℗ 2021 Deutsche Grammophon, Berlin
Released September 17, 2021
Duration 2h 21m 54s
Record Label Cavi-Music
Genre Classical
 

Bach, J.S.: Partitas, BWV 825-830

Schaghajegh Nosrati

Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
  • Select Format
    • AIFF 44.1 kHz | 24-bit
    • FLAC 44.1 kHz | 24-bit
Add to cart
discounted price

 
Partita No. 4 in D Major, BWV 828  
1.1
I. Ouverture
Johann Sebastian Bach; Schaghajegh Nosrati
6:13
1.2
II. Allemande
Johann Sebastian Bach; Schaghajegh Nosrati
9:01
1.3
III. Courante
Johann Sebastian Bach; Schaghajegh Nosrati
3:40
1.4
IV. Aria
Johann Sebastian Bach; Schaghajegh Nosrati
2:10
1.5
V. Sarabande
Johann Sebastian Bach; Schaghajegh Nosrati
6:28
1.6
VI. Menuet
Johann Sebastian Bach; Schaghajegh Nosrati
1:35
1.7
VIII. Gigue
Johann Sebastian Bach; Schaghajegh Nosrati
3:47
Partita No. 3 in A Minor, BWV 827  
1.8
I. Fantasia
Johann Sebastian Bach; Schaghajegh Nosrati
2:05
1.9
II. Allemande
Johann Sebastian Bach; Schaghajegh Nosrati
3:07
1.10
III. Corrente
Johann Sebastian Bach; Schaghajegh Nosrati
2:55
1.11
IV. Sarabande
Johann Sebastian Bach; Schaghajegh Nosrati
3:48
1.12
V. Burlesca
Johann Sebastian Bach; Schaghajegh Nosrati
2:20
1.13
VI. Scherzo
Johann Sebastian Bach; Schaghajegh Nosrati
1:06
1.14
VII. Gigue
Johann Sebastian Bach; Schaghajegh Nosrati
3:16
Partita No. 1 in B-Flat Major, BWV 825  
1.15
I. Praeludium
Johann Sebastian Bach; Schaghajegh Nosrati
2:07
1.16
II. Allemande
Johann Sebastian Bach; Schaghajegh Nosrati
3:23
1.17
III. Corrente
Johann Sebastian Bach; Schaghajegh Nosrati
2:56
1.18
IV. Sarabande
Johann Sebastian Bach; Schaghajegh Nosrati
4:46
1.19
V. Menuet I & II
Johann Sebastian Bach; Schaghajegh Nosrati
2:59
2.1
VI. Gigue
Johann Sebastian Bach; Schaghajegh Nosrati
2:17
Partita No. 2 in C Minor, BWV 826  
2.2
I. Sinfonia
Johann Sebastian Bach; Schaghajegh Nosrati
4:26
2.3
II. Allemande
Johann Sebastian Bach; Schaghajegh Nosrati
4:29
2.4
III. Courante
Johann Sebastian Bach; Schaghajegh Nosrati
2:30
2.5
IV. Sarabande
Johann Sebastian Bach; Schaghajegh Nosrati
3:12
2.6
V. Rondeaux
Johann Sebastian Bach; Schaghajegh Nosrati
1:46
2.7
VI. Capriccio
Johann Sebastian Bach; Schaghajegh Nosrati
3:40
Partita No. 5 in G Major, BWV 829  
2.8
I. Praeambulum
Johann Sebastian Bach; Schaghajegh Nosrati
2:14
2.9
II. Allemande
Johann Sebastian Bach; Schaghajegh Nosrati
4:47
2.10
III. Corrente
Johann Sebastian Bach; Schaghajegh Nosrati
1:45
2.11
IV. Sarabande
Johann Sebastian Bach; Schaghajegh Nosrati
4:06
2.12
V. Tempo di Menuetto
Johann Sebastian Bach; Schaghajegh Nosrati
2:18
2.13
VI. Passepied
Johann Sebastian Bach; Schaghajegh Nosrati
1:32
2.14
VII. Gigue
Johann Sebastian Bach; Schaghajegh Nosrati
4:14
Partita No. 6 in E Minor, BWV 830  
2.15
I. Toccata
Johann Sebastian Bach; Schaghajegh Nosrati
7:21
2.16
II. Allemande
Johann Sebastian Bach; Schaghajegh Nosrati
3:30
2.17
III. Corrente
Johann Sebastian Bach; Schaghajegh Nosrati
4:52
2.18
IV. Air
Johann Sebastian Bach; Schaghajegh Nosrati
1:25
2.19
V. Sarabande
Johann Sebastian Bach; Schaghajegh Nosrati
5:36
2.20
VI. Tempo di Gavotta
Johann Sebastian Bach; Schaghajegh Nosrati
2:03
2.21
VII. Gigue
Johann Sebastian Bach; Schaghajegh Nosrati
6:09
Digital Booklet
"Frankly, I’ve never heard a better performance of this piece on either piano or harpsichord." - American Record Guide "There are countless reasons for loving Bach's music. Certain musicians and music-lovers are fascinated by it's complexity, it's flawless craftmanship. Others treasure it for it's emotional, spiritual significance with total absence of sentimentality. Others, still, are seduced by Bach's appealing mixture of transparency and warmth.. When I learn that a composer of Bach's stature published his impressive collection of partitas under the modest title Clavierübung ('Exercise for Keyboard'), and when I read his statement that music's only purpose should be 'the glory of God and the recreation of the human spirit', I see that he was manifestly excluding his own person - a gesture that stands in stark contrast with my own generation's chronic hubris and boundless egocentricity." - Schaghajegh Nosrati
44.1 kHz / 24-bit PCM – Cavi-Music Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-2.62
-6.64 to -0.29
-20.71
-25.40 to -17.26
-18.04
-22.80 to -14.60
12
10 to 13
1.1
I. Ouverture
-0.71-19.50-16.812
1.2
II. Allemande
-3.74-22.56-19.912
1.3
III. Courante
-0.95-19.43-16.912
1.4
IV. Aria
-0.30-19.49-16.812
1.5
V. Sarabande
-4.61-23.80-20.812
1.6
VI. Menuet
-3.25-21.00-18.411
1.7
VIII. Gigue
-0.58-17.62-14.911
1.8
I. Fantasia
-1.99-18.36-15.811
1.9
II. Allemande
-2.84-21.12-18.411
1.10
III. Corrente
-1.01-18.62-16.011
1.11
IV. Sarabande
-5.14-23.05-20.311
1.12
V. Burlesca
-0.30-19.20-16.611
1.13
VI. Scherzo
-0.30-18.95-16.412
1.14
VII. Gigue
-1.26-17.26-14.611
1.15
I. Praeludium
-4.09-22.16-19.411
1.16
II. Allemande
-2.46-19.85-17.311
1.17
III. Corrente
-2.79-19.51-16.911
1.18
IV. Sarabande
-3.26-22.11-19.311
1.19
V. Menuet I & II
-2.93-21.33-18.712
2.1
VI. Gigue
-2.65-20.94-18.211
2.2
I. Sinfonia
-1.17-20.56-17.813
2.3
II. Allemande
-5.39-22.43-19.911
2.4
III. Courante
-3.22-19.89-17.210
2.5
IV. Sarabande
-6.45-23.84-21.211
2.6
V. Rondeaux
-2.00-22.25-19.712
2.7
VI. Capriccio
-0.58-17.34-14.611
2.8
I. Praeambulum
-0.29-19.57-16.813
2.9
II. Allemande
-4.22-22.50-19.912
2.10
III. Corrente
-3.41-19.74-17.011
2.11
IV. Sarabande
-5.14-24.22-21.412
2.12
V. Tempo di Menuetto
-6.64-25.40-22.812
2.13
VI. Passepied
-2.86-20.27-17.811
2.14
VII. Gigue
-1.83-20.15-17.512
2.15
I. Toccata
-0.30-20.84-18.013
2.16
II. Allemande
-4.08-22.19-19.612
2.17
III. Corrente
-2.55-20.79-18.312
2.18
IV. Air
-3.38-20.48-17.811
2.19
V. Sarabande
-0.98-21.00-18.113
2.20
VI. Tempo di Gavotta
-3.40-19.60-17.011
2.21
VII. Gigue
-1.82-19.34-16.812

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions