℗ 2022 Daniel Heide & Konstantin Krimmel / Deutsche Grammophon, Berlin
| Released | April 22, 2022 |
| Duration | 59m 25s |
| Record Label | Cavi-Music |
| Genre | Classical |
Franz Liszt: Songs, Vol. II "Der du von dem Himmel bist"
Konstantin Krimmel, Daniel Heide
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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Es war ein König von Thule, S. 278B
Franz Liszt; Johann Wolfgang von Goethe; Daniel Heide; Konstantin Krimmel |
3:53 | |||
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1.2
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Wer nie sein Brot mit Tränen aß, S. 297B
Franz Liszt; Johann Wolfgang von Goethe; Konstantin Krimmel; Daniel Heide |
2:39 | |||
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1.3
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Über allen Gipfeln ist Ruh’, S. 306B
Franz Liszt; Johann Wolfgang von Goethe; Konstantin Krimmel; Daniel Heide |
4:07 | |||
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1.4
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Der du von dem Himmel bist, S. 279C
Franz Liszt; Johann Wolfgang von Goethe; Daniel Heide; Konstantin Krimmel |
3:39 | |||
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1.5
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Freudvoll und leidvoll, S. 280C
Franz Liszt; Johann Wolfgang von Goethe; Daniel Heide; Konstantin Krimmel |
3:12 | |||
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1.6
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Gebet, S. 331
Franz Liszt; Friedrich von Bodenstedt; Konstantin Krimmel; Daniel Heide |
4:20 | |||
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1.7
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Einst, S. 332
Franz Liszt; Friedrich von Bodenstedt; Konstantin Krimmel; Daniel Heide |
0:56 | |||
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1.8
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An Edlitam, S. 333
Franz Liszt; Friedrich von Bodenstedt; Konstantin Krimmel; Daniel Heide |
2:18 | |||
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1.9
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Der Glückliche, S. 334
Franz Liszt; Adolf Wilbrandt; Konstantin Krimmel; Daniel Heide |
1:55 | |||
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1.10
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Du bist wioe eine Blume, S. 287B
Franz Liszt; Heinrich Heine; Daniel Heide; Konstantin Krimmel |
1:58 | |||
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1.11
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Im Rhein im schönen Strome, S. 272B
Franz Liszt; Heinrich Heine; Konstantin Krimmel; Daniel Heide |
2:54 | |||
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1.12
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Morgens stegh’ ich auf und frage, S. 290B
Franz Liszt; Heinrich Heine; Konstantin Krimmel; Daniel Heide |
2:33 | |||
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1.13
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Anfangs wollt’ ich fast verzagen, S. 311B
Franz Liszt; Heinrich Heine; Konstantin Krimmel; Daniel Heide |
2:21 | |||
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1.14
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Vergiftet sind meine Lieder, S. 289B
Franz Liszt; Heinrich Heine; Daniel Heide; Konstantin Krimmel |
1:43 | |||
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1.15
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Der Fichtenbaum steht einsam, S. 309B
Franz Liszt; Heinrich Heine; Konstantin Krimmel; Daniel Heide |
3:09 | |||
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1.16
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Die Loreley, S. 273B
Franz Liszt; Heinrich Heine; Daniel Heide; Konstantin Krimmel |
6:45 | |||
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1.17
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Des Tages laute Stimmen schweigen, S. 337
Franz Liszt; Ferdinand von Saar; Daniel Heide; Konstantin Krimmel |
4:32 | |||
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1.18
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Verlassen, S. 336
Franz Liszt; Gustav Michell; Daniel Heide; Konstantin Krimmel |
4:10 | |||
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1.19
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Und wir dachten der Toten, S. 338
Franz Liszt; Ferdinand Freiligrath; Konstantin Krimmel; Daniel Heide |
2:21 | |||
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Digital Booklet
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"Compared with the catalogues of, say, Schubert, Loewe, or Schumann, the song output of Franz Liszt seems quite modest in terms of sheer quantity. Unexpected obstacles make it difficult, however, to obtain an overview of all the Lieder the Weimar virtuoso ever wrote.
Not all of Liszt’s songs are published as sheet music, and this has always been the case; the only currently available collection is a meager anthology of ca. 40 Lieder. One is soon obliged to resort to out-of-print material. The old, 3-volume Leipzig collection edited by C. F. Kahnt contains 57 songs, whereas the most complete edition is the one from 1919-1920 by Carl Alexander, Archduke of Weimar, which is hard to come by. In the meantime, Internet platforms such as Petrucci (imslp.org) have become well-stocked archives where one can find older sheet music that would otherwise be unavailable.
According to my research in the past ten years, Franz Liszt had an output of ca. 85 Lieder, or, shall we say, 'titles'. If we also count his revisions or completely new versions of songs, we can speak of a total of 135 to 140 songs.
Curiously enough, brief songs by Liszt continue to turn up in estates and auctions all over Europe. As a travelling virtuoso, Liszt occasionally wrote down entire songs in guest books when he was invited to the homes of nobility, or to perform in evening soirées. One can also find a few songs he wrote as “arrangements” of melodies or poems of his patrons or benefactors. Several Lieder gems by Liszt are still slumbering in the Goethe-Schiller Archive in Weimar. for instance."
- Daniel Heide
44.1 kHz / 24-bit PCM – Cavi-Music Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.44 -8.23 to -1.06 | -25.56 -29.24 to -20.78 | -21.12 -25.70 to -16.80 | 13 11 to 15 | |
| 1 | Es war ein König von Thule, S. 278B | -1.85 | -22.85 | -18.8 | 12 |
| 2 | Wer nie sein Brot mit Tränen aß, S. 297B | -2.16 | -24.59 | -19.6 | 13 |
| 3 | Über allen Gipfeln ist Ruh’, S. 306B | -3.64 | -28.03 | -23.5 | 15 |
| 4 | Der du von dem Himmel bist, S. 279C | -3.70 | -28.05 | -23.1 | 15 |
| 5 | Freudvoll und leidvoll, S. 280C | -3.43 | -27.33 | -23.0 | 15 |
| 6 | Gebet, S. 331 | -3.07 | -26.72 | -21.3 | 13 |
| 7 | Einst, S. 332 | -7.76 | -27.99 | -23.8 | 11 |
| 8 | An Edlitam, S. 333 | -2.26 | -22.52 | -18.7 | 11 |
| 9 | Der Glückliche, S. 334 | -1.39 | -22.28 | -17.9 | 11 |
| 10 | Du bist wioe eine Blume, S. 287B | -8.23 | -29.24 | -25.7 | 12 |
| 11 | Im Rhein im schönen Strome, S. 272B | -3.46 | -24.08 | -20.4 | 12 |
| 12 | Morgens stegh’ ich auf und frage, S. 290B | -3.59 | -26.40 | -22.5 | 12 |
| 13 | Anfangs wollt’ ich fast verzagen, S. 311B | -2.46 | -25.28 | -20.5 | 13 |
| 14 | Vergiftet sind meine Lieder, S. 289B | -1.61 | -20.78 | -16.8 | 11 |
| 15 | Der Fichtenbaum steht einsam, S. 309B | -3.94 | -25.48 | -20.6 | 12 |
| 16 | Die Loreley, S. 273B | -1.06 | -24.29 | -20.8 | 14 |
| 17 | Des Tages laute Stimmen schweigen, S. 337 | -5.34 | -28.94 | -24.2 | 14 |
| 18 | Verlassen, S. 336 | -4.56 | -26.04 | -21.3 | 12 |
| 19 | Und wir dachten der Toten, S. 338 | -1.79 | -24.74 | -18.8 | 12 |