℗ 2021 Deutsche Grammophon, Berlin
Released | November 26, 2021 |
Duration | 59m 38s |
Record Label | Cavi-Music |
Genre | Classical |
Richard Strauss: Zueignung
Sarah Wegener, Götz Payer
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
8 Poems "Letzte Blätter", Op. 10, TrV 141
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1.1
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No. 1, Zueignung
Richard Strauss; Hermann von Gilm; Sarah Wegener; Götz Payer |
1:47 | |||
6 Lieder, Op. 56, TrV 220
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1.2
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No. 1, Gefunden
Richard Strauss; Johann Wolfgang von Goethe; Sarah Wegener; Götz Payer |
2:08 | |||
1.3
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Begegnung, TrV 98
Richard Strauss; Sarah Wegener; Götz Payer |
1:46 | |||
4 Lieder, Op. 27, TrV 170
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1.4
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No. 3, Heimliche aufforderung
Richard Strauss; John Henry Mackay; Sarah Wegener; Götz Payer |
3:09 | |||
4 Lieder, Op. 36, TrV 186
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1.5
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No. 1, Das Rosenband
Richard Strauss; Friedrich Gottlieb Klopstock; Sarah Wegener; Götz Payer |
2:57 | |||
Die erwachte Rose, WoO. 66
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1.6
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No. 6, Spleen
Richard Strauss; Sarah Wegener; Götz Payer |
2:50 | |||
6 Lieder, Op. 37, TrV 187
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1.7
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No. 1, Glückes genug
Richard Strauss; Detlev von Liliencron; Sarah Wegener; Götz Payer |
2:29 | |||
Rote Rosen, TrV 119
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1.8
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No. 2, Hälfte des Lebens
Richard Strauss; Sarah Wegener; Götz Payer |
2:28 | |||
5 Lieder, Op. 48, TrV 202
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1.9
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No. 1, Freundliche Vision
Richard Strauss; Otto Julius Bierbaum; Sarah Wegener; Götz Payer |
2:21 | |||
Chansons de jeunesse, L. 86
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1.10
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No. 3, Die Nacht
Richard Strauss; Sarah Wegener; Götz Payer |
2:57 | |||
6 Lieder, Op. 17, TrV 149
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1.11
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No. 2, Ständchen
Richard Strauss; Adolf Friedrich von Schack; Sarah Wegener; Götz Payer |
2:24 | |||
3 Lieder, Op. 29, TrV 172
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1.12
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No. 1, Traum durch die Dämmerung
Richard Strauss; Otto Julius Bierbaum; Sarah Wegener; Götz Payer |
2:58 | |||
4 Lieder, Op. 27, TrV 170
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1.13
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No. 4, Morgen!
Richard Strauss; John Henry Mackay; Sarah Wegener; Götz Payer |
3:49 | |||
8 Poems "Letzte Blätter", Op. 10, TrV 141
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1.14
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No. 4, Die Georgine
Richard Strauss; Hermann von Gilm; Sarah Wegener; Götz Payer |
3:39 | |||
1.15
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No. 6, Die Verschwiegenen
Richard Strauss; Hermann von Gilm; Sarah Wegener; Götz Payer |
1:13 | |||
4 Lieder, Op. 27, TrV 170
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1.16
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No. 2, Cäcilie
Richard Strauss; Heinrich Hart; Sarah Wegener; Götz Payer |
2:14 | |||
6 Lieder aus "Lotosblätter", Op. 19, TrV 152
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1.17
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No. 2, Breit' über mein haupt
Richard Strauss; Adolf Friedrich von Schack; Sarah Wegener; Götz Payer |
1:32 | |||
8 Lieder, Op. 49, TrV 204
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1.18
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No. 1, Waldseligkeit
Richard Strauss; Richard Dehmel; Sarah Wegener; Götz Payer |
2:46 | |||
5 Lieder, Op. 48, TrV 202
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1.19
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No. 4, Winterweihe
Richard Strauss; Karl Henckell; Sarah Wegener; Götz Payer |
2:44 | |||
8 Poems "Letzte Blätter", Op. 10, TrV 141
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1.20
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No. 8, Allerseelen
Richard Strauss; Hermann von Gilm; Sarah Wegener; Götz Payer |
2:50 | |||
4 Lieder, Op. 27, TrV 170
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1.21
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No. 1, Ruhe, meine Seele!
Richard Strauss; Karl Henckell; Sarah Wegener; Götz Payer |
3:12 | |||
5 Lieder, Op. 39, TrV 189
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1.22
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No. 4, Befreit
Richard Strauss; Richard Dehmel; Sarah Wegener; Götz Payer |
5:25 | |||
Digital Booklet
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“Without wanting to detract from the genius of Schubert or Schumann, we [Re: Sarah Wegener & Götz Payer] have a different answer: we would have loved to live at the turn from the 19th to the 20th century, ”fin de siècle”, amidst the transition from Naturalism to Modernism with the currents of Jugendstil and Impressionism.
What a time that must have been, when composers of the likes of Reger, Mahler, Schoenberg, Webern, Berg, Alma Mahler-Werfel, and Zemlinsky were in their prime, along with Richard Strauss, perhaps the most dazzling representative of his generation. Not to mention all the outstanding composers in neighboring European
countries.
We should not forget how important poetry was in those days. Many poets we now find unfamiliar – Otto Julius Bierbaum, Herrmann von Gilm, Detlev von Liliencron, Charles Mackay, Felix Dahn, and Richard Dehmel – were widely admired, and their texts were set to music by countless composers [...]
It is a wonderful feeling to be able to grow and mature in tandem with music we have known and loved for a long time. If we were to write down our own personal experiences associated with Richard Strauss in a book, we would recount precious moments such as serving as a page-turner for Jessye Norman’s vocal recitals of Strauss lieder, or the first cautious approach to Strauss during voice studies, finally leading to the pleasure of performing his orchestral songs under the batons of Mariss Jansons and Vladimir Jurowski."
(From the Liner Notes)
44.1 kHz / 24-bit PCM – Cavi-Music Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.59 -6.53 to -0.51 | -23.27 -29.60 to -18.97 | -19.30 -25.00 to -15.70 | 12 10 to 14 | |
1 | No. 1, Zueignung | -0.85 | -20.33 | -16.4 | 12 |
2 | No. 1, Gefunden | -3.24 | -24.15 | -20.1 | 11 |
3 | Begegnung, TrV 98 | -2.13 | -23.98 | -20.4 | 14 |
4 | No. 3, Heimliche aufforderung | -0.80 | -20.63 | -17.0 | 12 |
5 | No. 1, Das Rosenband | -2.22 | -22.50 | -18.4 | 11 |
6 | No. 6, Spleen | -3.63 | -24.57 | -20.9 | 12 |
7 | No. 1, Glückes genug | -2.79 | -22.83 | -18.0 | 11 |
8 | No. 2, Hälfte des Lebens | -3.84 | -26.60 | -22.6 | 13 |
9 | No. 1, Freundliche Vision | -3.79 | -23.59 | -20.0 | 11 |
10 | No. 3, Die Nacht | -3.55 | -24.74 | -20.2 | 11 |
11 | No. 2, Ständchen | -0.91 | -21.56 | -18.0 | 11 |
12 | No. 1, Traum durch die Dämmerung | -4.07 | -25.50 | -22.0 | 12 |
13 | No. 4, Morgen! | -6.53 | -29.60 | -25.0 | 13 |
14 | No. 4, Die Georgine | -1.28 | -22.81 | -19.0 | 13 |
15 | No. 6, Die Verschwiegenen | -1.17 | -22.39 | -18.4 | 12 |
16 | No. 2, Cäcilie | -0.76 | -18.97 | -15.7 | 11 |
17 | No. 2, Breit' über mein haupt | -3.13 | -21.47 | -17.5 | 10 |
18 | No. 1, Waldseligkeit | -4.21 | -23.11 | -19.5 | 10 |
19 | No. 4, Winterweihe | -4.93 | -23.62 | -20.0 | 10 |
20 | No. 8, Allerseelen | -1.39 | -23.35 | -19.1 | 12 |
21 | No. 1, Ruhe, meine Seele! | -0.51 | -24.75 | -19.4 | 14 |
22 | No. 4, Befreit | -1.28 | -20.92 | -17.0 | 10 |