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"Undoubtedly, the most overtly exotic material is encountered in the Three Songs without Words inspired by his long-standing collaboration with the Yemenite singer, Bracha Zefira. These evocative miniatures, sung here with ardent conviction by Talia Or, deserve far wider exposure...the Bavarian musicians under Gabriel Adorján deliver compelling and impressive performances." - BBC Music Magazine "Gabriel Adorján and the strings of the Bavarian Chamber Philharmonic play these little-known works with confidence and style, and are well recorded in a suitably warm acoustic. The more I hear of Ben-Haim’s music, the more I love it." - Fanfare All the works on this album are from the period ranging from 1945 to 1956. It was a good decade for Paul Ben-Haim, but it still represents only a fraction of the artistic career of a composer who left over 250 works to posterity. These years were nevertheless particularly significant for him. The end of the Second World War in 1945 and the founding of the State of Israel in 1948 were part of a period filled with hope, awakening and renewal; at the same time, the shadow of the previous catastrophic events in Europe still lingered, along with painful memories of persecution, expulsion, and exile. Born in Munich in 1897 as Paul Frankenburger, the Jewish composer already fled the menace of Nazi persecution in 1933 and settled in Palestine, changing his surname to Ben-Haim (“Son of Henry”). His exceptional musical abilities and his rapid adaptability soon permitted him to lead a new existence as composer, conductor, and conservatory professor. And because he endeavored to find a musical language that would do justice to his artistic need for expression and to the circumstances of his new home, Ben-Haim soon found a personal style that would mark an entire generation of younger musicians in Israel.