℗ 2017 Dacapo Records
| Released | December 22, 2017 |
| Duration | 58m 11s |
| Record Label | Dacapo SACD |
| Genre | Classical (Choral) |
Crossing Borders
Ars Nova Copenhagen, Paul Hillier
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
3 Motets, Op. 55, FS 139
|
|||||
|
1.1
|
No. 1, Afflictus sum
Carl Nielsen; Ars Nova Copenhagen; Paul Hillier |
7:02 | |||
|
1.2
|
No. 2, Dominus regit me
Carl Nielsen; Ars Nova Copenhagen; Paul Hillier |
3:22 | |||
|
1.3
|
No. 3, Benedictus Dominus
Carl Nielsen; Ars Nova Copenhagen; Paul Hillier |
4:41 | |||
|
1.4
|
Som markens blomst henvisner fage (Just like the flower in the field fades)
Niels Wilhelm Gade; Ars Nova Copenhagen; Paul Hillier |
3:57 | |||
|
3 Körvisor
|
|||||
|
1.5
|
No. 1, September
Wilhelm Stenhammar; Ars Nova Copenhagen; Paul Hillier |
1:39 | |||
|
1.6
|
No. 2, I seraillets have
Wilhelm Stenhammar; Ars Nova Copenhagen; Paul Hillier |
2:07 | |||
|
1.7
|
No. 3, Havde jeg, o havde jeg en dattersøn, o ja!
Wilhelm Stenhammar; Ars Nova Copenhagen; Paul Hillier |
1:26 | |||
|
2 Border Ballads, Op. 110
|
|||||
|
1.8
|
No. 1, A Lyke-Wake Dirge
Vagn Holmboe; Ars Nova Copenhagen; Paul Hillier |
3:15 | |||
|
1.9
|
No. 2, The Wee Wee Man
Vagn Holmboe; Ars Nova Copenhagen; Paul Hillier |
4:15 | |||
|
Vox Reportage
|
|||||
|
1.10
|
No. 1, Wind
Line Tjørnhøj; Ars Nova Copenhagen; Paul Hillier |
3:48 | |||
|
1.11
|
No. 2, Manning
Line Tjørnhøj; Ars Nova Copenhagen; Paul Hillier |
1:26 | |||
|
1.12
|
No. 3, Crowd Crystals
Line Tjørnhøj; Ars Nova Copenhagen; Paul Hillier |
4:27 | |||
|
1.13
|
No. 4, Religions of Lament
Line Tjørnhøj; Ars Nova Copenhagen; Paul Hillier |
4:50 | |||
|
1.14
|
No. 5, The Fear of Being Touched
Line Tjørnhøj; Ars Nova Copenhagen; Paul Hillier |
5:34 | |||
|
1.15
|
No. 6, Rivers
Line Tjørnhøj; Ars Nova Copenhagen; Paul Hillier |
6:22 | |||
|
Digital Booklet
|
|||||
"It is a record that predicts a future full of freedom ... we need it."
- Carme Miro, Sonograma Magazine
Ars Nova Copenhagen continues their recordings of Danish vocal music with this release highlighting the time of musical transition from postromanticism to the new language of the 20th-century. From Carl Nielsen and Line Tjørnhøj to Niels W. Gade and Nagn Holmboe, the repertoire of this album explores inner emotional states and meditate on oblivion, memory, darkness and light. Under Paul Hillier's spectacular leadership, the ensemble interprets these Scandinavian works with care and intimacy.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Dacapo SACD Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.83 -4.58 to 0.00 | -24.65 -29.18 to -20.54 | -20.44 -24.70 to -16.30 | 13 10 to 16 | |
| 1 | No. 1, Afflictus sum | -3.00 | -26.68 | -22.9 | 14 |
| 2 | No. 2, Dominus regit me | -4.58 | -28.31 | -24.7 | 14 |
| 3 | No. 3, Benedictus Dominus | -0.48 | -21.80 | -17.6 | 12 |
| 4 | Som markens blomst henvisner fage (Just like the flower in the field fades) | -0.30 | -23.25 | -19.5 | 13 |
| 5 | No. 1, September | -3.71 | -25.69 | -21.9 | 12 |
| 6 | No. 2, I seraillets have | -2.33 | -24.94 | -20.9 | 10 |
| 7 | No. 3, Havde jeg, o havde jeg en dattersøn, o ja! | -0.81 | -20.54 | -16.3 | 12 |
| 8 | No. 1, A Lyke-Wake Dirge | -3.40 | -23.38 | -19.6 | 12 |
| 9 | No. 2, The Wee Wee Man | 0.00 | -23.83 | -18.6 | 13 |
| 10 | No. 1, Wind | -1.41 | -25.71 | -20.0 | 13 |
| 11 | No. 2, Manning | -1.22 | -24.06 | -19.9 | 12 |
| 12 | No. 3, Crowd Crystals | -0.57 | -21.49 | -17.9 | 13 |
| 13 | No. 4, Religions of Lament | -3.98 | -29.18 | -24.6 | 14 |
| 14 | No. 5, The Fear of Being Touched | -1.73 | -25.17 | -20.8 | 13 |
| 15 | No. 6, Rivers | 0.00 | -25.73 | -21.4 | 16 |