℗ 2022 Armida Quartett
Released | July 1, 2022 |
Duration | 2h 06m 04s |
Record Label | Cavi-Music |
Genre | Classical |
Mozart: String Quartets, Vol. V
Armida Quartett
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
String Quartet No. 11 in E-Flat Major, K. 171
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1.1
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I. Adagio
Wolfgang Amadeus Mozart; Armida Quartett |
5:03 | |||
1.2
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II. Menuetto
Wolfgang Amadeus Mozart; Armida Quartett |
3:26 | |||
1.3
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III. Andante
Wolfgang Amadeus Mozart; Armida Quartett |
3:22 | |||
1.4
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IV. Allegro assai
Wolfgang Amadeus Mozart; Armida Quartett |
2:36 | |||
String Quartet No. 13 in D Minor, K. 173
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1.5
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I. Allegro ma molto moderato
Wolfgang Amadeus Mozart; Armida Quartett |
4:54 | |||
1.6
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II. Andante grazioso
Wolfgang Amadeus Mozart; Armida Quartett |
2:54 | |||
1.7
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III. Menuetto
Wolfgang Amadeus Mozart; Armida Quartett |
4:41 | |||
1.8
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IV. Allegro moderato
Wolfgang Amadeus Mozart; Armida Quartett |
3:41 | |||
String Quartet No. 15 in D Minor, K. 421
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1.9
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I. Allegro moderato
Wolfgang Amadeus Mozart; Armida Quartett |
7:54 | |||
1.10
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II. Andante
Wolfgang Amadeus Mozart; Armida Quartett |
5:54 | |||
1.11
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III. Menuetto. Allegretto
Wolfgang Amadeus Mozart; Armida Quartett |
4:17 | |||
1.12
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IV. Allegro ma non troppo – Più allegro
Wolfgang Amadeus Mozart; Armida Quartett |
8:57 | |||
String Quartet No. 3 in G Major, K. 156
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2.1
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I. Presto
Wolfgang Amadeus Mozart; Armida Quartett |
2:32 | |||
2.2
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II. Adagio
Wolfgang Amadeus Mozart; Armida Quartett |
5:14 | |||
2.3
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III. Tempo di Menuetto
Wolfgang Amadeus Mozart; Armida Quartett |
3:59 | |||
String Quartet No. 5 in F Major, K. 158
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2.4
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I. Allegro
Wolfgang Amadeus Mozart; Armida Quartett |
3:48 | |||
2.5
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II. Andante – un poco Allegretto
Wolfgang Amadeus Mozart; Armida Quartett |
4:19 | |||
2.6
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III. Tempo di Menuetto
Wolfgang Amadeus Mozart; Armida Quartett |
5:48 | |||
String Quartet No. 10 in C Major, K. 170
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2.7
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I. Andante
Wolfgang Amadeus Mozart; Armida Quartett |
4:32 | |||
2.8
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II. Menuetto – Trio
Wolfgang Amadeus Mozart; Armida Quartett |
3:03 | |||
2.9
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III. Un poco Adagio
Wolfgang Amadeus Mozart; Armida Quartett |
3:52 | |||
2.10
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IV. Rondeaux. Allegro
Wolfgang Amadeus Mozart; Armida Quartett |
2:24 | |||
String Quartet No. 16 in E-Flat Major, K. 428
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2.11
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I. Allegro non troppo
Wolfgang Amadeus Mozart; Armida Quartett |
7:20 | |||
2.12
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II. Andante con moto
Wolfgang Amadeus Mozart; Armida Quartett |
8:35 | |||
2.13
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III. Menuetto. Allegretto
Wolfgang Amadeus Mozart; Armida Quartett |
7:24 | |||
2.14
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IV. Allegro vivace
Wolfgang Amadeus Mozart; Armida Quartett |
5:35 | |||
Digital Booklet
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"The Armida Quartett...play modern instruments but minimise vibrato while maximising dynamic contrasts even in the slighter early quartets; and some listeners may prefer a less gutsy, more dulcet approach. But intonation, choice of tempos and care for nuance are all that they should be."
- BBC Music Magazine
"Boredom (in German: 'long whiling') is apparently what drove Wolfgang to compose one of his string quartets at the inn at Bolzano. And yes, he was doing well, as father Leopold assured Mozart’s mother in a letter dated 28 October 1772. How can we even imagine what boredom must have felt like for a 16-year-old genius? At any rate, it would be too Romantic to imagine that Mozart was writing an emotional diary with these string quartets, a sort of journal intime of his Italian journey. Still, by observing his son’s state of 'boredom,' Leopold was indeed noting that Wolfgang was involved in a personal moment of forced leisure. Sitting at the table in the inn, he was processing and digesting the myriad of cultural, social, and musical impressions he had gathered in his travels, creating music that he could soon try out with friends or colleagues, or that might be performed at an upcoming reception in high society. The first authentic quartet and the first group of six were all written in Italy; the second set emerged in the context of a trip to Vienna; finally, the late, 'Prussian' quartets are associated the last journey in Mozart’s life. In the midst of these, the six 'Classical' quartets show the manner in which Mozart chose to position himself in Vienna – also in relation to Joseph Haydn, who, in Vienna and elsewhere, was regarded as the undisputed master of the string quartet genre."
(From the Liner Notes)
44.1 kHz / 24-bit PCM – Cavi-Music Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.92 -9.77 to -0.31 | -24.95 -31.90 to -20.84 | -21.03 -28.20 to -16.40 | 14 12 to 17 | |
1.1 | I. Adagio | -2.12 | -26.06 | -22.2 | 15 |
1.2 | II. Menuetto | -1.39 | -25.68 | -21.9 | 13 |
1.3 | III. Andante | -6.44 | -28.44 | -25.8 | 12 |
1.4 | IV. Allegro assai | -0.46 | -22.34 | -18.3 | 14 |
1.5 | I. Allegro ma molto moderato | -0.42 | -23.00 | -18.6 | 14 |
1.6 | II. Andante grazioso | -1.63 | -23.26 | -19.5 | 13 |
1.7 | III. Menuetto | -0.32 | -20.84 | -16.4 | 13 |
1.8 | IV. Allegro moderato | -0.62 | -23.02 | -19.4 | 14 |
1.9 | I. Allegro moderato | -0.46 | -23.20 | -19.5 | 14 |
1.10 | II. Andante | -0.32 | -25.35 | -20.9 | 16 |
1.11 | III. Menuetto. Allegretto | -0.32 | -22.31 | -17.6 | 14 |
1.12 | IV. Allegro ma non troppo – Più allegro | -0.31 | -24.18 | -20.7 | 15 |
2.1 | I. Presto | -0.41 | -22.56 | -18.9 | 13 |
2.2 | II. Adagio | -2.60 | -25.28 | -21.4 | 14 |
2.3 | III. Tempo di Menuetto | -1.12 | -23.85 | -19.4 | 14 |
2.4 | I. Allegro | -2.25 | -26.62 | -23.2 | 16 |
2.5 | II. Andante – un poco Allegretto | -1.67 | -26.78 | -23.0 | 17 |
2.6 | III. Tempo di Menuetto | -3.54 | -25.74 | -21.6 | 15 |
2.7 | I. Andante | -1.54 | -27.41 | -24.0 | 17 |
2.8 | II. Menuetto – Trio | -3.09 | -25.44 | -21.7 | 14 |
2.9 | III. Un poco Adagio | -9.77 | -31.90 | -28.2 | 14 |
2.10 | IV. Rondeaux. Allegro | -0.32 | -24.42 | -19.6 | 15 |
2.11 | I. Allegro non troppo | -0.91 | -22.72 | -18.4 | 14 |
2.12 | II. Andante con moto | -5.88 | -29.52 | -25.8 | 14 |
2.13 | III. Menuetto. Allegretto | -0.55 | -23.96 | -20.1 | 15 |
2.14 | IV. Allegro vivace | -1.34 | -24.77 | -20.8 | 14 |