69 | -21.50 | -17.3 | 12 |
7 | "L'amour est un oiseau rebelle" | -1.63 | -23.84 | -19.5 | 13 |
8 | "Carmen, sur tes pas nous nous pressons tous" | -1.15 | -22.32 | -18.3 | 11 |
9 | "Monsieur le brigadier?" - "Parle-moi de ma mère!" | -4.73 | -23.86 | -20.1 | 11 |
10 | "Attends un peu maintenant" | -13.15 | -40.30 | -35.8 | 15 |
11 | "Eh bien! Qu'est-ce qui arrive? ... Au secours! Au secours!" | -0.85 | -18.54 | -14.9 | 10 |
12 | "Eh bien, brigadier?" - "Tra la la la ..." | -3.07 | -28.87 | -24.1 | 16 |
13 | "Près des remparts de Séville" | -3.37 | -26.67 | -22.1 | 13 |
14 | "Le lieutenant! Prenez garde! ... L'amour est enfant de Bohème" | -2.37 | -24.34 | -17.1 | 12 |
15 | Entr'acte | -9.24 | -32.94 | -30.2 | 15 |
16 | "Les tringles des sistres tintaient" | -1.35 | -23.22 | -17.6 | 12 |
17 | "Mon Dieu, messieurs, il commence à se faire tard" | -9.78 | -33.46 | -29.3 | 13 |
18 | "Vivat! vivat le toréro!" | -1.80 | -21.05 | -16.6 | 10 |
19 | "Votre toast ... je peux vous le rendre" | -1.37 | -19.70 | -16.3 | 11 |
20 | "Dis-moi ton nom" | -11.75 | -39.94 | -34.6 | 12 |
21 | "Toréador, en garde" | -3.45 | -22.37 | -18.9 | 12 |
22 | "Eh bien, les nouvelles?" | -3.54 | -29.41 | -25.5 | 13 |
23 | "Nous avons en tête une affaire" | -1.17 | -20.78 | -17.2 | 11 |
24 | "Amoureuse ... ce n'est pas une raison, cela" - "Halte là! Qui va là?" - "Ecoutez, la voilà" | -2.09 | -30.45 | -25.5 | 16 |
25 | "Je vais danser en votre honneur" | -0.87 | -22.59 | -18.3 | 12 |
26 | "La fleur que tu m'avais jetée" | -3.12 | -24.04 | -19.2 | 11 |
27 | "Non, tu ne m'aimes pas!" | -1.07 | -21.41 | -16.3 | 12 |
28 | "Holà! Carmen!" | -0.58 | -19.30 | -15.3 | 10 |
29 | Entr'acte | -7.69 | -28.79 | -25.7 | 12 |
30 | "Écoute, compagnon, écoute ... Notre metier est bon" | -1.10 | -22.26 | -17.8 | 12 |
31 | "Voyons, Carmen ... faisons la paix" | -10.13 | -38.84 | -33.6 | 17 |
32 | "Mêlons! Coupons!" | -1.97 | -23.94 | -20.4 | 13 |
33 | "Carreau, pique ... la mort! ... En vain, pour éviter les réponses amères" | -3.95 | -26.49 | -22.4 | 13 |
34 | "Parlez encore, parlez, mes belles" | -0.55 | -20.32 | -17.1 | 11 |
35 | "Holà, les belles!" | -4.30 | -32.66 | -27.9 | 17 |
36 | "Quant au douanier, c'est notre affaire" | -1.05 | -19.92 | -15.7 | 11 |
37 | "Je dis que rien ne m'épouvante" | -2.64 | -23.43 | -19.7 | 12 |
38 | "Qui va là?" - "Je suis Escamillo" | -0.63 | -20.11 | -16.5 | 12 |
39 | "Holà, holà, José!" | -0.80 | -22.29 | -18.6 | 12 |
40 | "Moi? Je viens te chercher" | -0.93 | -20.02 | -15.6 | 11 |
41 | Entr'acte | -1.54 | -22.96 | -19.2 | 13 |
42 | "A deux cuartos" | -3.04 | -21.37 | -18.1 | 11 |
43 | "Les voici! Voici la quadrille" | -1.40 | -18.17 | -14.5 | 11 |
44 | "Si tu m'aimes, Carmen" | -4.91 | -25.14 | -21.3 | 11 |
45 | "Carmen, un bon conseil" | -0.44 | -21.13 | -16.5 | 10 |
46 | "C'est toi?" - "C'est moi!" | -0.67 | -21.69 | -17.5 | 12 |