℗ 2018 2xHD
 

Liederhalle Stuttgart '69

Cannonball Adderley Quintet

Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC and 11.2896 MHz, 5.6448 MHz, 2.8224 MHz DSD / DSF high-resolution audio formats

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    • AIFF 192.0 kHz | 24-bit
    • AIFF 96.0 kHz | 24-bit
    • FLAC 192.0 kHz | 24-bit
    • FLAC 96.0 kHz | 24-bit
    • DSF 11.2896 MHz DSD
    • DSF 5.6448 MHz DSD
    • DSF 2.8224 MHz DSD
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1
Work Song
Cannonball Adderley Quintet
4:47
2
Rumpelstiltskin
Cannonball Adderley Quintet
12:11
3
Sweet Emma
Cannonball Adderley Quintet
4:26
4
Why Am I Treated so Bad
Cannonball Adderley Quintet
8:09
5
Painted Desert
Cannonball Adderley Quintet
8:55
Digital Booklet
Total Playing Time    38:28
Liederhalle Stuttgart '69 comes from the archives of German broadcaster Südwestrundfun and features five tracks from one of Cannonball Adderley Quintet's many post-World War II European performances. Pianist Joe Zawinul's Rumpelstiltskin is edgy and upbeat, showcasing a hard-swinging side to the ensemble, while The Painted Dessert's range of moods and tempos sees the five musicians working together to create something special and idiosyncratic.
192 kHz / 24-bit, 96 kHz / 24-bit PCM and 11.2896 MHz, 5.6448 MHz, 2.8224 MHz DSD – 2xHD Studio Masters

This album contains high-resolution digital transfers of material originating from an analogue master source.

From 2xHD:

2xHD is a record label which uses its proprietary system to process music masters originally recorded in analog to DSD in order to produce a unique listening experience.

The process uses a selection from a pool of high-end audiophile components and connectors. In some cases even using battery power, so as to benefit from the cleanest power source possible. This variable equipment combination custom tailored to each project, creates the most accurate reproduction of the original recording, unveiling information previously masked by the use of EQ, transformers, patch bays, extended cable length etc.The selection of components is critical, as many A/D and D/A converters are unable to pierce through these filters that create a ceiling effect to the sound. The 2xHD system preserves the dynamics of the original master and provides an open feeling to the sound.

2xHD Mastering: René Laflamme
2xHD Executive Producer: André Perry

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