℗ 2020 Deutsche Grammophon, Berlin
| Released | April 24, 2020 |
| Duration | 1h 32m 18s |
| Record Label | Cavi-Music |
| Genre | Classical |
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Piano Trio in E Major, Hob. XV:28
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1.1
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I. Allegro moderato
Joseph Haydn; Trio Gaspard |
7:24 | |||
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1.2
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II. Allegretto
Joseph Haydn; Trio Gaspard |
3:18 | |||
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1.3
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III. Finale. Allegro
Joseph Haydn; Trio Gaspard |
4:56 | |||
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Présence, Ballet blanc en cinq scènes for Piano Trio and Speaker
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1.4
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No. 1, Introdution et pas d'action (Don Quichote)
Bernd Alois Zimmermann; Trio Gaspard |
4:10 | |||
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1.5
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No. 2, Pas de deux (Don Quichote et Ubu)
Bernd Alois Zimmermann; Trio Gaspard |
3:22 | |||
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1.6
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No. 3. Solo (pas d'Ubu)
Bernd Alois Zimmermann; Trio Gaspard |
5:29 | |||
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1.7
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No. 4. Pas de deux (Molly Bloom et Don Quichote)
Bernd Alois Zimmermann; Trio Gaspard |
5:44 | |||
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1.8
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No. 5. Pas d'action et finale (Molly Bloom)
Bernd Alois Zimmermann; Trio Gaspard |
10:12 | |||
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Piano Trio in E-Flat Major, D. 929
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1.9
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I. Allegro
Franz Schubert; Trio Gaspard |
15:55 | |||
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1.10
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II. Andante con moto
Franz Schubert; Trio Gaspard |
9:18 | |||
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1.11
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III. Scherzando. Allegro moderato
Franz Schubert; Trio Gaspard |
6:54 | |||
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1.12
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IV. Allegro moderato
Franz Schubert; Trio Gaspard |
15:36 | |||
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Digital Booklet
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The musicians of Trio Gaspard explore the remarkable malleability of the piano trio in their program, combining familiar repertoire with a one-of-a-kind outlier from the 20th century. Through his contributions to the genre during the final quarter of the 18th century, Joseph Haydn shifted expectations for what the piano trio could encompass contributions that helped define the principles and rhetoric of Classical style itself. Only a generation later, Franz Schubert left a substantial mark on the genre through works that have earned a place among the most beloved masterpieces of the chamber music literature. They also anticipate the epic scale of some of the examples to follow later in the Romantic century. Meanwhile, the rarely heard Présence by Bernd Alois Zimmermann represents an interdisciplinary approach to the piano trio concept, layering it with words and dance to transform the inherently abstract genre of chamber music into an imaginary ballet. This performance pays homage to the German composer during this centenary of his birth (2018).
44.1 kHz / 24-bit PCM – Cavi-Music Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.39 -5.85 to -0.35 | -28.59 -32.13 to -26.41 | -24.37 -27.00 to -20.60 | 15 14 to 19 | |
| 1 | I. Allegro moderato | -5.41 | -28.37 | -25.4 | 14 |
| 2 | II. Allegretto | -5.53 | -30.21 | -27.0 | 14 |
| 3 | III. Finale. Allegro | -3.30 | -28.68 | -25.8 | 14 |
| 4 | No. 1, Introdution et pas d'action (Don Quichote) | -5.44 | -29.78 | -25.0 | 14 |
| 5 | No. 2, Pas de deux (Don Quichote et Ubu) | -0.35 | -27.54 | -22.5 | 16 |
| 6 | No. 3. Solo (pas d'Ubu) | -0.35 | -26.41 | -20.6 | 17 |
| 7 | No. 4. Pas de deux (Molly Bloom et Don Quichote) | -1.73 | -32.13 | -26.3 | 17 |
| 8 | No. 5. Pas d'action et finale (Molly Bloom) | -0.36 | -28.84 | -24.0 | 19 |
| 9 | I. Allegro | -4.32 | -27.20 | -23.4 | 14 |
| 10 | II. Andante con moto | -5.00 | -28.61 | -24.1 | 14 |
| 11 | III. Scherzando. Allegro moderato | -5.85 | -28.55 | -25.4 | 15 |
| 12 | IV. Allegro moderato | -3.07 | -26.77 | -22.9 | 14 |